TITLE: Totsakan Khon Mask
TYPE: helmet mask
GENERAL REGION: Asia
COUNTRY: Thailand
SUBREGION: Bangkok
ETHNICITY: Thai
DESCRIPTION: Totsakan (Green) Khon
CATALOG ID: ASTH004
MAKER: Unknown
CEREMONY: Ramakien Dance Drama
AGE: 1960s
MAIN MATERIAL: paper maché
OTHER MATERIALS: plaster; gilding; mirrors; paint; mother-of-pearl teeth; wooden fangs

The Ramakien is the Thai adaptation of the traditional Hindu epic from India, the Ramayana.  Most male characters in the drama wear masks fashioned from paper maché and elaborately gilded, decorated, and painted.

This mask represents the demon king Totsakan, also written Tosakanth (or Ravana in Hindi), who is supposed to have 100 faces and 20 hands. His face is green during most of the play, but when he ascends to power his face turns gold.  Totsakan is the villain at the center of the Ramakien, as he abducts Sita, the beautiful wife of the hero, King Rama.  The remainder of the play focuses on Rama’s efforts, with his loyal demigod ally Hanuman, to rescue Sita and punish Totsakan.

For more on Thai khon masks, see Natthapatra Chandavij & Promporn Pramualratana, Thai Puppets and Khon Masks (Bangkok: River Books, 1998).

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TITLE: Kyōgen Ko-Tengu
TYPE: face mask
GENERAL REGION: Asia
COUNTRY: Japan
ETHNICITY: Japanese
DESCRIPTION: Ko-Tengu (Celestial Dog) Kyōgen Mask
CATALOG ID: ASJP024
MAKER: Unknown
CEREMONY: Kyōgen Theatre
FUNCTION: Celebration; Entertainment
AGE: 1960s
MAIN MATERIAL: wood
OTHER MATERIALS: laquer; paint; bronze sheet

The tengu is a legendary being very important to Japanese mythology, found in both folk tales and Shinto and Buddhist religious doctrines. Despite the reference to dog in the creature’s name (“celestial dog”) and origin, it is also associated with a predatory bird. The role of the tengu is ambiguous, with some sources treating it as a demon and others as a protective demi-god. Its form, too, varies between that of a large bird of prey and a brightly-colored human, nearly always with an exceptionally long nose.

The tengu is a popular masked character in Kyōgen theatre as well. Kyōgen is a traditional form of Japanese comic theatre, usually performed in village celebrations or as interludes between traditional Noh dramas. Kyōgen is performed by both masked and unmasked characters, whose role is defined in each traditional play. The actors are accompanied by flute, drum and gong music, but Kyōgen emphasizes dialogue and action over song or dance. In these plays, the tengu typically plays the role of trouble-maker (sometimes dupe) or mystical protector.


To watch a short documentary about Japanese Nogaku (Noh drama and Kyogen plays), click above.

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TITLE: Lunar New Year Mask
TYPE: helmet mask
GENERAL REGION: Asia
COUNTRY: China
SUBREGION: Hong Kong
ETHNICITY: Han
DESCRIPTION: Elderly Woman “Big Head” Mask
CATALOG ID: AFCN004
MAKER: Unknown
CEREMONY: Lunar New Year
FUNCTION: Celebration; Entertainment
AGE: 1980s
MAIN MATERIAL: paper maché
OTHER MATERIALS: gesso; paint; dyed polyester fabric

The Chinese celebrate the lunar new year with lion dances, parades, and fireworks throughout the country.  Normally, the celebration begins on new year’s eve and lasts 15 days, and it provides an opportunity for entertainment, family reunion, honoring ancestors, and planning for the coming year. In the parade, armies of “big-headed Buddhas” clad in traditional silk costumes (or their modern polyester equivalents) follow the lion dancers.  They cavort for the entertainment of the audience and to bring good fortune in the coming year. Among these masqueraders are old man and old woman characters, such as the one represented by this mask. In modern Hong Kong, this is the largest festival of the year, and includes floats and decorations throughout the city.

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