TITLE: Yaqui Pasko’ola Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Sonora
ETHNICITY: Yaqui
DESCRIPTION: Black Mañor mask with scorpion motif
CATALOG ID: LAMX127
MAKER: Ruben Hernández (Vicam)
CEREMONY: Pasko’ola
FUNCTION: celebration; entertainment; funeral; protection
AGE: early 1990s
MAIN MATERIAL: cottonwood
OTHER MATERIALS: paint; string; horse hair

The Yaqui and related Mayo people inhabit the desert in the Mexican state of Sonora and southern Arizona. Their religious beliefs are a syncretic version of traditional animist practices and Jesuitical Catholicism. The pasko’olas (in the Spanish, pascolas) were malignant spirits, or children of the Devil, whom God won in a game. For that reason, their masks frequently have crucifixes and they wear a belt with twelve bells, each representing an apostle. To symbolize their evil origins, the masks have ugly expressions and vermin such as lizards, snakes and scorpions painted on them. In addition, dancers wear cords and butterfly cocoons on their legs, representing snakes and their rattles. They also wear a flower on their head, to symbolize rebirth and spring. They frequently play the role of clowns, provoking laughter in the audience by mimicking animals, reversing gender roles, organizing mock hunts, and making jokes.

Pasko’olas are danced at every major religious festival, as well as at birthdays, weddings, and funeral celebrations. For example, in Vicam, pasko’olas have traditionally danced on Día de San Juan Bautista (June 24). Sometimes a group of pasko’olas will be accompanied by a deer dancer, who dances with a taxidermy deer head as a crest. Generally, only men are pasko’ola dancers, but women have sometimes been allowed to dance with the permission of the male dancers.

This specific mask was carved by Ruben Hernández of Vicam, Sonora and used for 10 years by Reyno García of Pitaya.

:

TITLE: Negrito Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Oaxaca
ETHNICITY: Mixtec
DESCRIPTION: Negrito (Little Black Man) Mask
CATALOG ID: LAMX078
MAKER: María Pinah Gaston (Santa María Huazolotitlán)
CEREMONY: Danza de los Tejorones
AGE: 1970s
MAIN MATERIAL: wood
OTHER MATERIALS: oil-based paint; dyed cotton string

The Danza de los Tejorones is a group dance drama performed in various towns in Oaxaca at Carnival and a few other major holidays. All dancers wear masks and elaborate costumes, and many different characters are represented, including animals, Maria Candelaria (the female Tejorón), the Negritos (little blacks), devils, Viejos (old men), and Feos (uglies).

Tiny negrito masks such as this one were worn over a handkerchief wrapped around the entire head to cover it.  The effect is to give the impression of a tiny face on a large head.  It is not clear why the masks are made so small.

:

TITLE: Dan Geayagle
TYPE: face mask
GENERAL REGION: Africa
COUNTRY: Côte d’Ivoire
ETHNICITY: Dan
DESCRIPTION: Geayagle (Bird Mask)
CATALOG ID: AFCI007
MAKER: Unknown
CEREMONY: Celebration; Entertainment
AGE: Late 20th century
MAIN MATERIAL: wood
OTHER MATERIALS: pigment; kaolin clay

The Dan people are a large ethnic group inhabiting Liberia and Côte d’Ivoire.  They are largely governed by a variety of secret societies that use masquerade to enforce social norms and punish witchcraft and sorcery. Some masks, however, are used for entertainment at important festivals. Animal masks such as this bird mask fall into this category.

For more on Dan masks, see Eberhard Fischer, Dan Forest Spirits: Masks in Dan Villages, AFRICAN ARTS, Vol. 11, No. 2, pp. 16-23 (1978).

:

TITLE: Character Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Michoacán
ETHNICITY: Purépecha
DESCRIPTION: Laughing character mask with stars on face
CATALOG ID: LAMX060
MAKER: Unknown
CEREMONY: Pastorela
AGE: ca. 2010
MAIN MATERIAL: wood
OTHER MATERIALS: paint

The Pastorela is the ceremonial dance drama of Michoacán state in Mexico. Pastorelas, performed in February during the Shrovetide season, are primarily religious in significance. The main characters of the Dance of the Shepherds are the Devil and his minions, the Archangel Michael, shepherds, and a hermit (who paradoxically represents the ancestors of the performers).  The drama revolves around the attempts of Lucifer and his demon minions to steal the baby Jesus.  Other dramas performed on the occasion include the Dance of the Negritos (dance of the little blacks), relating to the importation of African slaves into Mexico by the Spaniards, and which includes an army of elegantly dressed “little Maries” (Maringuillas), and feos, or ugly clowns.

:

TITLE: Kuker Mask
TYPE: hood mask
GENERAL REGION: Europe
COUNTRY: Bulgaria
ETHNICITY: Bulgarian
DESCRIPTION: Kuker Mask
CATALOG ID: EUBG001
MAKER: Elitsa Ilieva
CEREMONY: Christmas; Ephiphany; Sirni Zagovezni; Survakari; Kukerovden
AGE: 2012
MAIN MATERIAL: cloth
OTHER MATERIALS: sequins; plastic beads; thread

The dance of the kuker (plural, kukeri) is a pre-Christian ritual.  The word kuker comes from the Latin word for hood. In Bulgarian folklore, the kuker is a mythical monster that drive evil spirits away from the village.  Men dance as kukeri wearing suits of goat fur, leather, or cloth; masks of wood, leather, or goat fur; and heavy bronze bells.

