TITLE: Waq’ollo
TYPE: hood mask
GENERAL REGION: Latin America
COUNTRY: Peru
SUBREGION: Cusco
ETHNICITY: Quechua
DESCRIPTION: Waq’ollo Mask for Qhapaq Q’olla
CATALOG ID (green stripes): LAPE016
CATALOG ID (U.S. flag): LAPE019
MAKER: Unknown
CEREMONY: Qhapaq Q’olla Dance (Qoyllur Rit’i; Fiesta de la Virgen del Carmen; Corpus Christi)
AGE: 2019
MAIN MATERIAL: dyed and knitted wool-acrylic blend
OTHER MATERIALS: N/A

In the Altiplano of Bolivia and Peru, the Quechua and Aymara descendants of the Incans still celebrate Qoyllur Rit’i, the Snow Star Festival in late May or early June to hale the reappearance of the Pleiades constellation and the harvest. Although the Catholic Church has attempted to co-opt the event, it maintains its essentially pre-Spanish conquest character.  Pilgrims from around Peru assemble in the Sinakara Valley in various costumes to dance in celebration. The Qhapaq Q’olla (“mighty Indian”) is one such character, dancing in the waq’ollo mask shown here with a hat, woven sling and a dried vicuña skin. Supposedly they represent a merchant who is half human and half llama, and who brings goods to the Cusco region for sale from the jungle and Paucartambo region, such as pisco liquor. Their roles are primarily that of clown, but they also dance and sing to the Virgin of Paucartambo. They sometimes wear a square flat hat called an aqarapi, and dance in a group.  The group is composed of a Mayor (alcalde), who carries a wooden staff of authority and a black crucifix on his mask, and his wife (la Imilla), a child (q’ollita), two captains, a llama herder (llamero), who wanders into the crowd to pretend to sell his goods, and a group of q’ollas dancing in two rows.  The imilla has a face covered by a black veil.  Qhapaq Q’olla also dance at Corpus Christi parades in Cusco and other religious celebrations.

The q’ollas, aligned according to their age, dance together, led by the captains.Sometimes children called chanako accompany them as well. The musical ensemble that accompanies them consists of a violin, an accordion, a bass drum and several Quena performers.  The q’ollas are always men born in Paucartambo. The costume consists of a flat, rectangular hat (aqarapi) decorated with sequins, old coins or beads; the waq’ollo; a lliclla skin made of vicuña wool, and the qepi that contains a young dead vicuña.  the dance, the collas sing Quechua songs about their commercial activity, their journey to Cusco, and their protective saints.

Although traditionally made of llama wool, the waq’ollo is now commonly made of sheep wool or, as here, acrylic wool. The masks shown here have a modern take on the traditional, white style, with loud green stripes or a U.S. flag.


Click above to watch a short documentary on Corpus Christi in Cusco, Peru.

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TITLE: Rora Reema Aristocrat
TYPE: face mask
GENERAL REGION: Asia
COUNTRY: China
SUBREGION: Tibet
ETHNICITY: Tibetan
DESCRIPTION: Aristocrat Mask
CATALOG ID: ASCN008
MAKER: Unknown
CEREMONY: Rora Reema
AGE: ca. 1970s
MAIN MATERIAL: dyed fabric
OTHER MATERIALS: cardboard; silk tassels; yak fur; wooden beads; cowrie shells

Rora reema is the ritual Buddhist dance drama performed during Tibetan operas (Ache Lhamo). The opera has many masked characters, with the color of the mask’s face helping to indicate the actor’s role.  The black mask, called moqua, represent a hunter.  Yellow and white masks, in contrast, represents Dran Gsong, a saintly old hermit, or Tashi Chopa, a prosperous old man. A blue mask represents ngompa, the fisherman.  A red mask indicates a courtly aristocrat.  The Rora reema players tell stories in a chanting voice and dance acrobatically to drums and tambourines while wearing cloth masks.  At the end of the dance the crowd tosses handfuls of seeds into the air to propitiate the gods and pray for the peace and prosperity.

For more on Tibetan dance dramas, see Ellen Pearlman, Tibetan Sacred Dance: A Journey Into the Religious and Folk Traditions (Rochester, VT: Inner Traditions, 2002).

Click above to watch a short video about Ache Lhamo, courtesy of the Tibetan Department of Culture.

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TITLE: Cajun Mardi Gras
TYPE: face mask
GENERAL REGION: North America
COUNTRY: United States of America
SUB-REGION: Acadiana, Louisiana
ETHNICITY: Cajun
DESCRIPTION: Mesh Mardi Gras Mask with Shotgun Shell Nose
CATALOG ID: NAUS051
MAKER: Kindy Devillier (Eunice, Louisiana, 1975- )
CEREMONY: Courir de Mardi Gras
AGE: 2019
MAIN MATERIAL: steel wire mesh
OTHER MATERIALS: steel wire mesh; cotton cloth; sweetgum seedballs; plastic and wood buttons; 12-gauge shotgun shell; Spanish Moss; felt; elastic band; glue; paint

In Catholic practice, Mardi Gras (“Fat Tuesday”) is the last day of celebration of Carnival before the fasting period of Lent. In the Acadiana country of southern Louisiana, the descendants of French Canadian immigrants known as “Cajuns” (short for “Acadians”) celebrate Mardi Gras in a manner quite different from the better known Carnival of New Orleans.  The Courir de Mardi Gras (Mardi Gras parade) occurs in most towns of Cajun country only on Mardi Gras itself.

Masqueraders wear full or partial wire mesh masks and quilted suits with tall, conical hats covered in colorful fabric.  They either ride from farm to farm on horseback or drive as a group in trucks with an unmasked leader wearing the traditional Mardi Gras colors of green, purple, and gold.  When they reach a farm, the captain, who carries a whip in one hand and a white flag in the other, approaches the farmer and asks: “Le Mardi Gras demande votre permission pour visiter ta maison” (“The Mardi Gras requests permission to visit your house”), or words to that effect. Upon assent, the revelers descend and run or crawl toward the house, singing a begging song, then exploding into pranks and comedic antics while the captain tries to subdue them with his whip. The only way to make them leave is to donate gifts or money, traditionally a chicken for the evening gumbo, in which the farmer is invited to partake.

For more on the Acadian Carnival celebration, see the excellent book by Carl Lindahl and Carolyn Ware, Cajun Mardi Gras Masks (University Press of Mississippi, 1997).


A short video featuring Cajun Mardi Gras in Eunice, Louisiana, 2019.

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TITLE: Cajun Mardi Gras
TYPE: face mask
GENERAL REGION: North America
COUNTRY: United States of America
SUB-REGION: Acadiana, Louisiana
ETHNICITY: Cajun
DESCRIPTION: Multicolor Mesh Mardi Gras Mask with Sweetgum Pod Nose
CATALOG ID: NAUS043
MAKER: Kindy Devillier (Eunice, Louisiana, 1975- )
CEREMONY: Courir de Mardi Gras
AGE: 2019
MAIN MATERIAL: steel wire mesh
OTHER MATERIALS: plastic sheet; felt; synthetic fur and hair; plastic buttons; sweetgum seedball; paint; elastic band

In Catholic practice, Mardi Gras (“Fat Tuesday”) is the last day of celebration of Carnival before the fasting period of Lent. In the Acadiana country of southern Louisiana, the descendants of French Canadian immigrants known as “Cajuns” (short for “Acadians”) celebrate Mardi Gras in a manner quite different from the better known Carnival of New Orleans.  The Courir de Mardi Gras (Mardi Gras parade) occurs in most towns of Cajun country only on Mardi Gras itself.

Masqueraders wear full or partial wire mesh masks and quilted suits with tall, conical hats covered in colorful fabric.  They either ride from farm to farm on horseback or drive as a group in trucks with an unmasked leader wearing the traditional Mardi Gras colors of green, purple, and gold.  When they reach a farm, the captain, who carries a whip in one hand and a white flag in the other, approaches the farmer and asks: “Le Mardi Gras demande votre permission pour visiter ta maison” (“The Mardi Gras requests permission to visit your house”), or words to that effect. Upon assent, the revelers descend and run or crawl toward the house, singing a begging song, then exploding into pranks and comedic antics while the captain tries to subdue them with his whip. The only way to make them leave is to donate gifts or money, traditionally a chicken for the evening gumbo, in which the farmer is invited to partake.

This specific mask was made by a popular local mask maker and worn in the 2019 Courir de Mardi Gras in Eunice, Louisiana by Arnold Natali of the nearby town of Basile.

For more on the Acadian Carnival celebration, see the excellent book by Carl Lindahl and Carolyn Ware, Cajun Mardi Gras Masks (University Press of Mississippi, 1997).


A short video featuring Cajun Mardi Gras in Eunice, Louisiana, 2019.

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TITLE: Capra Bătrânul Mask
TYPE: hood mask
GENERAL REGION: Europe
COUNTRY: Romania
ETHNICITY: Romanian-Moldovan
DESCRIPTION: Bătrânul (Old Man) Mask
CATALOG ID: EURO004
MAKER: Unknown
CEREMONY: Capra (Goat Dance)
AGE: 1980s
MAIN MATERIAL: wool
OTHER MATERIALS: dyed cotton cloth; goat leather and hair; cotton batting; dyed cotton tassels; stitching; plastic buttons

The capra, or goat dance, is performed in parts of rural Romania on New Year’s Eve as part of a caroling tradition. In pre-Christian times, the ritual was probably intended to drive away winter spirits and purify the village. In the dance, masqueraders in bătrânul (old man) masks and costumes and large bells dance to the music of traditional pipes with either a living goat or a masquerader dressed as one.

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TITLE: Fariseo Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Queretaro
ETHNICITY: Otomí
DESCRIPTION: Fariseo (Pharisee) Mask
CATALOG ID: LAMX107
MAKER: Unknown maker in El Doctor
CEREMONY: Semana Santa (Holy Week)
AGE: 1980s
MAIN MATERIAL: linen
OTHER MATERIALS: glue; cotton cloth; ixtle fiber; paint

During Semana Santa (Holy Week) in the small mountain town of El Doctor, Queretaro, townspeople reenact the Passion of Jesus Christ in a unique manner. Participants wear stiff cloth animal masks, known as fariseos (Pharisees) or judios (Jews) and persecute a person who portrays the torture and crucifixion of Jesus of Nazareth. The fariseos make jokes and mock Jesus, but in the end are converted to Christianity when Jesus is portrayed as resurrected.

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TITLE: Waq’ollo
TYPE: hood mask
GENERAL REGION: Latin America
COUNTRY: Peru
ETHNICITY: Quechua
DESCRIPTION: Waq’ollo Mask for Qhapaq Q’olla
CATALOG ID: LAPE006
MAKER: Unknown
CEREMONY: Dance of the Qhapaq Q’olla (Qoyllur Rit’i; Corpus Christi; Fiesta de la Virgen del Carmen)
AGE: 1970s
MAIN MATERIAL: dyed and knitted llama wool
OTHER MATERIALS: N/A

In the Altiplano of Bolivia and Peru, the Quechua and Aymara descendants of the Incans still celebrate Qoyllur Rit’i, the Snow Star Festival in late May or early June to hale the reappearance of the Pleiades constellation and the harvest. Although the Catholic Church has attempted to co-opt the event, it maintains its essentially pre-Spanish conquest character.  Pilgrims from around Peru assemble in the Sinakara Valley in various costumes to dance in celebration. The Qhapaq Q’olla (“mighty Indian”) is one such character, dancing in the waq’ollo mask shown here with a hat, woven sling and a dried vicuña skin. Supposedly they represent a merchant who is half human and half llama, and who brings goods to the Cusco region for sale from the jungle and Paucartambo region, such as pisco liquor. Their roles are primarily that of clown, but they also dance and sing to the Virgin of Paucartambo. They sometimes wear a square flat hat called an aqarapi, and dance in a group.  The group is composed of a Mayor (alcalde), who carries a wooden staff of authority and a black crucifix on his mask, and his wife (la Imilla), a child (q’ollita), two captains, a llama herder (llamero), who wanders into the crowd to pretend to sell his goods, and a group of q’ollas dancing in two rows.  The imilla has a face covered by a black veil.  Qhapaq Q’olla also dance at Corpus Christi parades in Cusco and other religious celebrations.

The q’ollas, aligned according to their age, dance together, led by the captains. Sometimes children called chanako accompany them as well. The musical ensemble that accompanies them consists of a violin, an accordion, a bass drum and several Quena performers.  The q’ollas are always men born in Paucartambo. The costume consists of a flat, rectangular hat (aqarapi) decorated with sequins, old coins or beads; the waq’ollo; a lliclla skin made of vicuña wool, and the qepi that contains a young dead vicuña.  the dance, the collas sing Quechua songs about their commercial activity, their journey to Cusco, and their protective saints.


Click above to watch a short documentary on Corpus Christi in Cusco, Peru.

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TITLE: Negrita
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Bolivia
SUBREGION: Oruro
ETHNICITY: Quechua and Aymara
DESCRIPTION: Negrita (Little Black Woman) Mask
CATALOG ID: LABO016
MAKER: Unknown
CEREMONY: Carnival (La Negrada)
AGE: 1950s
MAIN MATERIAL: linen; plaster
OTHER MATERIALS: paint; mirrors; string; vegetable fiber; cotton cloth

The negrita is the less common of the two kinds of dark-skinned characters in the Carnival of Oruro, Bolivia. Unlike the china morena, who represent the Moorish invaders of Spain, the negrita represents the progeny of African slaves brought to Bolivia to work the mines and farms. Their costume is colorful and highly embellished, and they tend to wear fancy European-type dress instead of the highly decorated traditional Bolivian costume of the china morena. Their dance, like the Morenada, is accompanied by male counterparts.

