TITLE: Yup’ik Transformation Mask
TYPE: face mask
GENERAL REGION: North America
COUNTRY: United States of America
SUBREGION: Alaska
ETHNICITY: Cup’it Yup’ik
DESCRIPTION: Raven Transformation Mask
CATALOG ID: NAUS030
MAKER: Duwayne Price
CEREMONY: Entertainment; Healing; Spirit Invocation
AGE: 2011
MAIN MATERIAL: yellow cedar wood
OTHER MATERIALS: willow branches; paint

The Yup’ik (or Yupik) people inhabit western and southern Alaska and the Chukotka region of Russia. They currently number some 24,000 individuals who survive in some of the harshest climates of the world. The Yup’ik survived by hunting caribou, rabbits, and marine mammals, especially walrus, seals, and whales. Their traditional religious beliefs are shamanistic, based on the belief that certain animals and birds are sacred. Their masked rituals are oriented toward ensuring a successful hunting and giving thanks for past hunts, storytelling, and healing ceremonies by shamans (angalkuq).

The masks are typically made of wood, decorated with feathers, and painted with only a few colors. They could be carved by men or women under the direction of a shaman. Masks were formerly destroyed after use. Christian proselytization has suppressed the use of masquerade in Yup’ik cultures today, although some segments continue to practice.

This mask depicts raven, a culture hero among the Yup’ik and other northwest coast peoples. He is a trickster capable of transforming shape (here, into a human) and helps humans while typically getting himself into trouble.

For more on Yup’ik masking traditions, see the excellent monograph by Anne Fienup-Riordan, The Living Tradition of Yup’ik Masks (University of Washington Press 1996).

:

TITLE: Kalaallit Inuit Mask
TYPE: face mask
GENERAL REGION: North America
COUNTRY: Greenland
SUBREGION: Western Greenland
ETHNICITY: Kalaallit Inuit
DESCRIPTION: Distorted story-telling mask
CATALOG ID: NAGL001
MAKER: Unknown maker
CEREMONY: Uaajeerneq
AGE: ca. 1980s
MAIN MATERIAL: red cedar wood
OTHER MATERIALS: animal fur; pigment; sperm whale tooth

Uaajeerneq (pronounced ūa-ayernerk) is an ancient ritual in which an individual dresses in a mask and possibly a woman’s clothing and sings, drums, and dances for the entertainment of the tribe. The dance drama also served to reinforce traditional Inuit values and teach the young lessons about survival and morality. It was formerly part of the Aasivik, a summer gathering of distant tribes that resolved important social issues.

This mask originates with the Kalaallit Inuit, the largest indigenous group on the massive island of Greenland and inhabitants of its western portion. Today, the Tunumiit Inuit of eastern Greenland are the most active practitioners of Uaajeerneq, although the traditional masquerade is increasingly replaced by less expensive face painting.

:

TITLE: Halloween Indian Mask
TYPE: face mask
GENERAL REGION: North America
COUNTRY: United States of America
ETHNICITY: Mixed
DESCRIPTION: Buckram Native American mask
CATALOG ID: NAUS018
MAKER: Unknown
CEREMONY: Halloween
AGE: ca. 1930s
MAIN MATERIAL: buckram
OTHER MATERIALS: paint

Halloween is one of the major secular festivals in the United States, celebrated on October 31st each year.  It originated in pre-Christian times, possibly among the ancient Celts, who practiced Samhain in late fall by wearing frightening costumes and lighting bonfires in mid-autumn to scare away ghosts. In the eighth century, Pope Gregory III declared November 1st as a day to honor all the saints collectively. The celebration prior to this All Saints Day became known as All Hallows’ Eve (hence the shortened name, All Hallowe’en, eventually elided to Halloween), and involved many of the same traditions practiced by the Celts.

