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Senufo Kpelie

TITLE: Senufo Kpelie
TYPE: face mask
GENERAL REGION: Africa
COUNTRY: Côte d’Ivoire (Ivory Coast)
ETHNICITY: Senufo
DESCRIPTION: Kpelie Mask
CATALOG ID: AFCI015
MAKER: Unknown
CEREMONY: Adult Initiation; Agriculture; Celebration; Funeral
AGE: ca. 1990s
MAIN MATERIAL: ebony wood
OTHER MATERIALS: n/a

The Senufo people and reside primarily in Côte d’Ivoire, with some also living in Burkina Faso and Mali. The kpelie mask is used by men’s societies for the initiation of boys into adulthood, in funerals of important villagers, and in harvest festivals celebrating and giving thanks to the gods for a bountiful harvest.

The kpelie is always worn by men, but it combines the features of an ideal woman and an animal, such as an antelope, ram, or hornbill (as here), along with fertility symbols, such as palm nuts. The scarification marks represent the Senufo ideal of female beauty. The two appendages that always extend downward from the mask represent symbolic legs that tether the spirit to the earth.  The figure on the head, whether it is an animal, ancestor, or symbol, depend on the caste group to which ancestor represented by the mask belonged. The hornbill, for example, is linked to metal smiths.

The masquerader will dance to traditional music and singing while holding an iron staff or a horsetail whisk and wearing a robe composed of knotted diamonds (the shape believed symbolic of the cycle of life) and a long raffia fiber collar and cuffs to disguise the hands.

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Chokwe Cikunza Mask

TITLE: Chokwe Cikunza
TYPE: helmet mask
GENERAL REGION: Africa
COUNTRY: Zambia
ETHNICITY: Chokwe
DESCRIPTION: Cikunza Mask for the Makishi Dance
CATALOG ID: AFZM001
MAKER: Unknown
CEREMONY: Adult Initiation; Hunting; Secret Society
AGE: ca. 1990s
MAIN MATERIAL: burlap
OTHER MATERIALS: wood; pigments; string

The populous Chokwe people of Angola, the Democratic Republic of Congo, and Zambia are known as some of the most skilled wood carvers in Africa. They resisted colonization far longer than most peoples of the region, despite repeated incursions by the Portuguese and other Europeans.

The Chokwe use masks in many contexts. The makishi (dead) dance is performed at the end of adult initiation rituals for boys, called mukanda, primarily in Zambia. The cikunza mask represents an ancestor and is worn by an older man to teach boys the knowledge they will need as men, particularly relating to hunting and sexual relationships. Unlike most African masked dancers, the cikunza does not wear a raffia fiber suit, but instead paints his body in bright geometric patterns.  After the boys are circumcised, the newly minted adults remove the masks from their relatives and swear an oath to maintain the secrets of their identities.

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Yao Shaman Mask

TITLE: Yao Shaman Mask
TYPE: face mask
GENERAL REGION: Asia
COUNTRY: Vietnam
SUBREGION: Northern Vietnam
ETHNICITY: Yao
DESCRIPTION: Shaman Mask
CATALOG ID: ASVN001
MAKER: Unknown
CEREMONY: Shamanic rituals
FUNCTION: healing; hunting; protection; spirit invocation
AGE: ca. 1960s
MAIN MATERIAL: wood
OTHER MATERIALS: dyed rice paper

The Yao people inhabit southern China and northern Vietnam, with small enclaves in Thailand, Burma, and Laos. They have syncretic Daoist and animist religious beliefs. Yao shamans use wooden masks to invoke god spirits for protection or successful hunting expeditions. Shamans may also use the masks to heal the sick.

Yao masks often include a “horn” on top of the head that some speculate mimics the topknot (ushnisha) worn by the Buddha. Some Yao masks are painted, but because many Yao lack access to paint, they often cover their masks with dyed paper, as they have done here.