During late winter festivals such as Christmas, Epiphany (January 6), or Sirni Zagovezni (the Sunday before Lent), the kukeri dance through the village streets to purify the village and ensure a successful planting season, visiting houses and blessing the inhabitants. The grotesque costumes and loud noise made by the bells are intended to frighten evil spirits away.  The kukeri may also perform in folk plays, such as Survakari and Kukerovden (The Day of the Kukers). In some villages, participation in the Kukerovden play was long considered an initiation ritual that a young man had to complete to qualify for marriage.

:

TITLE: Maluku Islands Mask
TYPE: face mask
GENERAL REGION: Oceania
COUNTRY: Indonesia
SUBREGION: Maluku Islands
ETHNICITY: Melanesian
DESCRIPTION: Wood mask of unknown use, possibly for Tjakalele Dance
CATALOG ID: OCID005
MAKER: Unknown
CEREMONY: Tjakalele Dance (?)
AGE: late 20th century
MAIN MATERIAL: wood
OTHER MATERIALS: N/A

The Maluku (formerly Molucca) Islands are an archipelago of over one thousand islands inhabited by mixed Melanesian and Austronesian peoples. Since Indonesian independence and failed attempts to form various independent republics, they have formed two provinces of the Republic of Indonesia.  Very little is known about the masked ceremonies of the Maluku Islands or of this mask in particular.

:

TITLE: Tlacolorero Rastrero
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Guerrero
ETHNICITY: Nahua & Mixtec
DESCRIPTION: Rastrero (Tracker) Mask
CATALOG ID: LAMX017
MAKER: Unknown
CEREMONY: Danza de los Tlacoloreros
AGE: ca. 1960
MAIN MATERIAL: wood
OTHER MATERIALS: paint; plant fiber; steel nails

The Danza de los Tlacoloreros tells the story of farmers who banded together to hunt jaguars committing depredations on their livestock. Its origin was the precolonial dance in honor of the Aztec god Tláloc, praying for rain for a good harvest.  It is commonly danced in Guerrero.

The Rastrero is the peasant who acts as tracker of the jaguars.  This mask was used for many years and periodically, though inexpertly, repainted as old coats wore off, with new plant fibers attached as beard and mustache over time.

:

TITLE: Baule Mblo
TYPE: face mask
GENERAL REGION: Africa
COUNTRY: Côte d’Ivoire (Ivory Coast)
ETHNICITY: Baule
DESCRIPTION: Mblo (portrait) mask with chief on head
CATALOG ID: AFCI024
MAKER: Unknown
CEREMONY: Mblo Celebration
AGE: ca. 2000
MAIN MATERIAL: wood
OTHER MATERIALS: paint

The Baule people of Côte d’Ivoire use many kinds of cultural masks and are known for the artistry and skill of their carvers. The Mblo celebration serves primarily as entertainment and the conferring of social status on certain honored individuals.  At the end of the Mblo celebration, portrait masks are danced individually in a series of increasing complexity. Each mask represents an honored villager.  This specific mask represents a chief, as indicated by the status symbol atop the head.

:

TITLE: Wayang Wong Rama
TYPE: face mask
GENERAL REGION: Asia
COUNTRY: Indonesia
SUBREGION: Bali
ETHNICITY: Balinese
DESCRIPTION: Rama Mask
CATALOG ID: ASID024
MAKER: Ida Wayan Tangguh (Singapadu, 1935-2016)
CEREMONY: Wayang Wong
AGE: 2012
MAIN MATERIAL: pule wood
OTHER MATERIALS: gold-plated silver; glass; mirrors; buffalo leather; paint; gold leaf

The Wayang Wong dance drama retells parts of the Hindu epics, the Ramayana and the Mahabharata. These epics revolve around the god Rama and his battle with the demon king Ravana, who has abducted Rama’s wife, Sita. In the end, Rama retrieves her with the help of the wily monkey god, Hanuman.  This mask represents Rama and was carved in 2012 by the late master craftsman, I. Wayan Tangguh.

For more on Balinese masks, see Judy Slattum, Masks of Bali: Spirits of an Ancient Drama (San Francisco: Chronicle Books, 1992).


Video of a Wayang Wong performance in Bali, Indonesia.

:

TITLE: Soul Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Michoacán
ETHNICITY: Nahua
DESCRIPTION: Calavera (Skull) Mask Representing an Espíritu (Soul)
CATALOG ID: LAMX064
MAKER: Manuel Horta Ramos (Tocuaro)
CEREMONY: Día de los Muertos
FUNCTION: celebration; spirit invocation
AGE: 2015
MAIN MATERIAL: wood
OTHER MATERIALS: plaster; maque

Día de los Muertos (Day of the Dead) is an important Mexican celebration of pre-Christian origin. In its modern incarnation, Day of the Dead (actually, two days in most places, November 1st for children and 2nd for adults) celebrates deceased family members with ofrendas (offerings) to the spirits who return to visit and night-long vigils at the graves of the departed. The graves are frequently decorated with flowers, candles, and sweets for children and alcohol for adults.

In parts of Mexico, Day of the Dead is also celebrated with desfiles (parades) or comparsas (appearances or performances) by masqueraders. Because Day of the Dead celebrates the departed, the calaca, or skull, remains an extremely popular image. The skull and skeleton are important symbols in pre-Christian Mexican culture and are found extensively in Aztec, Mixtec, Mayan, and other indigenous art.  This mask represents a soul (espíritu) being carried to its destination (Heaven or Hell) by a bat.

: