,

Diablo Mask

TITLE: Diablo Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Guatemala
SUBREGION: Sacatepéquez
ETHNICITY: Mestizo (Spanish/Mayan)
DESCRIPTION: Diablo (Devil) Mask
CATALOG ID: LAGT004
MAKER: José Fermín Ordoñez (Ciudad Vieja Sacatepéquez, 1834-1910)
CEREMONY: Baile de la Legion de los 24 Diablos
AGE: ca. 1865
MAIN MATERIAL: wood
OTHER MATERIALS: plaster; paint; nails; glue

Devil characters appear in several dance-dramas in Guatemala, mainly for entertainment or religious instruction.  In the Sacatepéquez Department, the Baile de la Legion de los 24 Diablos (Dance of the Legion of 24 Devils) serves this function, being an approximately three hour drama enacted during the patron saint festival on December 7-8, in honor of the Santísima Virgen de Concepción. The story involves 19 devils, including Lucifer (who is distinguished by the crown he wears), Death, a monkey, angels, a maiden, an old man, and a soul. The devils, each representing a different theme or sin, seek out a soul to condemn, but one or more angels arrive to succor the sinner. In the end, the soul regresses and goes to Hell. The drama is accompanied by dance, songs and music on traditional Mayan instruments, principally the marimba and chirima flute.

For more on Guatemalan masks, see Jim Pieper, Guatemala’s Masks and Drama (University of New Mexico Press, 2006)

: /by

Citipati

TITLE: Citipati
TYPE: face mask
GENERAL REGION: Asia
COUNTRY: Nepal
ETHNICITY: Sherdukpen (?)
DESCRIPTION: Citipati (Lord of the Graveyard) Mask
CATALOG ID: ASNP007
MAKER: Unknown
CEREMONY: Cham Dance
AGE: late 19th century
MAIN MATERIAL: charred wood
OTHER MATERIALS: N/A

The Cham dance is a classical masked ritual performed by Himalayan Buddhist monks to celebrate the drupchens, or long ceremonies.  Each mask and costume signifies a god, demon, human or animal spirit, or clown that entertains as it instructs in religious history, mythology, and morality.

This mask represents Citipati, the Lords of the Funeral Pyre, who trace their origin not to Buddhism but the earlier Himalayan Bon religion, probably in the 8th century CE. Citipati supposedly originated as two ascetics who were so deep in meditation that they did not sense the thief who encountered and killed them. Citipati accordingly frequently appears in twin male and female guises. They protect the cemeteries.

: /by
, ,

Cajun Mardi Gras

TITLE: Cajun Mardi Gras
TYPE: face mask
GENERAL REGION: North America
COUNTRY: United States of America
SUB-REGION: Acadiana, Louisiana
ETHNICITY: Cajun
DESCRIPTION: Paisley Cloth Mardi Gras Mask
CATALOG ID: NAUS042
MAKER: Tom Norman (Church Point, Louisiana, 1940-2019)
CEREMONY: Courir de Mardi Gras
AGE: 2017
MAIN MATERIAL: steel wire mesh
OTHER MATERIALS: dyed cotton cloth; polyester cloth; brass and enamel pin; elastic band; silicone glue; acrylic paint; cotton batting

In Catholic practice, Mardi Gras (“Fat Tuesday”) is the last day of celebration of Carnival before the fasting period of Lent. In the Acadiana country of southern Louisiana, the descendants of French Canadian immigrants known as “Cajuns” (short for “Acadians”) celebrate Mardi Gras in a manner quite different from the better known Carnival of New Orleans.  The Courir de Mardi Gras (Mardi Gras parade) occurs in most towns of Cajun country only on Mardi Gras itself.

Masqueraders wear full or partial wire mesh masks and quilted suits with tall, conical hats covered in colorful fabric.  They either ride from farm to farm on horseback or drive as a group in trucks with an unmasked leader wearing the traditional Mardi Gras colors of green, purple, and gold.  When they reach a farm, the captain, who carries a whip in one hand and a white flag in the other, approaches the farmer and asks: “Le Mardi Gras demande votre permission pour visiter ta maison” (“The Mardi Gras requests permission to visit your house”), or words to that effect. Upon assent, the revelers descend and run or crawl toward the house, singing a begging song, then exploding into pranks and comedic antics while the captain tries to subdue them with his whip. The only way to make them leave is to donate gifts or money, traditionally a chicken for the evening gumbo, in which the farmer is invited to partake.

