TITLE: Bamileke Helmet Mask
TYPE: helmet mask
GENERAL REGION: Africa
COUNTRY: Cameroon
ETHNICITY: Bamileke
DESCRIPTION: Helmet Mask
CATALOG ID: AFCM002
MAKER: Unknown
CEREMONY: Agriculture; Celebration; Funeral; Status
AGE: late 1960s
MAIN MATERIAL: wood
OTHER MATERIALS: none

The Bamileke people of the Cameroon grasslands are closely related to their neighbors, the Babanki and Bamoun peoples, and have similar artistic styles. The Bamileke society is highly stratified by lineage, with certain royal lineages exclusively entitled to wear certain masks.  Lineage masks may represent persons, such as the kam, ngoin, or animals, and are used principally at funerals and annual harvest festivals. The kam mask is reserved for royalty and is the highest ranking mask, with ngoin, his wife, also highly ranked. Helmet masks like this one are open to non-royal lineages to use.

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TITLE: Ibibio Ekpo Mask
TYPE: face mask
GENERAL REGION: Africa
COUNTRY: Nigeria
ETHNICITY: Eket (Ibibio)
DESCRIPTION: Ekpo Society mask
CATALOG ID: AFNG005
MAKER: Unknown
CEREMONY: Ekpo Society
AGE: 1990s
MAIN MATERIAL: wood
OTHER MATERIALS: kaolin clay; pigment

The Ibibio inhabit Nigeria and parts of Benin. The Eket are a subgroup of the Ibibio known for their highly cultivated artistic style. Masks are used by the Ekpo (leopard) Society to protect and purify the village through invocation of the Ekpo bush spirit. Membership in the society is limited to men, and during masked dances for the purification and protection of the village, women are not allowed to touch the dancers. Membership at higher ranks in the Society requires considerable wealth and confers high social status.

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TITLE: Winiama Leprosy Mask
TYPE: face mask
GENERAL REGION: Africa
COUNTRY: Burkina Faso
ETHNICITY: Winiama
DESCRIPTION: Protection mask representing a leper
CATALOG ID: AFBF003
MAKER: Unknown
CEREMONY: Healing; Protection & Purification; Secret Society
AGE: ca. 1990s
MAIN MATERIAL: wood
OTHER MATERIALS: kaolin

The Winiama people are a small ethnic group inhabiting Burkina Faso. They share with their neighboring peoples, the Nuna, a highly geometrical masking style. The Winiama believe in a supreme creator god, who can manifest as Su, a sacred mask. Through masked rituals, Su‘s power can be invoked to protect the village, promote fertility, honor the dead, or inflict harm on enemies.

Some masks, such as this one, can be worn only by the highest ranking members of a secret mask society. It would have been worn with a raffia fiber collar and full body suit. The mask is intended to protect the village from the disease of leprosy. The disease was previously thought to be caused by a curse cast by a sorcerer, or by some wrongdoing of the afflicted person.

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TITLE: Marka N’tomo Mask
TYPE: face mask
GENERAL REGION: Africa
COUNTRY: Mali
ETHNICITY: Marka
DESCRIPTION: N’tomo Society Mask
CATALOG ID: AFML009
MAKER: Unknown
CEREMONY: Secret Society; Social Control; Status
AGE: Late 20th century
MAIN MATERIAL: wood
OTHER MATERIALS: copper sheet; dyed string; nails

The Marka people number about 25,000 individuals and are part of the Soninke ethnic group.  They inhabit northwest Mali and combine Muslim and animist traditions.

They have six major secret societies of different levels of prestige that conduct adult initiation rituals. Initiates are taught survival skills, social customs, and religious principles. The N’tomo Society originally comprised only uncircumcised boys and teaches the virtues of silence and discipline. For this reason, the N’tomo Society masks tend to have small, closed mouths.

Marka masking traditions closely resemble  those of their Bamana neighbors, with copper, brass or tin sheeting commonly used. Blacksmithing and metallurgy play an important role in the N’tomo Society, so the metal covering greatly increases the status of a mask.

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TITLE: Mahongwe Bwete Mask
TYPE: face mask
GENERAL REGION: Africa
COUNTRY: Gabon
ETHNICITY: Bakota (Mahongwe)
CATALOG ID: AFGA005
DESCRIPTION: Bwete Mask
MAKER: Unknown
CEREMONY: Adult Initiation; Funeral
AGE: late 20th century
MAIN MATERIAL: wood
OTHER MATERIALS: kaolin clay

The Mahongwe people are a small subgroup belonging to the Bakota ethnic group and inhabit the northeastern part of Gabon on the border of the Democratic Republic of Congo. Their animistic religion, bwete, is based on ancestor worship. Their masks are very rare, but they are believed to play a role in funerary rituals and adult initiation ceremonies.

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TITLE: Guro Gu Mask
TYPE: face mask
GENERAL REGION: Africa
COUNTRY: Côte d’Ivoire
ETHNICITY: Guro
DESCRIPTION: Gu mask
CATALOG ID: AFCI017
MAKER: Unknown
CEREMONY: Celebration; Entertainment; Funeral
AGE: ca. 1990s
MAIN MATERIAL: wood
OTHER MATERIALS: oil-based paint

The Guro gu mask represents a beautiful young woman. It forms part of the trio of sacred masks with the zamble and zaouli. In the past, gu was the wife of zamble, but in modern rituals she is represented as the wife of zaouli, and therefore zamble‘s mother. All three masks are cult objects to which sacrifices are periodically made to bring prosperity to the family that owns them and to drive away evil spirits.  They are danced for celebrations and as entertainment, and also at funerals and to honor ancestors. The gu represents a divinity, but her dance careens about, stamping her feet incessantly. She wears bells on her ankles to accentuate her foot movements and dances to the music of a few flutes.