Halloween formerly had many traditions that varied by region.  In modern and relatively homogenized practice, Halloween generally has three main components: costumed parties, “trick-or-treating,” and haunted houses.  Costumed parties are the modern descendant of social activities designed to honor the saints and create solidarity in the community. Children’s parties typically involved games with prizes, such as bobbing for apples and carving pumpkins and other relatively dry squash into frightening “jack-o-lanterns” with candles inside for illumination.  Adult parties commonly involve less innocent games and elaborate decorations to create a scary mood.

Trick-or-treating is the children’s practice of wearing scary costumes to extort candy and other sweets from neighbors. Like roaming goblins, the monsters visiting the house would demand a treat or threaten to play a nasty trick on the neighbor. The threat is of course a formality, as sharing candy with trick-or-treaters is considered a mandatory practice for friendly and community-spirited neighbors. In modern practice, many children have abandoned the tradition of wearing frightening costumes and have leaned toward fantasy characters such as superheroes, princesses, and fairies.

Haunted houses are a relatively modern innovation.  They may be designed and staffed by volunteers or for profit, and generally take the form of a decrepit mansion haunted by ghosts, mad scientists, monsters, the walking dead, etc. The idea is to inspire terror and wonder in a factually safe environment.

In addition, many Americans celebrate by watching horror movies (the release of which Hollywood times to coincide with the Halloween season), and in some regions, most notably Greenwich Village, Manhattan in New York and Salem, Massachusetts, major costumed parades are organized each year.  In many cities, “zombie walks” composed of masses of costumed zombies have been organized as well.

Popular masks and costumes include devils, zombies, skeletons, vampires, werewolves, mummies, witches, pirates, political figures, and characters from popular culture, such as Frankenstein’s monster. However, Halloween costumes can include almost anything, including inanimate objects and abstractions.  The choice is limited only by the imagination of the masquerader.  Masks such as this one, depicting offensive racial stereotypes, popular prior to the 1980s, are no longer widely used.

This specific mask, representing a generic stereotyped Native American, was made from buckram, moistened and dried over a form, then hand painted with details. Such mass-produced masks were popular among the middle class in the 1920s to 1950s, when they were replaced by vacuformed plastic.

For more on 20th century American Halloween costumes, see Phyllis Galembo, Dressed for Thrills: 100 Years of Halloween Costumes and Masquerade (New York: Harry N. Abrams Inc., 2002).

Click above to watch a documentary about Halloween in the United States.

:

TITLE: Yei Bi Chei Ganaskidi
TYPE: hood mask
GENERAL REGION: North American
COUNTRY: United States of America
SUBREGION: Arizona
ETHNICITY: Diné (Navajo)
DESCRIPTION: Ganaskidi Mask
CATALOG ID: NAUS032
MAKER: Unknown
CEREMONY: Yei Bi Chei Dance
AGE: ca. 1970s
MAIN MATERIAL: antelope leather
OTHER MATERIALS: wood; pigment; dyed wool

The Yei Bi Chei (also spelled Yébichai) is a sacred night dance of the Diné (commonly but improperly called Navajo) people of the southwestern United States. The ceremony lasts nine days and has a healing function for tribe members and is generally performed in the winter. The masked dancer personifies the god represented.

Yei Bi Chei masks are always made by skilled medicine men.  In a healing ritual, the patient is sweated, and then songs are sung.  During the singing, the Yei Bi Chei representing the gods treat the patient while calling “wu-hu-hu-hu-u.” The gods represented are speechless and live in sacred caves, mountains and canyons. The male gods wear full leather helmet masks like this one with a ruff of spruce twigs (formerly furs) around the neck.  Female Yei wear square half-masks. Both wear ceremonial regalia and paint their bodies white with clay. On the ninth night, a public dance including six men and six women dance as Yei Bi Chei. There is also a leader, Talking God, and a fourteenth Yei, the Water Sprinkler.  Talking God is distinguished by his white mask with eagle feathers.  The six male Yei carry gourd rattles and spruce twigs or feathers, and make the “hu” call periodically during the dance.

This specific mask represents Ganaskidi, a god of the abundant harvest.

For more on the Yei Bi Chei, see Berard Haile, Head and Face Masks in Navaho Ceremonialism (Salt Lake City: University of Utah Press, 1996).

:

TITLE: Mardi Gras Father Flame
TYPE: face mask
GENERAL REGION: North America
COUNTRY: United States of America
SUB-REGION: New Orleans, Louisiana
ETHNICITY: Mixed
DESCRIPTION: Leather Father Flame Mask
CATALOG ID: NAUS062
MAKER: Vincent Alan Ur (Tulsa, OK, 1966- )
CEREMONY: Mardi Gras
AGE: 2004
MAIN MATERIAL: leather
OTHER MATERIALS: acrylic paint

In Catholic practice, Mardi Gras (“Fat Tuesday”) is the last day of celebration of Carnival before the fasting period of Lent. In the United States, the holiday is nowhere more vigorously celebrated than in New Orleans, Louisiana. There, a two-week Carnival season terminating on Mardi Gras is celebrated with parades composed of elaborate costumes and masks, floats, marching bands, all organize by private “krewes” composed of public-spirited citizens dedicated to preserving the Mardi Gras tradition. Krewes tend to have a fairly constant structure of officers, who frequently ride horseback in handsome costumes and white draped masks, float riders who chuck “throws,” or small gifts such as plastic beaded necklaces, toys, or mementos (usually with the krewe’s name and insignia) into the cheering crowds, and a guest “king” and “queen” of the krewe.

Mardi Gras in New Orleans is also typically celebrated with formal balls held by the krewes in honor of the king and queen, and to celebrate the season.  Mask wearing among street celebrants is common as well. Traditionally, Mardi Gras masks are made of formed and painted leather, and can represent any character from real life or fantasy.  In modern practice, cheap masks mass manufactured of sequined cloth or paper maché covered in dyed feathers have become common.

This specific mask was hand made by a skilled artisan from Tulsa, Oklahoma and brought to New Orleans during Mardi Gras to be sold. Fantastical characters and beasts are common choices for Mardi Gras characters in New Orleans.



Click above to watch a short documentary about Mardi Gras in New Orleans, Louisiana in 2019 and 2020.

:

TITLE: Hopi Hon Katsina
TYPE: helmet mask
GENERAL REGION: North American
COUNTRY: United States of America
SUBREGION: New Mexico
ETHNICITY: Hopi
DESCRIPTION: Hon (Bear) Katsina mask
CATALOG ID: NAUS058
MAKER: Unknown
CEREMONY: Katsina
FUNCTION: adult initiation; agriculture; celebration; social control; spirit invocation
AGE: mid-twentieth century
MAIN MATERIAL: leather
OTHER MATERIALS: string; wood; feathers; natural pigment

Among the Puebloan nations of the southwest United States, the Hopi people of Arizona and New Mexico are known for their katsina (also spelled kachina) dolls, given to children to help them recognize the spirits that will protect and benefit the Hopi people. These dolls represent masked dancers who have assumed the form of spirits and gods, dancing at ceremonies from the winter solstice (December) to just after the summer solstice (July). The ceremonies especially focus on the planting season and ensuring a fruitful crop.  The katsina dancers perform important religious and social roles in purifying the village, policing Hopi behavior, and in some cases entertaining the audience.  They are also used in adult initiation ceremonies for boys.

Hopi society is infused with religion, in which the katsinam play a major role during half the year.  There are numerous dances and ceremonies involving the katsinam between February and August, including Soyalwimi (winter solstice) and the Powamuya (Bean Ceremony) in February. Some of these ceremonies are complex, involving night visits by the katsinam to regulate village conduct, adult initiation of boys between 10 and 15 years into the Katsina Society, and dances during the daytime to increase the fertility of the crops and wildlife upon which the Hopi depend.

Hopi masks are almost always helmet shaped and are considered sacred objects belonging to the tribe rather than individual dancers.  This mask is a hon, representing the bear, and was made to fit a young dancer, probably newly initiated into the Katsina society.  There are many different animal katsinam, and these typically dance singly or in a group during the summer day dances.

:

TITLE: Iroquois False Face Mask
TYPE: face mask
GENERAL REGION: North American
COUNTRY: Canada
SUBREGION: Québec
ETHNICITY: Iroquois (Mohawk)
DESCRIPTION: Square Mouth Blower Mask
CATALOG ID: NACA008
MAKER: John Elliott, Turtle Tribe (1955- )
CEREMONY: Divination; Healing; Purification; Secret Society
AGE: 2011
MAIN MATERIAL: cedar wood
OTHER MATERIALS: copper sheet; horse hair; paint

The Mohawk people (Kanien’kehá-ka) belong to the Iroquois League (Haudenosaunee) and historically inhabited western New York state, as well as parts of Quebec and Ontario, before being displaced by Dutch and British settlers.  They maintain tribal lands in Ontario and Quebec today, reserved by treaty.

Most Iroquois nations, including the Mohawk, had three medicine societies, one of which was the False Face Society.  It is probably no longer a secret society, because although its membership is limited to initiates who have been cured by the Society or had an important dream, most persons in modern Iroquois communities are apparently aware of the Society’s membership.

Among the important rituals of the False Face Society are village purification of diseases, the healing of sick persons, and facilitation of dream fulfillment during the midwinter festival. The masks worn by the Society take a variety of forms, mostly with blowing lips to blow healing ashes on a sick patient.  The copper eyes convey the spirituality of the mask.

For more on Iroquois masking traditions, see William N. Fenton, The False Faces of the Iroquois (University of Oklahoma Press, 1987).

:

TITLE: Halloween Skeleton Mask
TYPE: face mask
GENERAL REGION: North America
COUNTRY: United States of America
ETHNICITY: Mixed
DESCRIPTION: Buckram skull mask
CATALOG ID: NAUS022
MAKER: Unknown
CEREMONY: Halloween
AGE: 1940s
MAIN MATERIAL: dyed buckram
OTHER MATERIALS: paint

Halloween is one of the major secular festivals in the United States, celebrated on October 31st each year.  It originated in pre-Christian times, possibly among the ancient Celts, who practiced Samhain in late fall by wearing frightening costumes and lighting bonfires in mid-autumn to scare away ghosts. In the eighth century, Pope Gregory III declared November 1st as a day to honor all the saints collectively. The celebration prior to this All Saints Day became known as All Hallows’ Eve (hence the shortened name, All Hallowe’en, eventually elided to Halloween), and involved many of the same traditions practiced by the Celts.

Halloween formerly had many traditions that varied by region.  In modern and relatively homogenized practice, Halloween generally has three main components: costumed parties, “trick-or-treating,” and haunted houses.  Costumed parties are the modern descendant of social activities designed to honor the saints and create solidarity in the community. Children’s parties typically involved games with prizes, such as bobbing for apples and carving pumpkins and other relatively dry squash into frightening “jack-o-lanterns” with candles inside for illumination.  Adult parties commonly involve less innocent games and elaborate decorations to create a scary mood.

Trick-or-treating is the children’s practice of wearing scary costumes to extort candy and other sweets from neighbors. Like roaming goblins, the monsters visiting the house would demand a treat or threaten to play a nasty trick on the neighbor. The threat is of course a formality, as sharing candy with trick-or-treaters is considered a mandatory practice for friendly and community-spirited neighbors. In modern practice, many children have abandoned the tradition of wearing frightening costumes and have leaned toward fantasy characters such as superheroes, princesses, and fairies.

Haunted houses are a relatively modern innovation.  They may be designed and staffed by volunteers or for profit, and generally take the form of a decrepit mansion haunted by ghosts, mad scientists, monsters, the walking dead, etc. The idea is to inspire terror and wonder in a factually safe environment.

