TITLE: Kanaval Tiger
TYPE: helmet mask
GENERAL REGION: Caribbean
COUNTRY: Haiti
ETHNICITY: Afro-Haitian
DESCRIPTION: Tiger Mask
CATALOG ID: CAHT001
MAKER: Didier Civile (Jacmel, 1973- )
CEREMONY: Carnival
AGE: late 1990s
MAIN MATERIAL: paper maché
OTHER MATERIALS: oil-based paint; rubber strap; string

In Haiti, the French-speaking descendants of African slaves celebrate Carnival (Kanaval) with parades and parties. Due to the extreme poverty of the great majority of Haitian people, masks and costumes are mostly handmade from recycled or easily available materials. There are stock characters that appear at most celebrations, such as Chaloska and the horned Lanse Kòds, but participants are free to invent their own costumes.  A few expert artisans, such as the one who made this mask, create more professional masks, but even these tend to be made of inexpensive materials, such as paper maché or wire mesh.

For more on Haitian Carnival, see Leah Gordon et al., Kanaval: Vodou, Politics and Revolution on the Streets of Haiti (London: Soul Jazz Pub., 2010).

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TITLE: Bugaku Korobase Mask
TYPE: face mask
GENERAL REGION: Asia
COUNTRY: Japan
SUBREGION: Nara Prefecture
ETHNICITY: Japanese
DESCRIPTION: Bugaku Mask of Korobase (Crane)
CATALOG ID: ASJP020
MAKER: Nakabo Ryudo (Nara, 1940- )
CEREMONY: Bugaku
AGE: 2019
MAIN MATERIAL: polyester resin
OTHER MATERIALS: paint; silk cord; brass bell

Bugaku is an official court dance of Japan, dating back to about 500 C.E.  During the Heian period, Bugaku dances were so central to protocol that nearly all ceremonies and festivals included them. The dance was especially important in appeasing angry gods, purifying the village, and petitioning the gods for rain or a good harvest.  The dance is performed to the music of drums and flutes. The dancers enter the stage singly in succession, then dance together in pairs, in synchronicity to varying tempos. Each dance has its own mask and is named after the mask.

Bugaku masks were sometimes made of wood and sometimes from kanshitsu, a composite of sawdust and resin shaped over a mold. In modern times, Shinto temples have increasingly requested mask makers to produce thick polyester resin masks that are harder and more durable than wood or kanshitsu, as well as easier to reproduce once the mold has been sculpted,

The Korobase dance, also called Tsurumai (Crane Dance), is a slow, quiet dance involving four dancers in identical masks. The dancers represent cranes, the calls of the cranes represented by the bells hanging from their beak tips. The dance supposedly derives from two Chinese legends.  In one, eight Chinese recluses living on Mt. Konron come down into the city, and in the other, cranes dance on the beach to the music of a Chinese zither.  In the dance, the dancers form a square and do a slow, coordinated series of movements. The climax occurs when they join hands and sweep around in a circle, evoking with the dark blue sleeves of their robes the take off and flight of the cranes.

For more on Bugaku masks, see Kyōtarō Nishikawa, Bugaku Masks (Tokyo: Kodansha International Ltd. 1971).


Click above to watch a short documentary film about the Bugaku dance of Japan.

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TITLE: Bugaku King Rangryo
TYPE: face mask
GENERAL REGION: Asia
COUNTRY: Japan
SUBREGION: Nara Prefecture
ETHNICITY: Japanese
DESCRIPTION: King Rangryo Mask
CATALOG ID: ASJP003
MAKER: Unknown
CEREMONY: Bugaku
AGE: ca. 1910
MAIN MATERIAL: hinoki (Japanese cypress) wood
OTHER MATERIALS: plaster; water-based paint; brass-sheeting; hardware; animal hair; silk cords

Bugaku is an official court dance of Japan, dating back to about 500 C.E.  During the Heian period, Bugaku dances were so central to protocol that nearly all ceremonies and festivals included them. The dance was especially important in appeasing angry gods, purifying the village, and petitioning the gods for rain or a good harvest.  The dance is performed to the music of drums and flutes. The dancers enter the stage singly in succession, then dance together in pairs, in synchronicity to varying tempos. Each dance has its own mask and is named after the mask.