This specific mask was fashioned by a skilled mask-maker (caretero) in Oruro in the 1950s. At this time, mask makers were still frequently using linen soaked in plaster for their masks and hand painting them from start to finish.

For more on Bolivian masquerade, see Peter McFarren ed., Masks of the Bolivian Andes (La Paz: Editorial Quipus/Banco Mercantil SA, 1993).

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TITLE: Cajun Mardi Gras
TYPE: face mask
GENERAL REGION: North America
COUNTRY: United States of America
SUB-REGION: Acadiana, Louisiana
ETHNICITY: Cajun
DESCRIPTION: Burlap Mardi Gras Half Mask
CATALOG ID: NAUS050
MAKER: Chris Raymond (Metairie, Louisiana, 1964- )
CEREMONY: Courir de Mardi Gras
AGE: 2014
MAIN MATERIAL: jute burlap
OTHER MATERIALS: steel wire mesh; glue; paint; elastic band

In Catholic practice, Mardi Gras (“Fat Tuesday”) is the last day of celebration of Carnival before the fasting period of Lent. In the Acadiana country of southern Louisiana, the descendants of French Canadian immigrants known as “Cajuns” (short for “Acadians”) celebrate Mardi Gras in a manner quite different from the better known Carnival of New Orleans.  The Courir de Mardi Gras (Mardi Gras parade) occurs in most towns of Cajun country only on Mardi Gras itself.

Masqueraders wear full or partial wire mesh masks and quilted suits with tall, conical hats covered in colorful fabric.  They either ride from farm to farm on horseback or drive as a group in trucks with an unmasked leader wearing the traditional Mardi Gras colors of green, purple, and gold.  When they reach a farm, the captain, who carries a whip in one hand and a white flag in the other, approaches the farmer and asks: “Le Mardi Gras demande votre permission pour visiter ta maison” (“The Mardi Gras requests permission to visit your house”), or words to that effect. Upon assent, the revelers descend and run or crawl toward the house, singing a begging song, then exploding into pranks and comedic antics while the captain tries to subdue them with his whip. The only way to make them leave is to donate gifts or money, traditionally a chicken for the evening gumbo, in which the farmer is invited to partake.

For more on the Acadian Carnival celebration, see the excellent book by Carl Lindahl and Carolyn Ware, Cajun Mardi Gras Masks (University Press of Mississippi, 1997).


Click above to watch a short documentary about Cajun Mardi Gras in Eunice, Louisiana.

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TITLE: Cajun Mardi Gras Mask and Costume
TYPE: face mask; costume
GENERAL REGION: North America
COUNTRY: United States of America
SUB-REGION: Acadiana, Louisiana
ETHNICITY: Cajun
DESCRIPTION: Cajun Mardi Gras Mask and Costume
CATALOG ID: NAUS044
MAKER: Tom Norman (Church Point, Louisiana, 1940-2019)
CEREMONY: Courir de Mardi Gras
AGE: 2017
MAIN MATERIAL: steel wire mesh; dyed cotton cloth
OTHER MATERIALS: vinyl; plastic decorations; elastic band; silicone glue; acrylic paint; cotton batting; brass bells

In Catholic practice, Mardi Gras (“Fat Tuesday”) is the last day of celebration of Carnival before the fasting period of Lent. In the Acadiana country of southern Louisiana, the descendants of French Canadian immigrants known as “Cajuns” (short for “Acadians”) celebrate Mardi Gras in a manner quite different from the better known Carnival of New Orleans.  The Courir de Mardi Gras (Mardi Gras parade) occurs in most towns of Cajun country only on Mardi Gras itself.

Masqueraders wear full or partial wire mesh masks and quilted suits with tall, conical hats covered in colorful fabric.  They either ride from farm to farm on horseback or drive as a group in trucks with an unmasked leader wearing the traditional Mardi Gras colors of green, purple, and gold.  When they reach a farm, the captain, who carries a whip in one hand and a white flag in the other, approaches the farmer and asks: “Le Mardi Gras demande votre permission pour visiter ta maison” (“The Mardi Gras requests permission to visit your house”), or words to that effect. Upon assent, the revelers descend and run or crawl toward the house, singing a begging song, then exploding into pranks and comedic antics while the captain tries to subdue them with his whip. The only way to make them leave is to donate gifts or money, traditionally a chicken for the evening gumbo, in which the farmer is invited to partake.

For more on the Acadian Carnival celebration, see the excellent book by Carl Lindahl and Carolyn Ware, Cajun Mardi Gras Masks (University Press of Mississippi, 1997).


A short video featuring Cajun Mardi Gras in Eunice, Louisiana, 2019.

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