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Rooster Mask

TITLE: Rooster Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Hidalgo and Veracruz
ETHNICITY: Otomí
DESCRIPTION: Gallo (Rooster) Mask
CATALOG ID: LAMX034
MAKER: Ciriaco González (?), Carpinteros
CEREMONY: Carnival
AGE: 1980s
MAIN MATERIAL: wood
OTHER MATERIALS: paint

The village of Carpinteros is technically in the Mexican state of Hidalgo, but the town has spread into neighboring Veracruz.  It is inhabited by both mestizos and the indigenous Otomí people.  During Carnival, villagers dance a variety of masks with few limitations, including clowns, devils, viejos (old men), and animals of every kind.

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Moreno Mask

TITLE: Moreno Mask
TYPE: helmet mask
GENERAL REGION: Latin America
COUNTRY: Bolivia
SUBREGION: Oruro
ETHNICITY: Quechua and Aymara
DESCRIPTION: Moreno (Moor) Helmet Mask
CATALOG ID: LABO012
MAKER: Unknown
CEREMONY: Carnival (La Morenada)
AGE: 1960s
MAIN MATERIAL: linen; plaster
OTHER MATERIALS: glass eyes; dyed plant fibers; paint

The Morenada (Dance of the Moors) is an annual ceremony in several towns in the Altiplano region of Bolivia, Peru, and northern Chile, usually incorporated into Carnival.  The dance includes both male and female Moors dancing in a group with whips, rattles, or scepters. A King of the Moors (Rey de Morenos) presides and coordinates the dance. The dance typically occurs in the course of a parade, with marching bands playing musical scores for the dancers.  The precise origins of the Morenada are the subject of debate, with most specialists concluding that the dance was inspired by African slaves brought to Bolivia to work the mines or the subsequent integration of Africans into the Yungas community near La Paz.  The morena wears a fancy version of the traditional Bolivian costume with the classic bowler hat.

This mask represents a male moreno, or Moor, made in the 1960s from linen covered in plaster.  The Moors obviously never reached Bolivia, but they are represented in honor of the Spanish reconquest of Granada from the Moors in 1492.  The morenos dance as a group of males and females, both wear an elaborate and colorful costume.  Males carry a scepter, whip, or matraca (rattle).

For more on Bolivian masquerade, see Peter McFarren ed., Masks of the Bolivian Andes (La Paz: Editorial Quipus/Banco Mercantil SA, 1993).

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Tastoan (Child)

TITLE: Tastoan (Child)
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Jalisco
ETHNICITY: Nahua
DESCRIPTION: Child’s Tastoan Mask
CATALOG ID: LAMX040
MAKER: Unknown maker in San Juan de Ocotlán under name of “El Viejo”
CEREMONY: Fiesta de Santiago el Apostól
AGE: 2003
MAIN MATERIAL: leather
OTHER MATERIALS: paint; string; horse hair

In parts of Jalisco and Zacatecas, the holiday in honor of Santiago el Apostól (St. James the Apostle) is held every 25th of July. Celebrants carry spears and dress in long pants, leather chaps, and boots, with demonic masks made of wood (Zacatecas) or molded leather (Jalisco) covered with a montera (headdress) of goat hair, horse hair, or plant fiber. The festival commemorates a battle between the indigenous warriors of the area and conquistadors. The appearance of the tastoanes, who represent indigenous warriors, conveys their ferocity through sharp teeth, large noses, and snakes, lizards, scorpions and spiders for decorations. This mask has images of the mythical creatures nahual and nahuala, half jaguar and half human, who symbolize the ferocity of the Tonaltecs. In some cases, the masks are dotted to convey the transmission of diseases such as smallpox and syphilis from the Spaniards to the indigenous peoples.

During the celebration, tastoanes and either three kings wearing ceramic masks or three Aztec priestesses (one representing the Tonaltec queen Tzapotzintli, also known as Tzuapili oor Cihualpilli) carry an image of St. James along a parade route and dance to music carrying swords or whips, after which they make defiant speeches and engage in a mock battle (jugada) with a participant carrying a whip who represents St. James.  At the end of the battle, all the tastoanes die and St. James is victorious. In the past, all tastoanes were male, but recently women have begun to participate as well.  In some towns, an organization such as a Cofradía de Santo Santiago (Fraternity of St. James) organizes the event.

