TITLE: Careto
TYPE: face mask
GENERAL REGION: Europe
COUNTRY: Portugal
SUBREGION: Bragança
ETHNICITY: Iberian
DESCRIPTION: Black careto with horns
CATALOG ID: EUPT004
MAKER: António Alves (Varges, Bragança, 1949- )
CEREMONY: Entrudo (Carnival)
AGE: 2016
MAIN MATERIAL: aluminum sheet
OTHER MATERIALS: goat horns; enamel paint

In Bragança, Portugal, Carnival (frequently called Entrudo) masks may be composed of a wide variety of materials, most commonly metal, leather, wood, cork, or escrinho (woven straw). Such masks typically have devilish features, representing the freedom enjoyed by the celebrant that would be considered sinful, or at least socially unacceptable, at other times of the year. Carnival is the Shrovetide season of maximal social freedom prior to the Catholic fasting season of Lent. In Catholic countries such as Portugal, parties, parades, feasting, and cultural events are commonly organized during the Carnival season, primarily on “Fat Sunday” and “Fat Tuesday.”

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TITLE: Careto
TYPE: face mask
GENERAL REGION: Europe
COUNTRY: Portugal
SUBREGION: Bragança
ETHNICITY: Iberian
DESCRIPTION: Careto in four colors
CATALOG ID: EUPT001
MAKER: Oscar Barros (Bragança)
CEREMONY: Entrudo (Carnival)
AGE: 2015
MAIN MATERIAL: steel sheet
OTHER MATERIALS: enamel paint

In Bragança, Portugal, Carnival (frequently called Entrudo) masks may be composed of a wide variety of materials, most commonly metal, leather, wood, cork, or escrinho (woven straw). Such masks typically have devilish features, representing the freedom enjoyed by the celebrant that would be considered sinful, or at least socially unacceptable, at other times of the year. Carnival is the Shrovetide season of maximal social freedom prior to the Catholic fasting season of Lent. In Catholic countries such as Portugal, parties, parades, feasting, and cultural events are commonly organized during the Carnival season, primarily on “Fat Sunday” and “Fat Tuesday.”

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TITLE: Carnival Wöschwyb
TYPE: face mask
GENERAL REGION: Europe
COUNTRY: Switzerland
SUBREGION: Lucerne
ETHNICITY: Swiss
DESCRIPTION: Wöschwyb (Washwoman) Mask
CATALOG ID: EUCH010
MAKER: Toni Meier, Kriens (1941- )
CEREMONY: Fasnacht (Carnival)
AGE: 2017
MAIN MATERIAL: linden wood
OTHER MATERIALS: paint; lacquer; dyed cloth

Fasnacht is what the Swiss call Carnival.  In many towns in Switzerland, Austria, southern Germany, and northern Italy, local folk don elaborate masks and costumes to parade through the town.  Different Swiss towns have variations on the parade, such as Fasnacht of Basel, the Tschäggättä of Lötschental, or the Rabadan of Bellinzona.

Although traditional masked Carnival is no longer celebrated in most of Lucerne, in the town of Kriens, masquerade using masks called Muur or Hübeli still plays a role. Two types of masked are typically used in this region, satirical character masks such as this one, which can represent either sex. Character masks come in many different types, such as the Wöschwyb (washerwoman) and Alter (old man). The other type are Schreckmasken (fright masks) representing scary men, known as the Krienser Deckel (Kriens head) and Buuremaa (farmer).

Unfortunately, the best book on Swiss masking traditions is available in German only: Albert Bärtsch, Holzmasken: Fasnachts- und Maskenbrauchtum in der Schweiz, in Süddeutschland und Österreich (AT Verlag 1993).

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TITLE: Bull Mask
TYPE: face mask
GENERAL REGION: Europe
COUNTRY: Spain
SUBREGION: Barcelona, Catalonia
ETHNICITY: Catalan
DESCRIPTION: Toro (Bull) Mask
CATALOG ID: EUES006
MAKER: Augusto Duch (Barcelona)
CEREMONY: Carnival
AGE: 2012
MAIN MATERIAL: paper maché
OTHER MATERIALS: paint; ribbons; wire mesh

Carnival is celebrated throughout Catholic Europe with parades and other festivities, often including masqueraders. For centuries, Spaniards venerated the ritual of bullfighting, inherited from Roman gladiator contests, and it is still practiced in parts of Spain. Although several regions, including Catalonia since 2012, has banned it as unnecessary cruelty to animals. Nonetheless, the symbol of the bull survives as part of Spanish culture and tradition. The bull is consequently a popular character in Spanish Carnival due to its association with virility and strength.

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TITLE: Carnival Fright Mask
TYPE: face mask
GENERAL REGION: Europe
COUNTRY: Switzerland
SUBREGION: Lucerne
ETHNICITY: Swiss
DESCRIPTION: Schreckmaske (Fright Mask)
CATALOG ID: EUCH015
MAKER: Toni Meier, Kriens (1941- )
CEREMONY: Fasnacht (Carnival)
AGE: 2017
MAIN MATERIAL: linden wood
OTHER MATERIALS: paint; lacquer

Fasnacht is what the Swiss call Carnival.  In many towns in Switzerland, Austria, southern Germany, and northern Italy, local folk don elaborate masks and costumes to parade through the town.  Different Swiss towns have variations on the parade, such as Fasnacht of Basel, the Tschäggättä of Lötschental, or the Rabadan of Bellinzona.

Although traditional masked Carnival is no longer celebrated in most of Lucerne, in the town of Kriens, masquerade using masks called Muur or Hübeli still plays a role. Two types of masked are typically used in this region, satirical character masks which can represent either sex. Character masks come in many different types, such as the Wöschwyb (washerwoman) and Alter (old man). The other type are Schreckmasken (fright masks) representing scary men, known as the Krienser Deckel (Kriens head) and Buuremaa (farmer). This mask is a typical Kriens fright mask.

Unfortunately, the best book on Swiss masking traditions is available in German only: Albert Bärtsch, Holzmasken: Fasnachts- und Maskenbrauchtum in der Schweiz, in Süddeutschland und Österreich (AT Verlag 1993).

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TITLE: Carnival Fantasy Mask
TYPE: face mask
GENERAL REGION: Europe
COUNTRY: Italy
SUBREGION: Venice
ETHNICITY: Italian
DESCRIPTION: Moon Carnival macramé mask
CATALOG ID: EUIT014
MAKER: Carta Alta, Venice
CEREMONY: Carnival
AGE: early 2000s
MAIN MATERIAL: paper maché
OTHER MATERIALS: macramé; paint; rhinestones; ribbon

During Carnival in Venice, masqueraders wear a variety of both classical and novelty masks. This mask falls in the latter category. It is made to resemble the moon and can be worn by masqueraders of either sex. By not covering the whole face, masks such as this one allow the wearer unimpeded speech and the option of eating and drinking without unmasking.

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TITLE: Silvesterklaus
TYPE: face mask
GENERAL REGION: Europe
COUNTRY: Switzerland
SUBREGION: Appenzell Ausserrhoden
ETHNICITY: Swiss
DESCRIPTION: Schöne Silvesterklaus Mask
CATALOG ID: EUCH002
MAKER: Verena Steiger (Steinen, Schwyz, 1955- )
CEREMONY: St. Sylvester’s Day (New Year’s Eve)
AGE: 1990
MAIN MATERIAL: cloth; wax
OTHER MATERIALS: paint; metal o-rings

On New Year’s Eve on both the Gregorian (December 31) and Julian (January 13) calendars, Appenzell Canton, Switzerland, sees yodeling mummers pass through the town wearing masks and elaborate costumes in honor of Saint Sylvester. The costume includes large bells and a headdress, although the appearance of the mummers varies. There are three types of Chlausen: schöne (pretty), schö-wüeschte (pretty-ugly), and wüeschte (ugly). This mask represents a schöne, and would be worn with an elaborate headdress with scenes of peasant life and a traditional Appenzeller costume. The ugly masks are skillfully made to look frightening, and the mask and costume are both composed of fir branches and needles, ivy, moss, or other natural materials. Pretty-ugly characters have the schöne mask like this one, but the natural costume of a wüeschte.

For more on traditional folk masks of the Alps, see Claus Hansmann, Masken Schemen Larven: Volksmasken der Alpenländer (Munich: Verlag F. Bruckmann, 1959).

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TITLE: Carnival Character
TYPE: face mask
GENERAL REGION: Europe
COUNTRY: Switzerland
SUBREGION: Lucerne
ETHNICITY: Swiss
DESCRIPTION: Character Mask
CATALOG ID: EUCH011
MAKER: Toni Meier (Kriens, 1941- )
CEREMONY: Fasnacht (Carnival)
AGE: 1975
MAIN MATERIAL: linden wood
OTHER MATERIALS: paint; lacquer

Fasnacht is what the Swiss call Carnival.  In many towns in Switzerland, Austria, southern Germany, and northern Italy, local folk don elaborate masks and costumes to parade through the town.  Different Swiss towns have variations on the parade, such as Fasnacht of Basel, the Tschäggättä of Lötschental, or the Rabadan of Bellinzona.

Although traditional masked Carnival is no longer celebrated in most of Lucerne, in the town of Kriens, masquerade using masks called Muur or Hübeli still plays a role. Two types of masked are typically used in this region, satirical character masks such as this one, which can represent either sex. Character masks come in many different types, such as the Wöschwyb (washerwoman) and Alter (old man). The other type are Schreckmasken (fright masks) representing scary men, known as the Krienser Deckel (Kriens head) and Buuremaa (farmer).

Unfortunately, the best book on Swiss masking traditions is available in German only: Albert Bärtsch, Holzmasken: Fasnachts- und Maskenbrauchtum in der Schweiz, in Süddeutschland und Österreich (AT Verlag 1993).

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TITLE: Paper Carnival Mask
TYPE: face mask
GENERAL REGION: Europe
COUNTRY: Germany
SUBREGION: N/A
ETHNICITY: German
DESCRIPTION: Paper Carnival mask of man with monocle
CATALOG ID: EUDE012
MAKER: Unknown
CEREMONY: Carnival
AGE: ca. 1920s
MAIN MATERIAL: kraft paper
OTHER MATERIALS: paint

During the 1920s and 1930s in Europe, sluggish economies created demand for inexpensive versions of traditional Carnival masks that had previously been made from wood or thick paper maché. Enterprising companies began making disposable masks from cheaper kraft paper, hand painted by the abundant labor available due to high unemployment. This mask originates in Germany and represents a sophisticated man wearing a monocle, then fashionable.

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TITLE: Volto Carnival Mask
TYPE: face mask
GENERAL REGION: Europe
COUNTRY: Italy
SUBREGION: Venice
ETHNICITY: Italian
DESCRIPTION: Volto Carnival Mask
CATALOG ID: EUIT013
MAKER: Carta Alta, Venice
CEREMONY: Carnival
AGE: early 2000s
MAIN MATERIAL: paper maché
OTHER MATERIALS: macrame; paint; rhinestones; ribbon

The volto (“face”) is a classic Venetian Carnival mask that covers the entire face for maximum anonymity. The lack of an opening, like the bauta mask, makes it appear more natural but less functional, as the masquerader must remove the mask for eating and drinking, and speaking is obstructed by the lack of a mouth opening.

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