Bugaku masks were sometimes made of wood, like this one, and sometimes made from kanshitsu, a composite of sawdust and resin shaped over a mold. This mask was danced in the early 20th century.  It is similar to a much older one in Nara, used at the Kasuga Taisha for festivals.  The chin is attached by silk cords to allow the mouth to swing freely with the dancer’s movements.

The Rangryo mask represents a young Chinese king who was renowned for his beauty, but who could not intimidate his enemies. In battle, he donned a hideous mask surmounted by a dragon to hide his face and frighten his enemies. The dance is a solo dance; it is highly martial and more active than many other Bugaku dances.

For more on Bugaku masks, see Kyōtarō Nishikawa, Bugaku Masks (Tokyo: Kodansha International Ltd. 1971).


Click above to watch a short documentary film about the Bugaku dance of Japan.

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TITLE: Frank’s Brain Mask
TYPE: face mask
GENERAL REGION: North America
COUNTRY: United States of America
ETHNICITY: Mixed
DESCRIPTION: Leather Zombie Mask
CATALOG ID: NAUS029
MAKER: William Rockwell, Lakewood, Colorado (1989- )
CEREMONY: Halloween
AGE: 2019
MAIN MATERIAL: leather
OTHER MATERIALS: metal grommets; acrylic paint; leather dye; leather stain; thread; clear coating

Halloween is one of the major secular festivals in the United States, celebrated on October 31st each year.  It originated in pre-Christian times, possibly among the ancient Celts, who practiced Samhain in late fall by wearing frightening costumes and lighting bonfires in mid-autumn to scare away ghosts. In the eighth century, Pope Gregory III declared November 1st as a day to honor all the saints collectively. The celebration prior to this All Saints Day became known as All Hallows’ Eve (hence the shortened name, All Hallowe’en, eventually elided to Halloween), and involved many of the same traditions practiced by the Celts.

Halloween formerly had many traditions that varied by region.  In modern and relatively homogenized practice, Halloween generally has three main components: costumed parties, “trick-or-treating,” and haunted houses.  Costumed parties are the modern descendant of social activities designed to honor the saints and create solidarity in the community. Children’s parties typically involved games with prizes, such as bobbing for apples and carving pumpkins and other relatively dry squash into frightening “jack-o-lanterns” with candles inside for illumination.  Adult parties commonly involve less innocent games and elaborate decorations to create a scary mood.

Trick-or-treating is the children’s practice of wearing scary costumes to extort candy and other sweets from neighbors. Like roaming goblins, the monsters visiting the house would demand a treat or threaten to play a nasty trick on the neighbor. The threat is of course a formality, as sharing candy with trick-or-treaters is considered a mandatory practice for friendly and community-spirited neighbors. In modern practice, many children have abandoned the tradition of wearing frightening costumes and have leaned toward fantasy characters such as superheroes, princesses, and fairies.

Haunted houses are a relatively modern innovation.  They may be designed and staffed by volunteers or for profit, and generally take the form of a decrepit mansion haunted by ghosts, mad scientists, monsters, the walking dead, etc. The idea is to inspire terror and wonder in a factually safe environment.

In addition, many Americans celebrate by watching horror movies (the release of which Hollywood times to coincide with the Halloween season), and in some regions, most notably Greenwich Village, Manhattan in New York and Salem, Massachusetts, major costumed parades are organized each year.  In many cities, “zombie walks” composed of masses of costumed zombies have been organized as well.

Popular masks and costumes include devils, zombies, skeletons, vampires, werewolves, mummies, witches, pirates, political figures, and characters from popular culture, such as Frankenstein’s monster. However, Halloween costumes can include almost anything, including inanimate objects and abstractions.  The choice is limited only by the imagination of the masquerader.  Masks and costumes depicting offensive racial stereotypes, popular prior to the 1980s, are no longer widely used.

Click above to watch a documentary about Halloween in the United States.

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TITLE: Black Raven Mask
TYPE: face mask
GENERAL REGION: North America
COUNTRY: United States of America
ETHNICITY: Mixed
DESCRIPTION: Leather Black Raven Mask
CATALOG ID: NAUS017
MAKER: William Rockwell, Lakewood, Colorado (1989- )
CEREMONY: Halloween; Mardi Gras; Fantasy
AGE: 2019
MAIN MATERIAL: leather
OTHER MATERIALS: acrylic paint

Masks of this type are used in a variety of festivities in the United States, including Halloween, Mardi Gras, and at fantasy events such as Comic-Con, FaerieCon, and Renaissance fairs.  They may also be used in theaters for plays calling for disguises.  They are made of formed and tooled leather, colored with acrylic paint.

Click above to watch a documentary about Halloween in the United States.

Click above to watch a short documentary about Mardi Gras in New Orleans, Louisiana in 2019 and 2020.

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TITLE: Pende Giphogo (Kipoko) Mask
TYPE: helmet mask
GENERAL REGION: Africa
COUNTRY: Democratic Republic of the Congo
ETHNICITY: Eastern Pende
DESCRIPTION: Giphogo (Kipoko) Mask
CATALOG ID: AFCD011
MAKER: Unknown
CEREMONY: Mukanda / Lukongo Dance
FUNCTION: Adult Initiation; Protection; Purification; Social Control; Spirit Invocation; Status
AGE: ca. 1980s
MAIN MATERIAL: wood
OTHER MATERIALS: cloth; string; pigment

The Pende people have many different kinds of masks they wear, especially at adult initiation rituals and funerals. The word giphogo (or kipoko) means “sword wielder” and is a symbol of power among the Eastern Pende. The mask is kept in the chief’s home, and only chiefs are allowed to authorize dance with this type of mask on the occasion of initiations and rituals of the ancestor cult of the Eastern Pende. It represent the village chief as intermediary between the living and the dead, and its uses include protection from evil spirits; prayers or thanks for successful harvests and tribal fertility; to identify and punish sorcerers; and adult initiation during mukanda rituals. The dance is called Lukongo among the Eastern Pende.  The masquerader carries one or two flywhisks made of animal hair, which are used to mimic agricultural work or to purify the village grounds.  As the kipoko dances, he mimics the daily tasks of village women, meanwhile flicking the ground with the whisks and making semicircular kicks to protect the village against evil spirits or sorcerers, to purify disease and sterility, and to quiet discord. Every Eastern Pende boy must learn the Lukongo dance to be initiated into the men’s fraternity.

For more on Pende masked dances, see Z.S. Strother, Inventing Masks: Agency and History in the Art of the Central Pende (University of Chicago Press, 1998).

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TITLE: Iroquois Corn Husk Mask
TYPE: face mask
GENERAL REGION: North American
COUNTRY: Canada
SUBREGION: Québec
ETHNICITY: Iroquois
DESCRIPTION: Corn Husk (Bushy Head) mask
CATALOG ID: NACA009
MAKER: Unknown
CEREMONY: Agriculture; Healing; Secret Society; Spirit Invocation
AGE: ca. 1970s
MAIN MATERIAL: braided corn husks
OTHER MATERIALS: N/A

The Iroquois League (Haudenosaunee) historically inhabited the northeastern regions of the United States and eastern Canada, before being displaced by Dutch and British settlers.  They maintain tribal lands in Ontario and Quebec today, reserved by treaty.

Most Iroquois nations had three medicine societies, one of which was the Society of Husk Faces.  Among the important rituals of the Society are celebration of the Midwinter Festival using the “Bushy Heads” or corn husk masks. They represent earthbound spirits from the other side of the world, where the seasons are reversed (which, in fact, they are south of the Equator). The beings taught the Iroquois the skills of hunting and agriculture. They perform predominantly two dances, known as the Fish Dance and the Women’s Dance. Unlike the False Face dancers, Husk Face dancers are mute. Like the False Face dancers, they can cure the ill by blowing hot ash or sprinkling water on their patients.

The Bushy Heads can be male or female, young or old.  Either men or women may dance in the Husk Face Society, and sometimes they choose masks of the opposite gender to the amusement of the audience.

For more on Iroquois masking traditions, see William N. Fenton, The False Faces of the Iroquois (University of Oklahoma Press, 1987).

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TITLE: Kwele Helmet Mask
TYPE: helmet mask
GENERAL REGION: Africa
COUNTRY: Gabon
ETHNICITY: Kwele
DESCRIPTION: Ekuk Helmet Mask
CATALOG ID: AFGA008
MAKER: Unknown
CEREMONY: Be’ete Society
AGE: ca. 1970s
MAIN MATERIAL: wood
OTHER MATERIALS: kaolin clay; pigment; raffia fiber

The Kwele, also known as Kwese, people of Gabon and the Democratic Republic of Congo now live between the Dja and Ivindo rivers. Social control is exercised by the Be’ete Secret Society, which uses masks to adult initiation rituals, funerals, and protection of the village from malicious spirits.  The masks embody protective bush spirits, with the antelope a dominant presence among them.  Kaolin clay is nearly always used in Kwele masks, because its white color has spiritual meaning to the Kwele.

This specific mask represents an ekuk, or forest spirit, of a lion.

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TITLE: Dancing Devil of Yare
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Venezuela
SUBREGION: Miranda
ETHNICITY: Mestizo
DESCRIPTION: Diablo Danzante
CATALOG ID: LAVE002
MAKER: Manuel “El Mocho” Salvador Sanoja, San Francisco de Yare (1937-2010)
CEREMONY: Corpus Christi; other Catholic holidays
AGE: 1980s
MAIN MATERIAL: paper maché
OTHER MATERIALS: paint

The dancing devils of Yare are a fraternal order that dances on Corpus Christi and other holidays. When the tradition of dancing in devil costumes first began in San Francisco de Yare, the masks were monochromatic, made from cloth, and came in many forms.  These may date back to the 18th century.  Over time, the drab cloth masks were replaced with cheaper paper maché, and they began to be painted more colorfully to resemble animals, such as bulls, pigs, dogs, or demons. Before dancing, each devil makes a promise to the Church, but devils never enter the church building itself.  Instead, they hear mass outside the church and receive the Bishop’s blessing without entering.

The Dancing Devils Society is organized in a definite hierarchy, with the number of horns (cachos) representing the rank of the dancer.  Each wears a red suit with a crucifix or image of a saint, with a rosary on the belt, and carries rattles (maracas) or, in the case of the lead devil, one rattle looking like a devil’s head and a whip (látigo).  The First Devil (primer capataz) is the leader and has four horns.  The second and third devils (segundo and tercero capataz) have three horns.  Lesser devils (promeseros) have two horns.  All are male; females can participate, but they cannot wear masks.  Instead, they wear the red suit with a red kerchief on their heads.

This mask was made by the well-known dancer “El Mocho,” known as such for having lost four fingers on his left hand while setting off fireworks as a child.

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TITLE: Mardi Gras Krewe Officer Masks
TYPE: face masks
GENERAL REGION: North America
COUNTRY: United States of America
SUB-REGION: New Orleans, Louisiana
ETHNICITY: Mixed
DESCRIPTION: Pair of Mardi Gras Krewe Officer Masks
CATALOG ID (green): NAUS053
CATALOG ID (white): NAUS054
MAKER: Unknown
CEREMONY: Mardi Gras
AGE: 1950s
MAIN MATERIAL: dyed satin cloth
OTHER MATERIALS: linen; adhesive; stitching

In Catholic practice, Mardi Gras (“Fat Tuesday”) is the last day of celebration of Carnival before the fasting period of Lent. In the United States, the holiday is nowhere more vigorously celebrated than in New Orleans, Louisiana. There, a two-week Carnival season terminating on Mardi Gras is celebrated with parades composed of elaborate costumes and masks, floats, marching bands, all organize by private “krewes” composed of public-spirited citizens dedicated to preserving the Mardi Gras tradition. Krewes tend to have a fairly constant structure of officers, who frequently ride horseback in handsome costumes and draped masks, float riders who chuck “throws,” or small gifts such as plastic beaded necklaces, toys, or mementos (usually with the krewe’s name and insignia) into the cheering crowds, and a guest “king” and “queen” of the krewe.

Mardi Gras in New Orleans is also typically celebrated with formal balls held by the krewes in honor of the king and queen, and to celebrate the season.  Mask wearing among street celebrants is common as well. Traditionally, Mardi Gras masks are made of formed and painted leather, and can represent any character from real life or fantasy.  In modern practice, cheap masks mass manufactured of sequined cloth or paper maché covered in dyed feathers have become common.

These masks are the kind normally worn by officers of the krewe who are charged with organizing the parade every year.  Among the older krewes, the officers ride horses, wearing elaborate headdresses with feathers.  The mask they wear is nearly always a cloth “domino” type mask with a veil over the mouth to allow relatively unimpeded talking and drinking. Other participants, such as float riders and celebrities, may wear similar masks.

In modern times, the masks are usually more elaborately decorated that these, which date from the 1950s.


Click above to watch a short documentary about Mardi Gras in New Orleans, Louisiana in 2019 and 2020.

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