This specific mask was made for a young child in the town of San Juan de Ocotlán.

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Diablo Mask

TITLE: Diablo Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Guatemala
SUBREGION: Sacatepéquez
ETHNICITY: Mestizo (Spanish/Mayan)
DESCRIPTION: Diablo (Devil) Mask
CATALOG ID: LAGT004
MAKER: José Fermín Ordoñez (Ciudad Vieja Sacatepéquez, 1834-1910)
CEREMONY: Baile de la Legion de los 24 Diablos
AGE: ca. 1865
MAIN MATERIAL: wood
OTHER MATERIALS: plaster; paint; nails; glue

Devil characters appear in several dance-dramas in Guatemala, mainly for entertainment or religious instruction.  In the Sacatepéquez Department, the Baile de la Legion de los 24 Diablos (Dance of the Legion of 24 Devils) serves this function, being an approximately three hour drama enacted during the patron saint festival on December 7-8, in honor of the Santísima Virgen de Concepción. The story involves 19 devils, including Lucifer (who is distinguished by the crown he wears), Death, a monkey, angels, a maiden, an old man, and a soul. The devils, each representing a different theme or sin, seek out a soul to condemn, but one or more angels arrive to succor the sinner. In the end, the soul regresses and goes to Hell. The drama is accompanied by dance, songs and music on traditional Mayan instruments, principally the marimba and chirima flute.

For more on Guatemalan masks, see Jim Pieper, Guatemala’s Masks and Drama (University of New Mexico Press, 2006)

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K’achampa Mask

TITLE: K’achampa Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Peru
SUBREGION: Cusco
ETHNICITY: Quechua
DESCRIPTION: K’achampa Mask
CATALOG ID: LAPE007
MAKER: Unknown
CEREMONY: K’achampa Dance
AGE: 1980s
MAIN MATERIAL: wire mesh
OTHER MATERIALS: paint; steel strips

The k’achampa dance is performed throughout the central mountains of Peru to the accompaniment of martial music. The characters include a leader (caporal), soldiers, and children. The dance is performed for different purposes in different parts of Peru. In Cusco, it is performed during Corpus Christi.  In Paucartambo, it is usually part of the Fiesta de la Virgen de Carmen in mid-July. In Ollantaytambo, it is performed at the Feast of the Pentecost on January 6. In all cases, the mask is worn with a costume consisting of an elaborately decorated flat-topped hat or ch’ullu (traditional Andean wool hat with earflaps), a vest with mirrors and bells, a white shirt, black tie, white gloves, black shorts, and vest and dress coat. The masqueraders may also carry a slingshot. The dance is thought to be Incan in origin and to relate to war rituals.


Click above to watch a short documentary on Corpus Christi in Cusco, Peru.

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Tastoan Perro

TITLE: Tastoan Perro
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Jalisco
ETHNICITY: Nahua
DESCRIPTION: Perra (female dog) mask for the Tastoanes dance
CATALOG ID: LAMX045
MAKER: Ubaldo Macías Bernabe, Tonalá (1972- )
CEREMONY: Fiesta de Santiago el Apostól
AGE: 2017
MAIN MATERIAL: leather
OTHER MATERIALS: acrylic paint; lacquer; glue paste; wire; thread; elastic bands; goat hair; ixtle fiber

In parts of Jalisco and Zacatecas, the holiday in honor of Santiago el Apostól (St. James the Apostle) is held every 25th of July. Celebrants carry spears and dress in long pants, leather chaps, and boots, with demonic masks made of wood (Zacatecas) or molded leather (Jalisco) covered with a montera (headdress) of goat hair, horse hair, or plant fiber. The festival commemorates a battle between the indigenous warriors of the area and conquistadors. The appearance of the tastoanes, who represent indigenous warriors, conveys their ferocity through sharp teeth, large noses, and snakes, lizards, scorpions and spiders for decorations.

