REGION: Africa
COUNTRY: Tanzania
YEAR PRINTED: 1992
VALUE: 200 shillings

This stamp is one of a set of seven celebrating traditional art of the Makonde people of Tanzania and Mozambique. This stamp depicts a wood sculpture of a child holding a lipiko mask, used in the mapiko ceremony.

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REGION: Africa
COUNTRY: Tanzania
YEAR PRINTED: 1992
VALUE: 150 shillings

This stamp is one of a set of seven celebrating traditional art of the Makonde people of Tanzania and Mozambique. This stamp depicts a lipiko mask, used in the mapiko ceremony.

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REGION: Africa
COUNTRY: Tanzania
YEAR PRINTED: 1992
VALUE: 100 shillings

This stamp is one of a set of seven celebrating traditional art of the Makonde people of Tanzania and Mozambique. This stamp depicts a mask of unknown type.

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REGION: Africa
COUNTRY: Tanzania
YEAR PRINTED: 1992
VALUE: 70 shillings

This stamp is one of a set of seven celebrating traditional art of the Makonde people of Tanzania and Mozambique. This stamp depicts a mask of unknown type.

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REGION: Africa
COUNTRY: Tanzania
YEAR PRINTED: 1992
VALUE: 50 shillings

This stamp is one of a set of seven celebrating traditional art of the Makonde people of Tanzania and Mozambique. This stamp depicts a mask of unknown type.

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REGION: Africa
COUNTRY: Tanzania
YEAR PRINTED: 1992
VALUE: 30 shillings

This stamp is one of a set of seven celebrating traditional art of the Makonde people of Tanzania and Mozambique. This stamp depicts a lipiko helmet mask with real human hair and beard.

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REGION: Africa
COUNTRY: Tanzania
YEAR PRINTED: 1992
VALUE: 20 shillings

This stamp is one of a set of seven celebrating traditional art of the Makonde people of Tanzania and Mozambique. This stamp depicts a lipiko face mask with a plugged upper lip.

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TITLE: Makonde Lipiko Mask
TYPE: crest mask
GENERAL REGION: Africa
COUNTRY: Tanzania
ETHNICITY: Makonde
DESCRIPTION: Lipiko
MAKER: Unknown
CEREMONY: Mapiko
USE: Adult Initiation; Funeral; Spirit Invocation
AGE: ca. 1960s-1970s
MAIN MATERIAL: wood
OTHER MATERIALS: natural pigment

The Makonde people inhabit the bordering region of Tanzania and Mozambique. They are a matrilineal society divided into clans governed by a chief and council. The Makonde are known as some of the most expert mask carvers in Africa, with two kinds of masks prevalent in their society.  This mask, known as a lipiko, is a helmet mask used primarily for the mapiko dance held at adult initiation rituals for boys and girls and at funerals. The masquerader channels the spirit of dead ancestors through the mask.  During initiation, boys and girls are both taught how to make the masks and perform them.  Women perform their initiation away from the males, who never see the masquerade.

This mask came from the Tanzania region of Makonde territory and was danced in the 1960s or 1970s.

For more on the Makonde mapiko ceremony, see Paolo Israel, In Step with the Times: Mapiko Masquerades of Mozambique (Athens, OH: Ohio University Press 2014).

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TITLE: Makonde Lipiko Face Mask
TYPE: crest mask
GENERAL REGION: Africa
COUNTRY: Tanzania
ETHNICITY: Makonde
DESCRIPTION: Lipiko Face Mask
MAKER: Unknown
CEREMONY: Mapiko
USE: Adult Initiation; Funeral; Spirit Invocation
AGE: ca. 1960s
MAIN MATERIAL: wood
OTHER MATERIALS: pigment

The Makonde people inhabit the bordering region of Tanzania and Mozambique. They are a matrilineal society divided into clans governed by a chief and council. The Makonde are known as some of the most expert mask carvers in Africa, with two kinds of masks prevalent in their society.  Most Makonde lipiko masks are helmet masks worn with a body mask depicting a pregnant woman. This mask is a rarer face mask, made and used primarily by the Makonde of Tanzania.  Like other lipiko masks, it is used primarily for the mapiko dance held at adult initiation rituals for boys and girls and at funerals. The masquerader channels the spirit of dead ancestors through the mask.  Face masks, unlike helmet masks, are worn by stilt dancers.  During initiation, boys and girls are both taught how to make the masks and perform them.  Women perform their initiation away from the males, who never see the masquerade.

For more on the Makonde mapiko ceremony, see Paolo Israel, In Step with the Times: Mapiko Masquerades of Mozambique (Athens, OH: Ohio University Press 2014)

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