TITLE: Cojó Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Tenosique, Tabasco
ETHNICITY: Mayan (Yokot’anob / Chontal)
DESCRIPTION: Traditional Cojó mask with beard
CATALOG ID: LAMX138
MAKER: José Rafael Pérez (Tenosique, 1949- )
CEREMONY: Danza Correr del Pochó
AGE: 2007
MAIN MATERIAL: cedar wood
OTHER MATERIALS: sealant

During Carnival and the saint’s holiday of Tenosique, local Mayan people perform La Danza Correr del Pochó, or less formally, El Pochó.  El Pochó is a pre-Christian god that the missionaries tried to characterize as evil.  As a result, modern festivals end in the defeat and burning of Pochó. The Danze del Pochó has three main characters: cojóes, the pochoveras, and the tigres.  They dance to the music of native flutes and drums.

Cojóes are men who represent the first Chontal people, created from the pulp of maize. They are the only participants to wear masks. The cojó masks, such as this one, are always made of wood and, in the original style (like this one), appear like fierce men. The reason for the mask is said to be that Pochó immediately considered human beings his enemy, and so the Mayans wore masks so that Pochó could not recognize them. The costume consists of a coarse coat, a cloth mantle, a skirt of leaves, and a straw hat decorated with large leaves, flowers, and chewing gum boxes. They carry a long rattle shaped like a thick stick filled with changala seeds.

The pochoveras are priestesses of the god Pochó and keep a fire burning on his alter. Pochoveras also wear a hat with leaves and flowers.

The tigres, called balandes in the Chontal language, are masked characters who paint their body with white clay and black spots made of coal to simulate the jaguar pelt. They may also wear an animal skin. The role of the tigres is to attack the cojóes with the help of the pochoveras, on behalf of Pochó. However, the cojóes inevitably win, defeating the tigres and extinguishing Pochó’s fire.

This specific mask was loaned or rented out for use by various townsfolk from 2007 until 2023.

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TITLE: Halloween Witch Mask
TYPE: face mask
GENERAL REGION: North America
COUNTRY: United States of America
ETHNICITY: Mixed
DESCRIPTION: Die-Cut Paper Witch Mask
CATALOG #: NAUS012
MAKER: The Beistle Co. (Pittsburgh, Pennsylvania, 1900- )
CEREMONY: Halloween
AGE: 1920s
MAIN MATERIAL: card paper
OTHER MATERIALS: dyed crepe paper; ink; metal staples

Halloween is one of the major secular festivals in the United States, celebrated on October 31st each year.  It originated in pre-Christian times, possibly among the ancient Celts, who practiced Samhain in late fall by wearing frightening costumes and lighting bonfires in mid-autumn to scare away ghosts. In the eighth century, Pope Gregory III declared November 1st as a day to honor all the saints collectively. The celebration prior to this All Saints Day became known as All Hallows’ Eve (hence the shortened name, All Hallowe’en, eventually elided to Halloween), and involved many of the same traditions practiced by the Celts.

Halloween formerly had many traditions that varied by region.  In modern and relatively homogenized practice, Halloween generally has three main components: costumed parties, “trick-or-treating,” and haunted houses.  Costumed parties are the modern descendant of social activities designed to honor the saints and create solidarity in the community. Children’s parties typically involved games with prizes, such as bobbing for apples and carving pumpkins and other relatively dry squash into frightening “jack-o-lanterns” with candles inside for illumination.  Adult parties commonly involve less innocent games and elaborate decorations to create a scary mood.

Trick-or-treating is the children’s practice of wearing scary costumes to extort candy and other sweets from neighbors. Like roaming goblins, the monsters visiting the house would demand a treat or threaten to play a nasty trick on the neighbor. The threat is of course a formality, as sharing candy with trick-or-treaters is considered a mandatory practice for friendly and community-spirited neighbors. In modern practice, many children have abandoned the tradition of wearing frightening costumes and have leaned toward fantasy characters such as superheroes, princesses, and fairies.

Haunted houses are a relatively modern innovation.  They may be designed and staffed by volunteers or for profit, and generally take the form of a decrepit mansion haunted by ghosts, mad scientists, monsters, the walking dead, etc. The idea is to inspire terror and wonder in a factually safe environment.

In addition, many Americans celebrate by watching horror movies (the release of which Hollywood times to coincide with the Halloween season), and in some regions, most notably Greenwich Village, Manhattan in New York and Salem, Massachusetts, major costumed parades are organized each year.  In many cities, “zombie walks” composed of masses of costumed zombies have been organized as well.