For more on the Acadian Carnival celebration, see the excellent book by Carl Lindahl and Carolyn Ware, Cajun Mardi Gras Masks (University Press of Mississippi, 1997).


Click above to watch a short documentary film about Cajun Mardi Gras in Louisiana, 2019 and 2024.

: /by
,

Yangju Byeolsandae Miyal Halmi Mask

TITLE: Yangju Byeolsandae Miyal Halmi Mask
TYPE: face mask
GENERAL REGION: Asia
COUNTRY: Korea
SUBREGION: Yangju, Gyeonggi Province
ETHNICITY: Korean
DESCRIPTION: Miyal Halmi (Old Grandmother) Mask
CATALOG ID: ASKR002
MAKER: Unknown
CEREMONY: Byeolsandae Drama
FUNCTION: celebration; entertainment
AGE: 1980s
MAIN MATERIAL: wood
OTHER MATERIALS: cotton hood; paint

Sandae noli is a type of masking tradition from the Gyeonggi region near Seoul, Korea. It was traditionally performed on seasonal holidays as part of an annual village festival. The drama is accompanied by music played on a small samhyeon yukgak ensemble, consisting of three aerophones, one chordophone, and two membranophones. The full performance involves dozens of characters in different masks.

This mask represents an old grandmother who has been abandoned by her husband, searched form him, and is finally reunited during the play.  Unfortunately, he now has a younger concubine.

For more on Korean masquerade, see Jeon Kyung-wook, Korean Mask Dance Dramas: Their History and Structural Principles (Gyeonggi-do, Rep. of Korea: Youlhwadang Pub. 2005).

: /by
, ,

Fasnet Federahannes Mask

TITLE: Fasnet Federahannes Mask
TYPE: face mask
GENERAL REGION: Europe
COUNTRY: Germany
SUBREGION: Swabia
ETHNICITY: Swabian
DESCRIPTION: Federahannes (Feather Jack) Narro
CATALOG ID: EUDE014
MAKER: Helmut Kramer (Rottweil, 1931-2016)
CEREMONY: Fasnet (Carnival)
AGE: 1967
MAIN MATERIAL: wood
OTHER MATERIALS: gesso; oil paint; horsehair; satin ribbons; dyed cotton thread

In many parts of Swabia and Bavaria, Carnival (usually called Fasnet or Fastnet in this region of Germany) is celebrated with parades of masked clowns (Narren).  The clown parade (Narrensprung) is organized by guilds, all members of which wear similar costumes and masks.  Each town has its own guilds, with some overlap in styles of Narro.  Like this one, most are creepy in an inimitably Germanic way. Their purpose is to usher in the spring with joy and laughter.

Carnival in Rottweil extends back at least to the 16th century, and the Federahannes, or “Feather Jack,” is a longstanding character in the Fasnet of Rottweil. They appear in white shirts and gloves; a wool jacket and pants in brown, red, blue, and green motley; and a black bow tie. The Federahannes also wears a black horsehair wig (Rosshaarkranz) with ribbons to satirize vanity, with a black tricorn hat. The pants and jacket are covered in goose feathers (hence the name), and he has a pair of ornamental goose wings. The Federahannes carries a 2-meter vaulting pole that he uses to jump around acrobatically, apparently conveying the idea that the fool believes that by wearing bird feathers, he can fly.

This specific mask was carved by the late master, Helmut Kramer of Rottweil.

Regrettably, the best texts on Carnival in Bavaria and Swabia are still available in German only: Heinz Wintermantel’s Hoorig, hoorig isch die Katz (Würzburg: Konrad Theiss, 1978) and Dick Eckert’s Die Werdenfelser Fasnacht und ihre Larven (Volk Verlag München, 2015).

