TITLE: Javanese Klana
TYPE: face mask
GENERAL REGION: Asia
COUNTRY: Indonesia
SUBREGION: Java
ETHNICITY: Javanese
DESCRIPTION: Klana Gandrung Mask
CATALOG ID: ASID034
MAKER: Unknown
CEREMONY: Topeng Dance Drama
AGE: ca. 1950s
MAIN MATERIAL: pule wood
OTHER MATERIALS: paint

The Topeng dance drama of the island of Java centers around the political history of the region and are called Babad Dalem (Chronicles of the Kings) or Raket. The most popular story centers around the national hero Panji, whose consort Dewi Chandrakirana is abducted by the powerful King Klana Gandrung (also called Sewandana) of Bantarangin.

This specific mask represents King Klana and is used most commonly in the Cirebon Topeng in West Java.  The actor wearing the mask would be mute; instead, a dalang (controller) in the orchestra would speak his character’s lines for him.

:

TITLE: Javanese Klana
TYPE: face mask
GENERAL REGION: Asia
COUNTRY: Indonesia
SUBREGION: Java
ETHNICITY: Javanese
DESCRIPTION: King Klana Sewandana Mask
CATALOG ID: ASID029
MAKER: Ganuh Nugroho AdiNarimo (Surakarta, 1966- )
CEREMONY: Topeng Dance Drama
AGE: 1990s
MAIN MATERIAL: pule wood
OTHER MATERIALS: paint; hair; leather strap

The Topeng dance drama of the island of Java centers around the political history of the region and are called Babad Dalem (Chronicles of the Kings) or Raket. The most popular story centers around the national hero Panji, whose consort Dewi Chandrakirana is abducted by the powerful King Klana Sewandana of Bantarangin.

This specific mask represents King Klana and is used most commonly in the Cirebon Topeng in West Java.  It was carved and painted by the master craftsman Ganuh AdiNarimo of Solo (also known as Surakarta), Java. The mask would be worn by the masquerader biting down on the leather strap to hold the mask in place. This leaves the character mute throughout the performance.

:

TITLE: Javanese Klana Bapang
TYPE: face mask
GENERAL REGION: Asia
COUNTRY: Indonesia
SUBREGION: Java
ETHNICITY: Javanese
DESCRIPTION: Klana Bapang Mask
CATALOG ID: ASID030
MAKER: Ganuh Nugroho AdiNarimo (Surakarta, Java, 1966- )
CEREMONY: Topeng Dance Drama
AGE: 1990s
MAIN MATERIAL: pule wood
OTHER MATERIALS: paint; leather strap

The Topeng dance drama of the island of Java centers around the political history of the region and are called Babad Dalem (Chronicles of the Kings) or Raket. The most popular story centers around the national hero Panji, whose consort Dewi Chandrakirana is abducted by the powerful King Klana Sewandana of Bantarangin.

This specific mask represents a character known as Klana Bapang. The character represents an aggressive but comical enemy of Panji. The mask would be worn by the masquerader biting down on the leather strap to hold the mask in place. This leaves the character mute throughout the performance.

:

TITLE: Javanese Laskmana
TYPE: face mask
GENERAL REGION: Asia
COUNTRY: Indonesia
SUBREGION: Java
ETHNICITY: Javanese
DESCRIPTION: Laksmana (Lakshmana) Mask
CATALOG ID: ASID026
MAKER: Ganuh Nugroho AdiNarimo (Surakarta, 1966- )
CEREMONY: Wayang Wong Dance Drama
AGE: 1990s
MAIN MATERIAL: pule wood
OTHER MATERIALS: paint; leather strap; steel staples

The Wayang Wong dance drama retells parts of the Hindu epics, the Ramayana and the Mahabharata. These epics revolve around the god Rama and his battle with the demon king Ravana, who has abducted Rama’s wife, Sita. Rama is the avatar (earthly embodiment) of the supreme god Vishnu. In the end, Rama retrieves her with the help of the wily monkey god, Hanuman.

This specific mask represents the character Laksmana (also spelled Lakshmana), younger brother and boon companion to Rama, who plays an important role throughout the epic. He is somehow considered one-quarter a manifestation of Vishnu and an avatar of Shesha, a many-headed king of all nagas (demigods who take the form of giant king cobras).

The mask would be worn by the masquerader biting down on the strap to hold the mask in place. This leaves the character mute throughout the performance.

:

TITLE: Javanese Panji
TYPE: face mask
GENERAL REGION: Asia
COUNTRY: Indonesia
SUBREGION: Java
ETHNICITY: Javanese
DESCRIPTION: Panji Mask
CATALOG ID: ASID033
MAKER: Ganuh Nugroho AdiNarimo (Surakarta, Java, 1966- )
CEREMONY: Topeng Dance Drama
AGE: 1990s
MAIN MATERIAL: pule wood
OTHER MATERIALS: paint

The Topeng dance drama of the island of Java centers around the political history of the region and are called Babad Dalem (Chronicles of the Kings) or Raket. The most popular story centers around the national hero Panji, whose consort Dewi Chandrakirana is abducted by the powerful King Klana Sewandana of Bantarangin.

This specific mask represents Panji and is used most commonly in the Cirebon Topeng in West Java.  It was carved and painted by the master craftsman Ganuh AdiNarimo of Solo (also known as Surakarta), Java. The mask would be worn by the masquerader biting down on the leather strap to hold the mask in place. This leaves the character mute throughout the performance.