During the celebration, tastoanes and either three kings wearing ceramic masks or three Aztec priestesses (one representing the Tonaltec queen Tzapotzintli, also known as Tzuapili oor Cihualpilli) carry an image of St. James along a parade route and dance to music carrying swords or whips, after which they make defiant speeches and engage in a mock battle (jugada) with a participant carrying a whip who represents St. James. At the beginning of the battle, the tastoanes carry in St. James as a prisoner and torture him, but he is rescued by his dog (perro), which this mask represents. The dog drives away the tastoanes with a stick and assists St. James, afterward supplying him with new sticks as he breaks them on the bodies of tastoanes. In most performances, the dog dies in the course of the battle. Nonetheless, at the end, all the tastoanes die and St. James is victorious. In some towns, an organization such as a Cofradía de Santo Santiago (Fraternity of St. James) organizes the event.

This specific mask was made by the award-winning craftsman Ubaldo Macías of Tonalá.

Click above to watch a short documentary about the tastoanes of Tonalá, Mexico.

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Tastoan

TITLE: Tastoan (Child’s) Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Jalisco
ETHNICITY: Nahua
DESCRIPTION: Blue tastoan mask with white hair for a child
CATALOG ID: LAMX046
MAKER: Jesús “Don Chuy” Delgado Navarro, Tonalá (1956- )
CEREMONY: Fiesta de Santiago el Apostól
AGE: 2007
MAIN MATERIAL: leather
OTHER MATERIALS: cow teeth; animal bone; acrylic paint; lacquer; glue paste; wire; thread; horse hair; woven plant fiber helmet

In parts of Jalisco and Zacatecas, the holiday in honor of Santiago el Apostól (St. James the Apostle) is held every 25th of July. Celebrants carry spears and dress in long pants, leather chaps, and boots, with demonic masks made of wood (Zacatecas) or molded leather (Jalisco) covered with a montera (headdress) of goat hair, horse hair, or plant fiber. The festival commemorates a battle between the indigenous warriors of the area and conquistadors. The appearance of the tastoanes, who represent indigenous warriors, conveys their ferocity through sharp teeth, large noses, and snakes, lizards, scorpions and spiders for decorations. This mask has images of the mythical creatures nahual and nahuala, half jaguar and half human, who symbolize the ferocity of the Tonaltecs. In some cases, the masks are dotted to convey the transmission of diseases such as smallpox and syphilis from the Spaniards to the indigenous peoples.

During the celebration, tastoanes and either three kings wearing ceramic masks or three Aztec priestesses (one representing the Tonaltec queen Tzapotzintli, also known as Tzuapili oor Cihualpilli) carry an image of St. James along a parade route and dance to music carrying swords or whips, after which they make defiant speeches and engage in a mock battle (jugada) with a participant carrying a whip who represents St. James.  At the end of the battle, all the tastoanes die and St. James is victorious. In the past, all tastoanes were male, but recently women have begun to participate as well.  In some towns, an organization such as a Cofradía de Santo Santiago (Fraternity of St. James) organizes the event.

This specific mask was made for a child by the award-winning craftsman and tastoan mayor, “Don Chuy” Delgado of Tonalá, and danced by his grandson Moises for nine years. It was painted using pigments that fluoresce under ultraviolet light, such as sunlight or a black light.

Click above to watch a short documentary about the tastoanes of Tonalá, Mexico.

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Boruca Warrior Mask with Jaguar

TITLE: Boruca Warrior Mask with Jaguar
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Costa Rica
SUBREGION: Reserva Rey Curré, Puntarenas
ETHNICITY: Boruca
DESCRIPTION: Warrior Mask with Jaguar
CATALOG ID: LACR006
MAKER: Melvin González Rojas (Puntarenas, 1978- )
CEREMONY: Cagrúv Rójc (Fiesta de los Diablitos)
AGE: 2012
MAIN MATERIAL: balsa wood
OTHER MATERIALS: paint