: /by
, , ,

Yao Shaman Mask

TITLE: Yao Shaman Mask
TYPE: face mask
GENERAL REGION: Asia
COUNTRY: China
SUBREGION: Yunnan
ETHNICITY: Yao
DESCRIPTION: Shamanic Mask
CATALOG ID: ASCN011
MAKER: Unknown
CEREMONY: Shamanic rituals
FUNCTION: healing; hunting; protection; spirit invocation
AGE: ca. 1910s
MAIN MATERIAL: charred wood
OTHER MATERIALS: N/A

The Yao people inhabit southern China and northern Vietnam, with small enclaves in Thailand, Burma, and Laos. They have syncretic Daoist and animist religious beliefs. Yao shamans use wooden masks to invoke god spirits for protection or successful hunting expeditions. Shamans may also use the masks to heal the sick.

: /by
, , , ,

Iroquois False Face Mask

TITLE: Iroquois False Face Mask
TYPE: face mask
GENERAL REGION: North American
COUNTRY: Canada
SUBREGION: Ontario
ETHNICITY: Iroquois (Onandaga)
DESCRIPTION: Broken Nose False Face Mask
CATALOG ID: NACA006
MAKER: Gene Thomas, Wolf Clan (Six Nations Reserve, Ontario, 1958- )
CEREMONY: Divination; Healing; Purification; Secret Society
AGE: 2010
MAIN MATERIAL: white pine wood
OTHER MATERIALS: copper sheet; horse hair; paint

The Mohawk people (Kanien’kehá-ka) belong to the Iroquois League (Haudenosaunee) and historically inhabited western New York state, as well as parts of Quebec and Ontario, before being displaced by Dutch and British settlers.  They maintain tribal lands in Ontario and Quebec today, reserved by treaty.

Most Iroquois nations, including the Onandaga, had three medicine societies, one of which was the False Face Society.  It is probably no longer a secret society, because although its membership is limited to initiates who have been cured by the Society or had an important dream, most persons in modern Iroquois communities are apparently aware of the Society’s membership.

Among the important rituals of the False Face Society are village purification of diseases, the healing of sick persons, and facilitation of dream fulfillment during the midwinter festival. The masks worn by the Society take a variety of forms, mostly with blowing lips to blow healing ashes on a sick patient.  The copper eyes convey the spirituality of the mask.

For more on Iroquois masking traditions, see William N. Fenton, The False Faces of the Iroquois (University of Oklahoma Press, 1987).

: /by
,

Mardi Gras Timber Wolf

TITLE: Mardi Gras Timber Wolf
TYPE: face mask
GENERAL REGION: North America
COUNTRY: United States of America
SUB-REGION: New Orleans, Louisiana
ETHNICITY: Mixed
DESCRIPTION: Leather timber wolf mask
CATALOG ID: NAUS068
MAKER: Andrea Masse, Tonawanda, New York (1965- )
CEREMONY: Mardi Gras; fantasy
AGE: 2013
MAIN MATERIAL: leather
OTHER MATERIALS: acrylic paint; vinyl cord

In Catholic practice, Mardi Gras (“Fat Tuesday”) is the last day of celebration of Carnival before the fasting period of Lent. In the United States, the holiday is nowhere more vigorously celebrated than in New Orleans, Louisiana. There, a two-week Carnival season terminating on Mardi Gras is celebrated with parades composed of elaborate costumes and masks, floats, marching bands, all organize by private “krewes” composed of public-spirited citizens dedicated to preserving the Mardi Gras tradition. Krewes tend to have a fairly constant structure of officers, who frequently ride horseback in handsome costumes and white draped masks, float riders who chuck “throws,” or small gifts such as plastic beaded necklaces, toys, or mementos (usually with the krewe’s name and insignia) into the cheering crowds, and a guest “king” and “queen” of the krewe.

Mardi Gras in New Orleans is also typically celebrated with formal balls held by the krewes in honor of the king and queen, and to celebrate the season.  Mask wearing among street celebrants is common as well. Traditionally, Mardi Gras masks are made of formed and painted leather, and can represent any character from real life or fantasy.  In modern practice, cheap masks mass manufactured of sequined cloth or paper maché covered in dyed feathers have become common.