This mask portrays a different masked dancer, the zamble, on the crest.

For more on Guro masking traditions, see Eberhard Fischer, Guro (Prestel, 2008) or Anne-Marie Bouttiaux, Guro (5 Continents Editions, 2016).

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TITLE: Nuna Chameleon Mask
TYPE: crest mask
GENERAL REGION: Africa
COUNTRY: Burkina Faso
ETHNICITY: Nuna
DESCRIPTION: Chameleon bush spirit mask
CATALOG ID: AFBF008
MAKER: Unknown
CEREMONY: Adult Initiation; Divination; Entertainment; Funeral; Purification; Spirit Invocation
AGE: ca. 2000
MAIN MATERIAL: wood
OTHER MATERIALS: kaolin; natural pigments

The Nuna and related Nunuma people inhabit Burkina Faso and share with their neighbors, the Bwa and Winiama peoples, a highly geometrical masking style.  There are two major types of masks used by the Nuna peoples. Sacred masks (wankr) are said to have descended from the sky and are danced with weapons in their hands in important ceremonies only.  When not being worn, they are used as sacrificial altars. Revealed masks dance only on ritual occasions.

Other masks (wamu), such as this one, are created by villagers for specific purposes.  Animal masks are danced in mimicry of the animal itself.  Unlike wankr dancers, wamu dancers carry only whips and are mainly used for entertainment and funerals.

All masks may be used for spirit invocation, boys initiation ceremonies, village purification, or divination.

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TITLE: Bobo Fing Antelope Mask
TYPE: crest mask
GENERAL REGION: Africa
COUNTRY: Burkina Faso
ETHNICITY: Bobo Fing
DESCRIPTION: Antelope Mask
CATALOG ID: AFBF006
MAKER: Unknown
CEREMONY: Adult Initiation; Agriculture; Funeral; Purification; Spirit Invocation
AGE: ca. 2000-2009
MAIN MATERIAL: wood
OTHER MATERIALS: kaolin clay; pigment

The Bobo Fing are a Mande-speaking ethnic group inhabit farming communities in Burkina Faso. They share with their neighbors, the Bwa, Nuna, Nunuma, and Winiama peoples, a highly geometrical masking style. Although their masks appear similar, the Bobo Fing are not closely related to these groups, who speak a different family of languages.

Masks such as this one are used to celebrate many important village events, including funerals, the initiation of boys into adulthood and the purification of the region to ensure good rainfall and fruitful crops at planting time. Masked dances erase human evils by restoring a connection to and balance with the sun, rain, and earth. The masks typically represent protective bush spirits such as the warthog, buffalo, fish, antelope, serpent, or hawk. All such masks incarnate the spirits of fertility, fecundity, and growth. The wearer of the mask is considered to embody the sacred spirit during the masquerade.

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TITLE: Bamana Chi Wara
TYPE: crown mask
GENERAL REGION: Africa
COUNTRY: Mali
ETHNICITY: Bamana (Bambara)
DESCRIPTION: Chi Wara Bamako Crest
CATALOG ID: AFML001
MAKER: Unknown
CEREMONY: Agriculture; Initiation; Social Control; Status
AGE: Late 20th century
MAIN MATERIAL: wood
OTHER MATERIALS: leather; dyed cotton string; animal hair; wicker basketry

The Bamana people, sometimes called Bambara, are one of the largest ethnic groups in Mali. They have six major secret societies of different levels of prestige that conduct adult initiation rituals. Initiates are taught survival skills, social customs, and religious principles. The Chi Wara Society dances using crest masks only and teaches social values and agricultural techniques.

The Chi Wara itself typically takes the form of a roan antelope crossed with a human. The character itself is supposed to represent a culture hero born of the sky goddess (Mousso Koroni) and an earth god in the shape of a cobra. The Chi Wara taught the Bamana to sow and harvest crops.

There are four major kinds of Chi Wara: the Bougouni Southern; the Segu Northern; the Bamako Northern; and the Sikasso. This specific mask represents the third style of Chi Wara, the Bamako from the northern region, and depicts a male.

The Chi Wara is danced in male and female pairs, with each wearing a full suit of raffia fiber and the crest mounted on a basket (as here) that sits atop the dancer’s head. The male dancer leads, leaping like an antelope and scratching the ground with a staff to illustrate the teaching of agriculture. The female follows behind and fans the male to spread his powers to the village.

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TITLE: Fang Ngil Mask
TYPE: face mask
GENERAL REGION: Africa
COUNTRY: Gabon
ETHNICITY: Fang
DESCRIPTION: Ngil (gorilla) mask with figure on head
CATALOG ID: AFGA003
MAKER: Unknown
CEREMONY: Purification; Secret Society; Social Control
AGE: late 20th century
MAIN MATERIAL: wood
OTHER MATERIALS: kaolin clay

The Fang people inhabit Equatorial Guinea, northern Gabon and Cameroon and are divided between followers of their traditional animist  religion, byeri, and the Catholicism of their French colonizers. The Ngil Secret Society is responsible for social control by assembling in the night to punish sorcerers and purify the village of evil. The Society’s masks are made to resemble the powerful gorilla, and a full suit of raffia fiber is worn to enhance the effect of furriness. This mask is unusual in its relatively serene expression and the inclusion of a second ape atop the head.

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