The Boruca people mostly inhabit two reservations in the Puntarenas Province of Costa Rica. Technically, many persons classified as Boruca are members of neighboring indigenous peoples, such as the Coto and Quepo people, who have banded with the Boruca to preserve their traditions and relative independence. Their best known holiday is the Fiesta de los Diablitos (Festival of the Little Devils), properly called Cagrúv Rójc in the Boruca langauge, and held from December 30th to January 2nd each year. The ceremony represents a major community event and a retelling of the Spanish conquest of the Boruca people (represented by masked forest spirits known as diablos, but actually representing indigenous warriors).  All masqueraders are men. The diablos begin parading in the morning at the direction of an elder devil, el Diablo Mayor, representing the glory of the Boruca culture before the conquest.  On January 1st, a masquerader in a toro (bull) mask enters the festivities to represent the invading Spanish. The toro chases the diablos about the village. Although the diablos resist, the toro ultimately knocks down all the diablos, representing the Spanish victory.  Afterward, the diablos return to life, sending the toro into hiding while they hunt him with the help of a masquerader posing as a dog. Ultimately they find, capture, and symbolically burn the toro, signifying the end of the festival. The toro mask is not burned, but saved for the subsequent year’s ritual.

Click above to watch a short documentary film about the Cagrúv Rójc ceremony of the Boruca people.

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Aya Huma

TITLE: Aya Huma
TYPE: hood mask
GENERAL REGION: Latin America
COUNTRY: Ecuador
SUBREGION: Tabacundo
ETHNICITY: Quechua
DESCRIPTION: Green Aya Huma (Diablo Umo) mask
CATALOG ID: LAEC010
MAKER: Unknown maker in Tabacundo
CEREMONY: Inti Raymi
AGE: 1981
MAIN MATERIAL: dyed cloth
OTHER MATERIALS: dyed thread; cotton wadding

In Ecuador and Peru, the winter solstice is sometimes still celebrated by honoring the Incan sun god, Inti.  Some mistakenly consider this a summer solstice ceremony, apparently forgetting that, except in Colombia and the northern tip of Ecuador, the Andes are south of the Equator.   Inti Raymi takes place annually on June 24 and recreates the Incan ceremonies of the period.

Among the regalia worn during the celebration is the Aya Huma mask and suit, sometimes known as Diablo Umo. The Aya Huma carries a whip to drive away evil spirits during the ceremony. His mask is double-sided so that he cannot be surprised by evil spirits from behind. The rather symmetrical ears and noses represent the four cardinal points.  Although traditionally representing a protector spirit, Catholic zealots among the colonizers branded the masquerader satanic, whence comes the name Diablo Umo (Devil Head).

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Tastoan

TITLE: Tastoan
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Jalisco
ETHNICITY: Nahua
DESCRIPTION: Tastoan Mask
CATALOG ID: LAMX039
MAKER: Ubaldo Macías Bernabe, Tonalá (1972- )
CEREMONY: Fiesta de Santiago el Apostól
AGE: 2017
MAIN MATERIAL: leather
OTHER MATERIALS: horse teeth; animal bone; acrylic paint; lacquer; glue paste; wire; thread; elastic bands; horse hair; woven plant fiber helmet

In parts of Jalisco and Zacatecas, the holiday in honor of Santiago el Apostól (St. James the Apostle) is held every 25th of July. Celebrants carry spears and dress in long pants, leather chaps, and boots, with demonic masks made of wood (Zacatecas) or molded leather (Jalisco) covered with a montera (headdress) of goat hair, horse hair, or plant fiber. The festival commemorates a battle between the indigenous warriors of the area and conquistadors. The appearance of the tastoanes, who represent indigenous warriors, conveys their ferocity through sharp teeth, large noses, and snakes, lizards, scorpions and spiders for decorations. This mask has images of the mythical creatures nahual and nahuala, half jaguar and half human, who symbolize the ferocity of the Tonaltecs. In some cases, the masks are dotted to convey the transmission of diseases such as smallpox and syphilis from the Spaniards to the indigenous peoples.

During the celebration, tastoanes and either three kings wearing ceramic masks or three Aztec priestesses (one representing the Tonaltec queen Tzapotzintli, also known as Tzuapili oor Cihualpilli) carry an image of St. James along a parade route and dance to music carrying swords or whips, after which they make defiant speeches and engage in a mock battle (jugada) with a participant carrying a whip who represents St. James.  At the end of the battle, all the tastoanes die and St. James is victorious. In the past, all tastoanes were male, but recently women have begun to participate as well.  In some towns, an organization such as a Cofradía de Santo Santiago (Fraternity of St. James) organizes the event.

This specific mask was made by the award-winning craftsman Ubaldo Macías of Tonalá.

Click above to watch a short documentary about the tastoanes of Tonalá, Mexico.

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