TITLE: Soul Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Michoacán
ETHNICITY: Nahua
DESCRIPTION: Calavera (Skull) Mask Representing an Espíritu (Soul)
CATALOG ID: LAMX064
MAKER: Manuel Horta Ramos (Tocuaro)
CEREMONY: Día de los Muertos
FUNCTION: celebration; spirit invocation
AGE: 2015
MAIN MATERIAL: wood
OTHER MATERIALS: plaster; maque

Día de los Muertos (Day of the Dead) is an important Mexican celebration of pre-Christian origin. In its modern incarnation, Day of the Dead (actually, two days in most places, November 1st for children and 2nd for adults) celebrates deceased family members with ofrendas (offerings) to the spirits who return to visit and night-long vigils at the graves of the departed. The graves are frequently decorated with flowers, candles, and sweets for children and alcohol for adults.

In parts of Mexico, Day of the Dead is also celebrated with desfiles (parades) or comparsas (appearances or performances) by masqueraders. Because Day of the Dead celebrates the departed, the calaca, or skull, remains an extremely popular image. The skull and skeleton are important symbols in pre-Christian Mexican culture and are found extensively in Aztec, Mixtec, Mayan, and other indigenous art.  This mask represents a soul (espíritu) being carried to its destination (Heaven or Hell) by a bat.

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TITLE: Tarahumara Chaperon Mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Chihuahua
ETHNICITY: Tarahumara
DESCRIPTION: Chaperon Mask
CATALOG ID: LAMX013
MAKER: Unknown
CEREMONY: Danza de los Matachines; Pascola; Agriculture; Healing; Funeral
AGE: early 1960s
MAIN MATERIAL: wood
OTHER MATERIALS: goat leather and hair; iron nails

The Tarahumara are the largest indigenous ethnic group in Chihuahua, Mexico. Among their rituals are the Dance of the Matachines, in which dancers invoke spirits to ensure a good harvest. The dance is performed by a eight to twelve couples to the music of violins, guitars, and flutes. Chaperones, the only masked characters, mark the rhythm by yelling and also ensure all the dancers wear the right garments.

Such masks may also be used in pascola dances celebrating religious holidays, such as the Feast of the Epiphany (January) or Holy Week (February or March). Masked dances may also be used to pray for rain or heal, the sick, or at funerals.

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TITLE: Tastoan Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Jalisco
ETHNICITY: Nahua
DESCRIPTION: Tastoan mask with ceramic motif and Nahuál and Nahuala on nose
CATALOG ID: LAMX042
MAKER: Ubaldo Macías Bernabe (Tonalá, 1972- )
CEREMONY: Fiesta de Santiago el Apostól
AGE: 2015
MAIN MATERIAL: leather
OTHER MATERIALS: cow teeth; animal bone; acrylic paint; lacquer; glue paste; wire; thread; elastic bands

In parts of Jalisco and Zacatecas, the holiday in honor of Santiago el Apostól (St. James the Apostle) is held every 25th of July. Celebrants carry spears and dress in long pants, leather chaps, and boots, with demonic masks made of wood (Zacatecas) or molded leather (Jalisco) covered with a montera (headdress) of hair or plant fiber. The festival commemorates a battle between the indigenous warriors of the area and conquistadors. The appearance of the tastoanes, who represent indigenous warriors, conveys their ferocity through sharp teeth, large noses, and snakes, lizards, scorpions and spiders for decorations. This mask has images of the mythical creatures nahual and nahuala, half jaguar and half human, who symbolize the ferocity of the Tonaltecs. In some cases, the masks are dotted to convey the transmission of diseases such as smallpox and syphilis from the Spaniards to the indigenous peoples.

During the celebration, tastoanes and either three kings wearing ceramic masks or three Aztec priestesses (one representing the Tonaltec queen Tzapotzintli, also known as Tzuapili oor Cihualpilli) carry an image of St. James along a parade route and dance to music carrying swords or whips, after which they make defiant speeches and engage in a mock battle (jugada) with a participant carrying a whip who represents St. James.  At the end of the battle, all the tastoanes die and St. James is victorious. In the past, all tastoanes were male, but recently women have begun to participate as well.  In some towns, an organization such as a Cofradía de Santo Santiago (Fraternity of St. James) organizes the event.

This specific mask was made by the award-winning craftsman Ubaldo Macías of Tonalá and was danced in the 2016 Fiesta de Santo Santiago in Tonalá.

Click above to watch a short documentary about the tastoanes of Tonalá, Mexico.

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TITLE: Tastoan
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Jalisco
ETHNICITY: Nahua
DESCRIPTION: Turquoise Tastoan mask with ixtle fiber hair
CATALOG ID: LAMX038
MAKER: Betsabet Marín (Tonalá)
CEREMONY: Fiesta de Santiago el Apostól
AGE: 2014
MAIN MATERIAL: leather
OTHER MATERIALS: glue paste; lacquer; paint; stitching; ixtle fiber hair; woven plant fiber helmet

In parts of Jalisco and Zacatecas, the holiday in honor of Santiago el Apostól (St. James the Apostle) is held every 25th of July. Celebrants carry spears and dress in long pants, leather chaps, and boots, with demonic masks made of wood (Zacatecas) or molded leather (Jalisco) covered with a montera (headdress) of hair or plant fiber. The festival commemorates a battle between the indigenous warriors of the area and conquistadors. The appearance of the tastoanes, who represent indigenous warriors, conveys their ferocity through sharp teeth, large noses, and snakes, lizards, scorpions and spiders for decorations. This mask has images of the mythical creatures nahual and nahuala, half jaguar and half human, who symbolize the ferocity of the Tonaltecs. In some cases, the masks are dotted to convey the transmission of diseases such as smallpox and syphilis from the Spaniards to the indigenous peoples.

During the celebration, tastoanes and either three kings wearing ceramic masks or three Aztec priestesses (one representing the Tonaltec queen Tzapotzintli, also known as Tzuapili oor Cihualpilli) carry an image of St. James along a parade route and dance to music carrying swords or whips, after which they make defiant speeches and engage in a mock battle (jugada) with a participant carrying a whip who represents St. James.  At the end of the battle, all the tastoanes die and St. James is victorious. In some towns, an organization such as a Cofradía de Santo Santiago (Fraternity of St. James) organizes the event.

This specific mask has historic significance, as it was made and worn by the first female tastoan to ever participate in the Fiesta de Santo Santiago jugada of Tonalá, Betsabet Marín, in 2015. Although female tastoanes remain rare due to the risk of injury, they have increasingly participated since 2015.

Click above to watch a short documentary about the tastoanes of Tonalá, Mexico.

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TITLE: Tastoan
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Jalisco
ETHNICITY: Nahua
DESCRIPTION: Tastoan Mask
CATALOG ID: LAMX039
MAKER: Ubaldo Macías Bernabe, Tonalá (1972- )
CEREMONY: Fiesta de Santiago el Apostól
AGE: 2017
MAIN MATERIAL: leather
OTHER MATERIALS: horse teeth; animal bone; acrylic paint; lacquer; glue paste; wire; thread; elastic bands; horse hair; woven plant fiber helmet

In parts of Jalisco and Zacatecas, the holiday in honor of Santiago el Apostól (St. James the Apostle) is held every 25th of July. Celebrants carry spears and dress in long pants, leather chaps, and boots, with demonic masks made of wood (Zacatecas) or molded leather (Jalisco) covered with a montera (headdress) of goat hair, horse hair, or plant fiber. The festival commemorates a battle between the indigenous warriors of the area and conquistadors. The appearance of the tastoanes, who represent indigenous warriors, conveys their ferocity through sharp teeth, large noses, and snakes, lizards, scorpions and spiders for decorations. This mask has images of the mythical creatures nahual and nahuala, half jaguar and half human, who symbolize the ferocity of the Tonaltecs. In some cases, the masks are dotted to convey the transmission of diseases such as smallpox and syphilis from the Spaniards to the indigenous peoples.

During the celebration, tastoanes and either three kings wearing ceramic masks or three Aztec priestesses (one representing the Tonaltec queen Tzapotzintli, also known as Tzuapili oor Cihualpilli) carry an image of St. James along a parade route and dance to music carrying swords or whips, after which they make defiant speeches and engage in a mock battle (jugada) with a participant carrying a whip who represents St. James.  At the end of the battle, all the tastoanes die and St. James is victorious. In the past, all tastoanes were male, but recently women have begun to participate as well.  In some towns, an organization such as a Cofradía de Santo Santiago (Fraternity of St. James) organizes the event.

This specific mask was made by the award-winning craftsman Ubaldo Macías of Tonalá.

Click above to watch a short documentary about the tastoanes of Tonalá, Mexico.

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TITLE: Tastoan (Child’s) Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Jalisco
ETHNICITY: Nahua
DESCRIPTION: Blue tastoan mask with white hair for a child
CATALOG ID: LAMX046
MAKER: Jesús “Don Chuy” Delgado Navarro, Tonalá (1956- )
CEREMONY: Fiesta de Santiago el Apostól
AGE: 2007
MAIN MATERIAL: leather
OTHER MATERIALS: cow teeth; animal bone; acrylic paint; lacquer; glue paste; wire; thread; horse hair; woven plant fiber helmet

In parts of Jalisco and Zacatecas, the holiday in honor of Santiago el Apostól (St. James the Apostle) is held every 25th of July. Celebrants carry spears and dress in long pants, leather chaps, and boots, with demonic masks made of wood (Zacatecas) or molded leather (Jalisco) covered with a montera (headdress) of goat hair, horse hair, or plant fiber. The festival commemorates a battle between the indigenous warriors of the area and conquistadors. The appearance of the tastoanes, who represent indigenous warriors, conveys their ferocity through sharp teeth, large noses, and snakes, lizards, scorpions and spiders for decorations. This mask has images of the mythical creatures nahual and nahuala, half jaguar and half human, who symbolize the ferocity of the Tonaltecs. In some cases, the masks are dotted to convey the transmission of diseases such as smallpox and syphilis from the Spaniards to the indigenous peoples.

During the celebration, tastoanes and either three kings wearing ceramic masks or three Aztec priestesses (one representing the Tonaltec queen Tzapotzintli, also known as Tzuapili oor Cihualpilli) carry an image of St. James along a parade route and dance to music carrying swords or whips, after which they make defiant speeches and engage in a mock battle (jugada) with a participant carrying a whip who represents St. James.  At the end of the battle, all the tastoanes die and St. James is victorious. In the past, all tastoanes were male, but recently women have begun to participate as well.  In some towns, an organization such as a Cofradía de Santo Santiago (Fraternity of St. James) organizes the event.

This specific mask was made for a child by the award-winning craftsman and tastoan mayor, “Don Chuy” Delgado of Tonalá, and danced by his grandson Moises for nine years. It was painted using pigments that fluoresce under ultraviolet light, such as sunlight or a black light.

Click above to watch a short documentary about the tastoanes of Tonalá, Mexico.

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TITLE: Tastoan
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Zacatecas
ETHNICITY: Nahua
DESCRIPTION: Tastoan Mask
CATALOG ID: LAMX180
MAKER: Unknown
CEREMONY: Fiesta de Santiago el Apostól
AGE: 1920s
MAIN MATERIAL: wood
OTHER MATERIALS: oil; horse hair; hardware

In parts of Jalisco and Zacatecas, the holiday in honor of Santiago el Apostól (St. James the Apostle) is held every 25th of July. Celebrants carry spears and dress in long pants, leather chaps, and boots, with demonic masks made of wood (Zacatecas) or molded leather (Jalisco) covered with a montera (headdress) of goat hair, horse hair, or plant fiber. The festival commemorates a battle between the indigenous warriors of the area and conquistadors. The appearance of the tastoanes, who represent indigenous warriors, conveys their ferocity through sharp teeth, large noses, and snakes, lizards, scorpions and spiders for decorations.

During the celebration, tastoanes and either three kings wearing ceramic masks or three Aztec priestesses (one representing the Tonaltec queen Tzapotzintli, also known as Tzuapili oor Cihualpilli) carry an image of St. James along a parade route and dance to music carrying swords or whips, after which they make defiant speeches and engage in a mock battle (jugada) with a participant carrying a whip who represents St. James.  At the end of the battle, all the tastoanes die and St. James is victorious. In the past, all tastoanes were male, but recently women have begun to participate as well.  In some towns, an organization such as a Cofradía de Santo Santiago (Fraternity of St. James) organizes the event.

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TITLE: Tastoan (Child)
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Jalisco
ETHNICITY: Nahua
DESCRIPTION: Child’s Tastoan Mask
CATALOG ID: LAMX040
MAKER: Unknown maker in San Juan de Ocotlán under name of “El Viejo”
CEREMONY: Fiesta de Santiago el Apostól
AGE: 2003
MAIN MATERIAL: leather
OTHER MATERIALS: paint; string; horse hair

In parts of Jalisco and Zacatecas, the holiday in honor of Santiago el Apostól (St. James the Apostle) is held every 25th of July. Celebrants carry spears and dress in long pants, leather chaps, and boots, with demonic masks made of wood (Zacatecas) or molded leather (Jalisco) covered with a montera (headdress) of goat hair, horse hair, or plant fiber. The festival commemorates a battle between the indigenous warriors of the area and conquistadors. The appearance of the tastoanes, who represent indigenous warriors, conveys their ferocity through sharp teeth, large noses, and snakes, lizards, scorpions and spiders for decorations. This mask has images of the mythical creatures nahual and nahuala, half jaguar and half human, who symbolize the ferocity of the Tonaltecs. In some cases, the masks are dotted to convey the transmission of diseases such as smallpox and syphilis from the Spaniards to the indigenous peoples.

During the celebration, tastoanes and either three kings wearing ceramic masks or three Aztec priestesses (one representing the Tonaltec queen Tzapotzintli, also known as Tzuapili oor Cihualpilli) carry an image of St. James along a parade route and dance to music carrying swords or whips, after which they make defiant speeches and engage in a mock battle (jugada) with a participant carrying a whip who represents St. James.  At the end of the battle, all the tastoanes die and St. James is victorious. In the past, all tastoanes were male, but recently women have begun to participate as well.  In some towns, an organization such as a Cofradía de Santo Santiago (Fraternity of St. James) organizes the event.

This specific mask was made for a young child in the town of San Juan de Ocotlán.

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TITLE: Tastoan Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Jalisco
ETHNICITY: Nahua
DESCRIPTION: Tastoan mask with leaf design
CATALOG ID: LAMX044
MAKER: Ubaldo Macías Bernabe, Tonalá (1972- )
CEREMONY: Fiesta de Santiago el Apostól
AGE: 2017
MAIN MATERIAL: leather
OTHER MATERIALS: horse teeth; animal bone; acrylic paint; lacquer; glue paste; wire; thread; elastic bands; horse hair; woven plant fiber helmet

In parts of Jalisco and Zacatecas, the holiday in honor of Santiago el Apostól (St. James the Apostle) is held every 25th of July. Celebrants carry spears and dress in long pants, leather chaps, and boots, with demonic masks made of wood (Zacatecas) or molded leather (Jalisco) covered with a montera (headdress) of goat hair, horse hair, or plant fiber. The festival commemorates a battle between the indigenous warriors of the area and conquistadors. The appearance of the tastoanes, who represent indigenous warriors, conveys their ferocity through sharp teeth, large noses, and snakes, lizards, scorpions and spiders for decorations. This mask has images of the mythical creatures nahual and nahuala, half jaguar and half human, who symbolize the ferocity of the Tonaltecs. In some cases, the masks are dotted to convey the transmission of diseases such as smallpox and syphilis from the Spaniards to the indigenous peoples.

During the celebration, tastoanes and either three kings wearing ceramic masks or three Aztec priestesses (one representing the Tonaltec queen Tzapotzintli, also known as Tzuapili oor Cihualpilli) carry an image of St. James along a parade route and dance to music carrying swords or whips, after which they make defiant speeches and engage in a mock battle (jugada) with a participant carrying a whip who represents St. James.  At the end of the battle, all the tastoanes die and St. James is victorious. In the past, all tastoanes were male, but recently women have begun to participate as well.  In some towns, an organization such as a Cofradía de Santo Santiago (Fraternity of St. James) organizes the event.

This specific mask was made by the award-winning craftsman Ubaldo Macías of Tonalá.

Click above to watch a short documentary about the tastoanes of Tonalá, Mexico.

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TITLE: Tastoan Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Jalisco
ETHNICITY: Nahua
DESCRIPTION: Turquoise tastoan mask with lizard on the nose
CATALOG ID: LAMX043
MAKER: Ubaldo Macías Bernabe, Tonalá (1972- )
CEREMONY: Fiesta de Santiago el Apostól
AGE: 2016
MAIN MATERIAL: leather
OTHER MATERIALS: horse teeth; animal bone; acrylic paint; lacquer; glue paste; wire; thread; elastic bands; horse hair

In parts of Jalisco and Zacatecas, the holiday in honor of Santiago el Apostól (St. James the Apostle) is held every 25th of July. Celebrants carry spears and dress in long pants, leather chaps, and boots, with demonic masks made of wood (Zacatecas) or molded leather (Jalisco) covered with a montera (headdress) of goat hair, horse hair, or plant fiber. The festival commemorates a battle between the indigenous warriors of the area and conquistadors. The appearance of the tastoanes, who represent indigenous warriors, conveys their ferocity through sharp teeth, large noses, and snakes, lizards, scorpions and spiders for decorations. This mask has images of the mythical creatures nahual and nahuala, half jaguar and half human, who symbolize the ferocity of the Tonaltecs. In some cases, the masks are dotted to convey the transmission of diseases such as smallpox and syphilis from the Spaniards to the indigenous peoples.

During the celebration, tastoanes and either three kings wearing ceramic masks or three Aztec priestesses (one representing the Tonaltec queen Tzapotzintli, also known as Tzuapili oor Cihualpilli) carry an image of St. James along a parade route and dance to music carrying swords or whips, after which they make defiant speeches and engage in a mock battle (jugada) with a participant carrying a whip who represents St. James.  At the end of the battle, all the tastoanes die and St. James is victorious. In the past, all tastoanes were male, but recently women have begun to participate as well.  In some towns, an organization such as a Cofradía de Santo Santiago (Fraternity of St. James) organizes the event.

This specific mask was made by the award-winning craftsman Ubaldo Macías of Tonalá and worn in the 2016 Fiesta de Sto. Santiago.

Click above to watch a short documentary about the tastoanes of Tonalá, Mexico.

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