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Tigre Mask

TITLE: Tigre Mask
TYPE: hood mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Guerrero
ETHNICITY: Nahua
DESCRIPTION: Tigre (Jaguar) Mask
CATALOG ID: LAMX016
MAKER: Unknown maker in Olinalá
CEREMONY: Baile de los Tlacololeros
AGE: late 2000s
MAIN MATERIAL: wood
OTHER MATERIALS: boar hair; paint; boar tusks; leather tongue

The Baile de los Tlacololeros is one of the oldest folk dances of Guerrero, Mexico and predates colonization. It is performed at most major religious events, such as Easter, Day of the Holy Cross (May 3), patron saint days, and Christmas Eve. The dance represents the efforts of corn farmers to stop the depredations of a jaguar on their livestock.  A tlacololero is a farmer of the rugged, mountainous slopes of Guerrero.  The main characters are the farmers and their tracker, the perra maravilla (“wonder bitch,” the dog that helps hunt the jaguar), the farm animals, and a tigre (actually, a jaguar) such as this one.  Generally, eight to fourteen tlacololeros participate, dancing to the music of flute and drums, while the perra maravilla helps hunt and captures the jaguar.  The farmers then beat the jaguar with chirriones (braided whips) to teach it a lesson, stopping short of killing it. Unfortunately, the whipping sometimes leads to the violent expression of regional rivalries, resulting in serious injuries to the participants.  To protect themselves, the dancers wear leather chaps, blanket breeches, huaraches and thick sacks of ixtle on layers of huastle grass.

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Viejito Mask

TITLE: Viejito Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Michoacan
ETHNICITY: Purépecha
DESCRIPTION: Viejito (Little Old Man) Mask
CATALOG ID: LAMX063
MAKER: Manuel Horta Ramos (Tocuaro)
CEREMONY: Danza de los Viejitos
AGE: 2015
MAIN MATERIAL: wood
OTHER MATERIALS: plaster; maque; plant fiber

The Danza de los Viejitos is one of the oldest ceremonies in the Purépecha regions of Michoacán. In it, four dancers dressed as old men, with white suits, a colorful sarape, beribboned straw hat, wooden clogs, and a wooden cane, dance to the music of violins, clarinets, and guitars. The purpose of the dance is to pray for a good harvest. Normally, four dancers appear, representing the four primordial elements (earth, fire, water, and air) and the four colors of maize (yellow, red, blue, white). Masks may be made of wood, paste, or terra cotta.

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Tarahumara Chaperon Mask

TITLE: Tarahumara Chaperon Mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Chihuahua
ETHNICITY: Tarahumara
DESCRIPTION: Chaperon Mask
CATALOG ID: LAMX013
MAKER: Unknown
CEREMONY: Danza de los Matachines; Pascola; Agriculture; Healing; Funeral
AGE: early 1960s
MAIN MATERIAL: wood
OTHER MATERIALS: goat leather and hair; iron nails

The Tarahumara are the largest indigenous ethnic group in Chihuahua, Mexico. Among their rituals are the Dance of the Matachines, in which dancers invoke spirits to ensure a good harvest. The dance is performed by a eight to twelve couples to the music of violins, guitars, and flutes. Chaperones, the only masked characters, mark the rhythm by yelling and also ensure all the dancers wear the right garments.

Such masks may also be used in pascola dances celebrating religious holidays, such as the Feast of the Epiphany (January) or Holy Week (February or March). Masked dances may also be used to pray for rain or heal, the sick, or at funerals.

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Kuker Mask

TITLE: Kuker Mask
TYPE: hood mask
GENERAL REGION: Europe
COUNTRY: Bulgaria
ETHNICITY: Bulgarian
DESCRIPTION: Kuker Mask
CATALOG ID: EUBG001
MAKER: Elitsa Ilieva
CEREMONY: Christmas; Ephiphany; Sirni Zagovezni; Survakari; Kukerovden
AGE: 2012
MAIN MATERIAL: cloth
OTHER MATERIALS: sequins; plastic beads; thread

The dance of the kuker (plural, kukeri) is a pre-Christian ritual.  The word kuker comes from the Latin word for hood. In Bulgarian folklore, the kuker is a mythical monster that drive evil spirits away from the village.  Men dance as kukeri wearing suits of goat fur, leather, or cloth; masks of wood, leather, or goat fur; and heavy bronze bells.

During late winter festivals such as Christmas, Epiphany (January 6), or Sirni Zagovezni (the Sunday before Lent), the kukeri dance through the village streets to purify the village and ensure a successful planting season, visiting houses and blessing the inhabitants. The grotesque costumes and loud noise made by the bells are intended to frighten evil spirits away.  The kukeri may also perform in folk plays, such as Survakari and Kukerovden (The Day of the Kukers). In some villages, participation in the Kukerovden play was long considered an initiation ritual that a young man had to complete to qualify for marriage.

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Tigre Mask

TITLE: Tigre Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Guerrero
ETHNICITY: Nahua
DESCRIPTION: Tigre (Jaguar) Mask
CATALOG ID: LAMX021
MAKER: Unknown
CEREMONY: Batalla de los Tigres (Tecuanis)
AGE: ca. 2010
MAIN MATERIAL: wood
OTHER MATERIALS: boar hair; paint

In Guerrero, Mexico, the Batalla de los Tigres (Tiger Battles) are today part of the Catholic feast day of the Holy Cross, but its origins probably reach back into the pre-conquest era worship of a jaguar god (notwithstanding the name and appearance of the mask, there are no tigers in any part of the Americas). Indeed, in many parts of Guerrero, the dancers are referred to as tecuani, the Nahuatl word for jaguar (literally, “man-eater”).  The modern dance is used to summon rain for the spring planting season.  The jaguars engage in a fierce battle, striking each other with knotted ropes.

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Español Mask

TITLE: Español Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Ecuador
SUBREGION: San Andres
ETHNICITY: Quechua; Aymara
DESCRIPTION: Español (Spaniard) Mask
CATALOG ID: LAEC012
MAKER: Unknown
CEREMONY: Corpus Christi
AGE: ca. 1970s
MAIN MATERIAL: wire mesh
OTHER MATERIALS: metal strips; pig hair; paint

In Ecuador, as in Peru, wire mesh masks and elaborate costumes are worn to celebrate Corpus Christi and promote a good harvest. A carved wooden image of Jesus is accompanied through the town to the local church, where dancers and their families attend Mass. They then dance in a local ceremony attended by most of the village. The masks and costumes are intended to represent and parody well-dressed Spanish dandies. Both costumes and masks are frequently adorned with coins to parody the wealth of the Spaniards. Each dancer is accompanied by his family and musicians throughout.

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Igbo Agbogho Mmuo

TITLE: Igbo Agbogho Mmuo
TYPE: helmet mask
GENERAL REGION: Africa
COUNTRY: Nigeria
ETHNICITY: Igbo
DESCRIPTION: Agbogho Mmuo (Maiden Spirit) Mask
CATALOG ID: AFNG004
MAKER: Unknown
CEREMONY: Agriculture; Funeral; Secret Society; Spirit Invocation
AGE: 1970s
MAIN MATERIAL: wood
OTHER MATERIALS: kaolin clay; pigment

The Igbo are a numerous people inhabiting southern Nigeria. They have a rich masking tradition based on their traditional religion, Odinani, the circumcision ritual of adulthood, and initiation into secret societies. The Agbogho Mmuo, or Maiden Spirit, is a helmet mask intended to represent the spirit of a beautiful female ancestor and is danced during the dry season as part of agricultural rituals, as well as during funerals of prominent members of the masking secret society.

The mask is worn by men only, who imitate the movements of a graceful female to music played on traditional drums and other instruments. Singers also participate and pay tribute to real and past girls. The whiteness of the mask does not idealize light skin, but instead indicates the spirit nature of the girl represented. The elaborate hair style with comb decorations is intended to enhance the beauty of the mask.

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