This specific mask was hand made by Andrea Masse, a skilled artisan from New York state, for such events as Renaissance festivals and Mardi Gras.



Click above to watch a short documentary about Mardi Gras in New Orleans, Louisiana in 2019 and 2020.

: /by
, , , ,

Austrian Perchtenmaske and Costume

TITLE: Austrian Perchtenmaske and Costume
TYPE: helmet mask; costume; accessory
GENERAL REGION: Europe
COUNTRY: Austria
ETHNICITY: Tyrolean
DESCRIPTION: Perchtenmaske (Krampus Mask) and Costume
CATALOG ID: EUAT013
MAKER: Unknown
CEREMONY: Perchtenlauf
AGE: 2003 (mask); 2014 (costume)
MAIN MATERIAL (Mask): wood
OTHER MATERIALS (Mask): goat horns; paint; goat fur; rabbit fur; foam rubber; adhesive
MAIN MATERIAL (Costume): goat leather and fur
OTHER MATERIALS (Costume): bronze hardware; bronze bells; birch sticks; cloth; paint

Perchtenlauf is a Tyrolean winter festival equivalent to the old Norse Yule.  In many parts of Austria, southern Germany, Switzerland, and northern Italy, in mid-December the town organizes a parade of Perchten, or demons who represent evil spirits (known in Germany as Krampus).  The Perchten wear frightening horned masks with sharp teeth and long, lolling tongues, typically in a suit of goat skin with loud cowbells attached to their belt.  Their function is to accompanying St. Nicholas, who reward good children with treats and presents, while the Perchten punish bad children by beating them with birch switches or throwing them into wicker baskets on their backs to carry down to Hell for punishment.

This complete costume includes a goat leather body suit, gloves with simulated long nails (made of leather), a leather and bronze belt with bronze cowbells, and a birch stick switch for whipping children and other audience members.

: /by
,

Kolam Maneme Moonu

TITLE: Kolam Maneme Moonu
TYPE: face mask
GENERAL REGION: Asia
COUNTRY: Sri Lanka
ETHNICITY: Sinhalese
DESCRIPTION: Maneme Moonu (Prince) Mask
CATALOG ID: ASLK003
MAKER: Unknown
CEREMONY: Kolam Natima
AGE: 1960s
MAIN MATERIAL: kadura (Strychnox nux vomica) wood
OTHER MATERIALS: paint

The masked dance of Sri Lanka developed from shamanic healing and purification rituals, and  split along two lines.  The first, Yakun Natima, is the healing dance performed by a shaman.  Each demon (yakku) represents a specific disease or ailment, and to invoke the demon, the shaman wears a mask depicting the symptoms or symbols of the disease. When performing as a group, a character known as Kola Sanni Yakka, who is a kind of amalgamation of all diseases, presides over the demons.

The second line, Kolam Natima is a storytelling dance drama involving 40 masked characters of very diverse types. The story originates in a myth of a pregnant Sinhalese queen who develops a craving to see masked dances. She begs her husband, the king, to arrange it, but he knows of no such dances. At his request, the god Sekkria, one of the four guardian gods, carves the masks and teaches the people how to perform the dance. They perform for the royal audience, and the baby is consequently born strong and healthy. The stories told with the masks are not a single cohesive narrative, but a series of stories that merge Sinhalese folk traditions with Buddhist Jataka stories, which tell of the former lives of the Buddha.

A Kolam Natima performance begins with ritual addresses to gods and the Buddha. What follows is a prologue showing brief stock, mostly comical, scenes from traditional Sri Lankan society.  Finally, the king and the queen in very large masks enter with their retinue, whence they watch the dance.  The performance ends with the dance, typically involving Gara demons, Nagas (snake demons) and the Garuda (a Naga-eating god-bird) who were eventually reconciled by the Buddha. The performance is intended to purify the village and to spread prosperity.

This mask represents the maneme moonu, a prince and one of several royal characters in the Kolam drama.

For more on the masks of Sri Lanka, see Alain Loviconi, Masks and Exorcisms of Sri Lanka (Paris: Éditions Errance, 1981).

: /by