Popular masks and costumes include devils, zombies, skeletons, vampires, werewolves, mummies, witches, pirates, political figures, and characters from popular culture, such as Frankenstein’s monster. However, Halloween costumes can include almost anything, including inanimate objects and abstractions.  The choice is limited only by the imagination of the masquerader.  Masks and costumes depicting offensive racial stereotypes, popular prior to the 1980s, are no longer widely used.

This specific mask was mass produced by cutting the shape from card paper and printing the design on it, then stapling a headband made of foldable crepe paper made by a process invented in Germany. Such mass-produced masks were inexpensive enough to be used by all Halloween celebrants regardless of social position and wealth. Because they were made to be disposable, few survive in their original condition.

For more on 20th century American Halloween costumes, see Phyllis Galembo, Dressed for Thrills: 100 Years of Halloween Costumes and Masquerade (New York: Harry N. Abrams Inc., 2002).

Click above to watch a documentary about Halloween in the United States.

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TITLE: Lechón Mask and Costume
TYPE: face mask; costume; accessory
GENERAL REGION: Caribbean
COUNTRY: Dominican Republic
SUBREGION: Santiago de los Caballeros
ETHNICITY: Afro-Latino
DESCRIPTION: Flores-type Lechón Carnival mask and costume with whip
CATALOG ID: CADO006
MAKER (Mask and Costume): José “Chevy” Luís Almanzar (Santo Domingo, 1981- )
MAKER (Whip): Fernando Mattheo (Cabral, unknown date of birth)
CEREMONY: Carnival; Dominican Independence Day
AGE: 2022
MAIN MATERIAL (Mask): paper maché
OTHER MATERIALS (Mask): yucca sap; colored paper; silicone adhesive; paint; clear spray enamel; foam rubber; elastic straps; metal snaps
COSTUME MATERIALS: synthetic fabric; stitching; silicone adhesive; metal zipper; Velcro®; plastic rhinestones; mirrors; synthetic fabric and rubber shoes; synthetic gloves
WHIP MATERIALS: wood handle; braided and dyed cayuga fiber

During the Carnival of the Dominican Republic, which actually falls on the Dominican Independence Day rather than the Catholic Mardi Gras, paraders don elaborate masks and costumes to represent devils, monsters, clowns, and other characters.  Different towns have different traditional masks.  In Santiago de los Caballeros, a very large parade involving hundreds of masked marchers takes place every year, prominently featuring characters known as the lechón, or “piglet.”  Notwithstanding their name, they nearly always look like a cross between a duck and a bull. The lechón comes in various forms. The traditional mask is the pepinera, with smooth horns or horns covered in spikes. Other masks include jolla masks, whose horns are covered in spikes; flores masks covered in flowers; and fantasía masks, which can take almost any form. This mask is a flores-type mask.

Lechones carry rope whips and inflated bladders on a rope (formerly goat bladders, but today mostly rubber) that they use to strike audience members, preferably young women, on the buttocks.  The ritual thereby serves the dual function of providing a release for young male testosterone and reminding the audience of the torments awaiting in Hell.

Click here to watch a short documentary on the Carnival of the Dominican Republic.

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TITLE: Lechón Mask
TYPE: face mask
GENERAL REGION: Caribbean
COUNTRY: Dominican Republic
SUBREGION: Santiago
ETHNICITY: Afro-Latino
DESCRIPTION: Pepinera-type Lechón Carnival Mask
CATALOG #: CADO005
MAKER: Manuel de Jesús Jiménez (Santiago, 1954- ) & Jovanny de Jesús Jiménez Santos (Santiago, 1979-)
CEREMONY: Carnival; Dominican Independence Day
AGE: 2023
MAIN MATERIAL: paper maché
OTHER MATERIALS: yucca sap; paint; clear spray enamel; foam rubber; elastic straps

During the Carnival of the Dominican Republic, which actually falls on the Dominican Independence Day rather than the Catholic Mardi Gras, paraders don elaborate masks and costumes to represent devils, monsters, clowns, and other characters.  Different towns have different traditional masks.  In Santiago de los Caballeros, a very large parade involving hundreds of masked marchers takes place every year, prominently featuring characters known as the lechón, or “piglet.”  Notwithstanding their name, they nearly always look like a cross between a duck and a bull. The lechón comes in various forms. The traditional mask is the pepinera, with smooth horns or horns covered in spikes. Other masks include jolla masks, whose horns are covered in spikes; flores masks covered in flowers; and fantasía masks, which can take almost any form. This mask is a pepinera-type mask.