In addition, many Americans celebrate by watching horror movies (the release of which Hollywood times to coincide with the Halloween season), and in some regions, most notably Greenwich Village, Manhattan in New York and Salem, Massachusetts, major costumed parades are organized each year.  In many cities, “zombie walks” composed of masses of costumed zombies have been organized as well.

Popular masks and costumes include devils, zombies, skeletons, vampires, werewolves, mummies, witches, pirates, political figures, and characters from popular culture, such as Frankenstein’s monster. However, Halloween costumes can include almost anything, including inanimate objects and abstractions.  The choice is limited only by the imagination of the masquerader.  Masks and costumes depicting offensive racial stereotypes, popular prior to the 1980s, are no longer widely used.

This specific mask, representing a skull, was made from dyed buckram, moistened and dried over a form, then hand painted with details. Such mass-produced masks were popular among the middle class in the 1920s to 1950s, when they were replaced by vacuformed plastic.

For more on 20th century American Halloween costumes, see Phyllis Galembo, Dressed for Thrills: 100 Years of Halloween Costumes and Masquerade (New York: Harry N. Abrams Inc., 2002).

Click above to watch a documentary about Halloween in the United States.

:

TITLE: Halloween Darth Vader
TYPE: helmet mask
GENERAL REGION: North America
COUNTRY: United States of America
ETHNICITY: Mixed
DESCRIPTION: EFX A New Hope Limited Edition Darth Vader Mask
CATALOG ID: NAUS040
MAKER: Ralph Angus McQuarrie (Gary, Indiana, 1929-2012) & Brian Muir (England, 1952- ) (design); EFX Inc. (Los Angeles, California) (manufacture)
CEREMONY: Halloween; Entertainment
AGE: 2012 (original design, 1975)
MAIN MATERIAL: molded fiberglass
OTHER MATERIALS: aluminum; plastic; paint

Motion pictures have had a dramatic effect on culture in the United States.  Masks and costumes from motion pictures are common during Halloween celebrations, costume parties, and costume events such as Comic-Con, annual international festivals celebrating comic books and related popular culture.

This mask is a replica of the mask worn by actor David Prowse playing the sinister Sith lord Darth Vader (voiced entirely by James Earl Jones) in the first Star Wars movie, A New Hope, first screened in 1977. The Darth Vader character quickly became one of the most popular villains of the era and an iconic image, inspiring toys, games, and Halloween costumes.

The original mask was sculpted by Brian Muir based on concept art by Ralph McQuarrie. Although the original mask molds appear to be lost, Rick Baker cast new molds from the screen-used helmet, and these were used to cast this wearable mask, which was then hand finished with airbrushed paint, hardware, and plastic lenses.

Click above to watch a documentary about Halloween in the United States.

:

TITLE: Cherokee War Mask
TYPE: face mask
GENERAL REGION: North America
COUNTRY: United States of America
SUBREGION: North Carolina
ETHNICITY: Cherokee
DESCRIPTION: War mask with snake on head
CATALOG ID: LAUS079
MAKER: Allen Long (Cherokee, North Carolina, 1917-1983)
CEREMONY: Snake Mask Dance
FUNCTION: war preparation
AGE: ca. 1970s
MAIN MATERIAL: wood
OTHER MATERIALS: pigment; leather strap

The Snake-Mask Dance was a dance of the Cherokee people, danced with a gourd rattle and leg-rattles made of turtle shells, performed in preparation for war. It represents the warrior’s fearlessness (wearing a poisonous snake on his forehead) and defiance of human enemies, sorcerers, and ghosts. The purpose of the dance was probably to enlist other men into joining a war party. The warrior danced the mask counter-clockwise around a fire with a slow march step. A singer followed, followed in turn by a woman with turtle leg-rattles and other warriors. The warrior then took a position behind the woman, and the singer led the group in song.

For more on Cherokee masked dance, see Frank G. Speck & Leonard Broom, Cherokee Dance and Drama (University of Oklahoma Press 1951).

: