TITLE: Tiger Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Guatemala
SUBREGION: Sacatepéquez
ETHNICITY: Mayan (Kaqchikel)
DESCRIPTION: Tigre (Tiger) Mask
CATALOG #: LAGT006
MAKER: Dolores Pérez Martínez (San Antonio Aguas Calientes, 1932-2021)
CEREMONY: Baile de los Animalitos
AGE: 2006
MAIN MATERIAL: wood
OTHER MATERIALS: oil-based paint; elastic straps

The Baile de los Animalitos (Dance of the Little Animals), also called the Baile de los Animales, is an annual ceremony in several cities of central and southern Guatemala, usually during a holiday in honor of the town’s patron saint. The dance involves an angel, a hunter, and many different kinds of animals, including the jaguar (sometimes represented by a tiger, as here).  The dance probably predates the Spanish conquest, and involves many speeches by the animals relating to their characteristics, their role in the ecosystem, and (since colonization) their anomalous praise of the Virgin Mary. The hunter no longer hunts the animals in the modern rendition. After the speeches, they all dance to a marimba band.

For more on Guatemalan masks, see Jim Pieper, Guatemala’s Masks and Drama (University of New Mexico Press, 2006).

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TITLE: Moor Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Guatemala
SUBREGION: Sacatepéquez
ETHNICITY: Mayan (Kaqchikel)
DESCRIPTION: Moro (Moor) Mask
CATALOG #: LAGT036
MAKER: Juan Sinay (San Antonio Aguas Calientes, 1867-1957)
CEREMONY: Baile del Torito
AGE: 1897
MAIN MATERIAL: wood
OTHER MATERIALS: oil-based paint; hardware repairs

The Baile de lor Moros y Cristianos (Dance of the Moors and Christians), also sometimes called the Danza de la Conquista, is an annual ceremony in several cities of Guatemala, usually during a holiday in honor of the town’s patron saint. The dance tells the story of the reconquest of the Spain from the Moors in 1492. In the dance, one character represents the Moorish king, another the queen, and a third the Christian king. In addition, one or more Moorish soldiers are represented, as well as an angel in some versions. After a ritual battle, the Moors are vanquished or converted to Catholicism.

For more on Guatemalan masks, see Jim Pieper, Guatemala’s Masks and Drama (University of New Mexico Press, 2006).

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TITLE: Caporal / Negrito Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Guatemala
SUBREGION: Sacatepéquez
ETHNICITY: Mayan (Kaqchikel)
DESCRIPTION: Caporal (Foreman) Mask in the form of a Negrito (black man)
CATALOG #: LAGT022
MAKER: Guadalupe Sinay (San Antonio Aguas Calientes, 1913-2005)
CEREMONY: Baile del Torito
AGE: ca. 1950
MAIN MATERIAL: wood
OTHER MATERIALS: oil-based paint; plastic straps

The Baile del Torito (Dance of the Little Bull), also called the Danza del Torito, is an annual ceremony in several cities of central and southern Guatemala, usually during a holiday in honor of the town’s patron saint. The dance is accompanied by music from a marimba band.

The dance dates back to the 17th century. It tells the story of a cattle ranch in which the caporal or mayordomo (foreman) prohibits the vaqueros (cowboys) to interact with a bull like this one. The cowboys get the foreman drunk and perform bullfights. Eventually, a bull kills the foreman and the dance ends.

The dance frequently begins before sunrise and lasts for up to 12 hours. It may be performed for many days, sometimes over a week. Depending on the size of the town, there may be only one or several bulls and caporales, and up to 50 vaqueros. In some towns, such as Chichicastenango, there is both a white caporal and a black one. In other towns, such as San Antonio Aguas Calientes, there is only one caporal, who is black.

The costume of the vaquero is brightly colored and elaborate, with a hat sporting thick clusters of dyed ostrich feathers. In some towns, the vaquero carries a cape and maraca (rattle). The players of each character are chosen through Mayan rituals and are blessed by an Ai-lj (Mayan priest) before the dance.

For more on Guatemalan masks, see Jim Pieper, Guatemala’s Masks and Drama (University of New Mexico Press, 2006).

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