Lechones carry rope whips and inflated bladders on a rope (formerly goat bladders, but today mostly rubber) that they use to strike audience members, preferably young women, on the buttocks.  The ritual thereby serves the dual function of providing a release for young male testosterone and reminding the audience of the torments awaiting in Hell.

Click here to watch a short documentary on the Carnival of the Dominican Republic.

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TITLE: Diablo Cojuelo Mask
TYPE: face mask
GENERAL REGION: Caribbean
COUNTRY: Dominican Republic
SUBREGION: Bonao
ETHNICITY: Afro-Latino
DESCRIPTION: Macarao for Pinguinos (Penguins) Group
CATALOG ID: CADO001
MAKER: Henry Pasencia Acosta (Bonao, 1980- )
CEREMONY: Carnival; Dominican Independence Day
AGE: 2022
MAIN MATERIAL: paper maché
OTHER MATERIALS: yucca sap; paint; foam rubber; elastic straps

During the carnival of the Dominican Republic, which actually falls on the Dominican Independence Day rather than the Catholic Mardi Gras, paraders don elaborate masks and costumes to represent devils, monsters, clowns, and other characters.  Different towns have different traditional masks.  In Bonao, various demons known as macarao dance frantically across from groups of girls.  Macarao come in many forms, although all members of a group tend to where the same mask and costume.

This specific mask is used by the Pinguinos (Penguins) Group. It was worn in 2022 and 2023 Carnival celebrations by Kiosky Hierro Frías (Bonao, 2009- ).

Click here to watch a short documentary on the Carnival of the Dominican Republic.

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TITLE: Witch Fantasy Mask
TYPE: face mask
GENERAL REGION: Caribbean
COUNTRY: Dominican Republic
SUBREGION: Santiago de los Caballeros
ETHNICITY: Afro-Latino
DESCRIPTION: Witch Fantasy-Type Carnival Mask
CATALOG #: CADO008
MAKER: Manuel de Jesús Jiménez (Santiago, 1954- ) & Jovanny de Jesús Jiménez Santos (Santiago, 1979- )
CEREMONY: Carnival
AGE: 1995
MAIN MATERIAL: paper maché
OTHER MATERIALS: yucca sap; paint; polyester hat; plastic bats; stitching; foam rubber; elastic straps

During the Carnival of the Dominican Republic, which actually falls on the Dominican Independence Day rather than the Catholic Mardi Gras, paraders don elaborate masks and costumes to represent devils, monsters, clowns, and other characters.  Different towns have different traditional masks.  In Santiago de los Caballeros, a very large parade involving hundreds of masked marchers takes place every year, prominently featuring characters known as the lechón, or “piglet.”  Notwithstanding their name, they nearly always look like a cross between a duck and a bull. The lechón comes in various forms. The traditional mask is the pepinera, with smooth horns or horns covered in spikes. Other masks include jolla masks, whose horns are covered in spikes; flores masks covered in flowers; and fantasía masks, which can take almost any form. This mask is a fantasía mask.

Lechones carry rope whips and inflated bladders on a rope (formerly goat bladders, but today mostly rubber) that they use to strike audience members, preferably young women, on the buttocks.  The ritual thereby serves the dual function of providing a release for young male testosterone and reminding the audience of the torments awaiting in Hell.

This witch mask was worn by one of its makers, Manuel de Jesús Jiménez, in carnival parades of Santiago for 28 years, from 1995 until 2023.

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TITLE: Kali Mask
TYPE: face mask
GENERAL REGION: Asia
COUNTRY: Nepal
SUBREGION: Kathmandu Valley (?)
ETHNICITY: Newar (?)
DESCRIPTION: Buddhist God Mask
CATALOG #: ASNP008
MAKER: Unknown
CEREMONY: Unknown, possible Nava Durga
AGE: ca. 1960s
MAIN MATERIAL: wood
OTHER MATERIALS: pigment; woven cotton strap

Very little is known about this mask. It may come from the Newar people of the Kathmandu Valley. It represents the goddess Kali.

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TITLE: Newar Lakhe Mask
TYPE: face mask
GENERAL REGION: Asia
COUNTRY: Nepal
SUBREGION: Kathmandu Valley
ETHNICITY: Newar
DESCRIPTION: Lakhe Mask
CATALOG #: ASNP006
MAKER: Unknown
CEREMONY: Nava Durga
AGE: 1950s
MAIN MATERIAL: wood
OTHER MATERIALS: mirror; adhesive; paint; cotton cloth; cotton batting; vegetable fiber; hardware

The Newar people of the Kathmandu Valley have a syncretic Hindu-Buddhist religious tradition.  They practice several kinds of masked dance for both sacred and dramatic purposes. Sacred masked dance such as Nava Durga illustrate the nine forms that the goddess Durga takes to fight demons (asura). Dancers belong to a secret society. Nava Durga masks are considered to be alive and are empowered with supernatural forces. Tantric Hindu priests renew the power of the masks each year by performing certain rituals and reciting secret mantras. As soon as the dancer puts their mask on over his face, he becomes possessed by the divinity the dancer represent. The various gods and animals and protect and purify the village.

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TITLE: Boruca Jaguar Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Costa Rica
SUBREGION: Reserva Rey Curré, Puntarenas
ETHNICITY: Boruca
DESCRIPTION: Warrior Mask in the Form of a Jaguar
CATALOG #: LACR005
MAKER: Melvin González Rojas (Puntarenas, 1978- )
CEREMONY: Cagrúv Rójc (Fiesta de los Diablitos)
AGE: 2019
MAIN MATERIAL: balsa wood
OTHER MATERIALS: paint; adhesive; rubber straps; plastic straps; turkey and other feathers

The Boruca people mostly inhabit two reservations in the Puntarenas Province of Costa Rica. Technically, many persons classified as Boruca are members of neighboring indigenous peoples, such as the Coto and Quepo people, who have banded with the Boruca to preserve their traditions and relative independence. Their best known holiday is the Fiesta de los Diablitos (Festival of the Little Devils), properly called Cagrúv Rójc in the Boruca langauge, and held from December 30th to January 2nd each year. The ceremony represents a major community event and a retelling of the Spanish conquest of the Boruca people (represented by masked forest spirits known as diablos, but actually representing indigenous warriors).  All masqueraders are men. The diablos begin parading in the morning at the direction of an elder devil, el Diablo Mayor, representing the glory of the Boruca culture before the conquest.  On January 1st, a masquerader in a toro (bull) mask enters the festivities to represent the invading Spanish. The toro chases the diablos about the village. Although the diablos resist, the toro ultimately knocks down all the diablos, representing the Spanish victory.  Afterward, the diablos return to life, sending the toro into hiding while they hunt him with the help of a masquerader posing as a dog. Ultimately they find, capture, and symbolically burn the toro, signifying the end of the festival. The toro mask is not burned, but saved for the subsequent year’s ritual.

This mask, representing the diablo as a warrior in the form of a jaguar, was made by the master carver Melvin González and used by a series of participants from 2019 to 2023 in Cangrúv Rójc celebrations. Eventually, the rubber straps broke and were partially replaced with plastic.

Click above to watch a short documentary film about the Cagrúv Rójc ceremony of Boruca, Costa Rica.

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TITLE: Boruca Toucan Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Costa Rica
SUBREGION: Reserva Rey Curré, Puntarenas
ETHNICITY: Boruca
DESCRIPTION: Warrior Mask with Toucans
CATALOG #: LACR001
MAKER: Santiago Leiva Morales (Bir, 1991- )
CEREMONY: Cagrúv Rójc (Fiesta de los Diablitos)
AGE: 2022
MAIN MATERIAL: balsa wood
OTHER MATERIALS: paint; adhesive; metal hardware; plastic straps

The Boruca people mostly inhabit two reservations in the Puntarenas Province of Costa Rica. Technically, many persons classified as Boruca are members of neighboring indigenous peoples, such as the Coto and Quepo people, who have banded with the Boruca to preserve their traditions and relative independence. Their best known holiday is the Fiesta de los Diablitos (Festival of the Little Devils), properly called Cagrúv Rójc in the Boruca langauge, and held from December 30th to January 2nd each year. The ceremony represents a major community event and a retelling of the Spanish conquest of the Boruca people (represented by masked forest spirits known as diablos, but actually representing indigenous warriors).  All masqueraders are men. The diablos begin parading in the morning at the direction of an elder devil, el Diablo Mayor, representing the glory of the Boruca culture before the conquest.  On January 1st, a masquerader in a toro (bull) mask enters the festivities to represent the invading Spanish. The toro chases the diablos about the village. Although the diablos resist, the toro ultimately knocks down all the diablos, representing the Spanish victory.  Afterward, the diablos return to life, sending the toro into hiding while they hunt him with the help of a masquerader posing as a dog. Ultimately they find, capture, and symbolically burn the toro, signifying the end of the festival. The toro mask is not burned, but saved for the subsequent year’s ritual.

This mask, representing the diablo as a warrior surrounded by totemic toucans, was used by Justin Araya Leiva (San José, 2001- ) in the 2022 Cangrúv Rójc celebration.

Click above to watch a short documentary film about the Cagrúv Rójc ceremony of Boruca, Costa Rica.

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