:

TITLE: Javanese Punakawan
TYPE: face mask
GENERAL REGION: Asia
COUNTRY: Indonesia
SUBREGION: Java
ETHNICITY: Javanese
DESCRIPTION: Punakawan Mask
CATALOG ID: ASID037
MAKER: Ganuh Nugroho AdiNarimo, Surakarta, Java (1966-)
CEREMONY: Topeng Dance Drama
AGE: 1990s
MAIN MATERIAL: pule wood
OTHER MATERIALS: paint

The Topeng dance drama of the island of Java centers around the political history of the region and are called Babad Dalem (Chronicles of the Kings) or Raket. The most popular story centers around the national hero Panji, whose consort Dewi Chandrakirana is abducted by the powerful King Klana Sewandana of Bantarangin. This mask represents a versatile character known as Punakawan, who acts as an advisor to nobles, a comedian, and a social critic. His name translates roughly to “friend in difficult times.” His pug nose and golden buck teeth are intended to make him look at once distinguished and clownish.

:

TITLE: Javanese Sita
TYPE: face mask
GENERAL REGION: Asia
COUNTRY: Indonesia
SUBREGION: Java
ETHNICITY: Javanese
DESCRIPTION: Sita Mask
CATALOG ID: ASID027
MAKER: Ganuh Nugroho AdiNarimo (Surakarta, 1966-)
CEREMONY: Wayang Wong Dance Drama
AGE: 1990s
MAIN MATERIAL: pule wood
OTHER MATERIALS: paint; polyester strap; steel staples

The Wayang Wong dance drama retells parts of the Hindu epics, the Ramayana and the Mahabharata. These epics revolve around the god Rama and his battle with the demon king Ravana, who has abducted Rama’s wife, Sita. Rama is the avatar (earthly embodiment) of the supreme god Vishnu. In the end, Rama retrieves her with the help of the wily monkey god, Hanuman.

This specific mask represents a character known as Sita, also spelled Sinta or Sintha in Indonesia. The mask would be worn by the masquerader biting down on the strap to hold the mask in place. This leaves the character mute throughout the performance.

:

TITLE: Javanese Sita
TYPE: face mask
GENERAL REGION: Asia
COUNTRY: Indonesia
SUBREGION: Java
ETHNICITY: Javanese
DESCRIPTION: Sita Mask
CATALOG ID: ASID035
MAKER: Unknown
CEREMONY: Wayang Wong Dance Drama
AGE: ca. 1930s
MAIN MATERIAL: wood
OTHER MATERIALS: paint

The Wayang Wong dance drama retells parts of the Hindu epics, the Ramayana and the Mahabharata. These epics revolve around the god Rama and his battle with the demon king Ravana, who has abducted Rama’s wife, Sita. Rama is the avatar (earthly embodiment) of the supreme god Vishnu. In the end, Rama retrieves her with the help of the wily monkey god, Hanuman.

This specific mask represents a character known as Sita, also spelled Sinta or Sintha in Indonesia, and has been well used.

:

TITLE: Barong Macan
TYPE: face mask
GENERAL REGION: Asia
COUNTRY: Indonesia
SUBREGION: Bali
ETHNICITY: Balinese
DESCRIPTION: Jero Gede Macaling Mask
CATALOG ID: ASID021
MAKER: Unknown
CEREMONY: Barong Landung Dance
AGE: ca. 1980s
MAIN MATERIAL: pule wood
OTHER MATERIALS: horse hair; gold-plated silver ornaments; paint

The Jero Gede Macaling represent a human-like Barong supposed to be the male ancestor of the Balinese people, of Malayo-Indian origin. His appearance reflects demonic influence, but he is in fact harmless, because of the restraint exercised on him by his wife, Jero Luh, who represents a Chinese ancestor of the Balinese. Together, the Jero Gede and Jero Luh are paraded around the village to exorcise evil spirits, in a ritual known as the Barong Landung.

For more on Balinese masks, see Judy Slattum, Masks of Bali: Spirits of an Ancient Drama (San Francisco: Chronicle Books, 1992).

:

TITLE: Leyak Mata Besik
TYPE: face mask
GENERAL REGION: Asia
COUNTRY: Indonesia
SUBREGION: Bali
ETHNICITY: Balinese
DESCRIPTION: Leyak Mata Besik
CATALOG ID: ASID023
MAKER: Ida Ketut Berati (Singapadu, 1967- )
CEREMONY: Calonarang Dance Drama
AGE: 2013
MAIN MATERIAL: pule wood
OTHER MATERIALS: oil paint; horsehair; gold-plated silver; semi-precious stones; string; rubber strap

The Calonarang dance drama centers around the character known as Rangda (also called Calonarang), who is the queen of witches and represents the Hindu goddess of death, Durga. Each village in Bali has a temple honoring the dead, dedicated to Durga. A performance of Calonarang is rare today, but it may commemorate the anniversary of a temple, or it may be used to purify a village if a disease epidemic appears. Rangda challenges the local witches (leyak) to a display of power, and if she prevails, they must stop inflicting ills on the village. Calonarang also serves to educate about Indonesian history and entertain the audience.

Rangda has a number of leyak followers. They are believed to haunt graveyards, devour corpses, and have the power to fly and morph themselves into animals. This specific mask represents Leyak Mata Besik, a witch who has studied black magic under Rangda’s tutelage. The mask was carved and painted by the master craftsman I. Ketut Berati of Singapadu.

For more on Balinese masks, see Judy Slattum, Masks of Bali: Spirits of an Ancient Drama (San Francisco: Chronicle Books, 1992).

: