TITLE: Guaimíe Cucuá Devil Mask
TYPE: face mask with pañoleta
GENERAL REGION: Latin America
COUNTRY: Panama
SUBREGION: Coclé
ETHNICITY: Guaimíe (Ngobe-Buglé)
DESCRIPTION: Cucuá Devil Mask
CATALOG ID: LAPA009
MAKER: María José Rodríguez (San Miguel Centro, 1955- )
CEREMONY: Danza de los Diablos (Dance of the Devils)
FUNCTION: Celebration; Entertainment
AGE: 2006
MAIN MATERIAL: tapa cloth from white Cucuá tree bark
OTHER MATERIALS: tapa cloth from red Cucuá tree bark; Vejuco Verde stick frame; Pita palm string; wild boar jaw; white-tailed deer antlers; vegetable dyes

The Guaimíe (today called Ngobe-Buglé) people inhabit the north-central region of Panama.  Although they have largely become mixed in race and ethnicity, those living in the Coclé region have recently revived their traditional dance, today known as the Danza de los Diablos (Dance of the Devils). The dance actually is a form of worship of traditional animist gods; the reference to “devils” was bestowed by Catholic missionaries, who equated all indigenous religions in Latin America as “devil worship.”

The dance is held every March and is performed in large groups of both adults and children, to the music of violin, drum, rattle, and guitar. Dancers wear full suits made of cloth made from pounded bark of the Cucuá tree, decorated with symbols and a triangular motif that represents the scales of the snake-god formerly worshiped by the indigenous people.  They carry a whip made of a sturdy cacique wood pole and leather straps, and as they dance they shout out invocations of the nature spirit they represent.  The masks and costumes are made entirely from natural materials found locally.  Even the paints are made from vegetable dyes, with guaymi leaves providing the red tint, turmeric the yellow, mucuna vine seeds (“deer-eye beans”) the black, and chile pepper leaves the green.  Buttons are made from seeds from the cacique tree.

This mask was danced by Gabriel Morán, son of the mask maker, from 2006 until 2018.  The pañoleta (decorated scarf hanging from the back) was replaced in 2013 due to the previous one wearing out.


Click above to watch a short documentary film about the Cucuá devils of Panama.

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TITLE: Dancing Devil of Yare
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Venezuela
SUBREGION: Miranda
ETHNICITY: Mestizo
DESCRIPTION: Diablo Danzante
CATALOG ID: LAVE002
MAKER: Manuel “El Mocho” Salvador Sanoja, San Francisco de Yare (1937-2010)
CEREMONY: Corpus Christi; other Catholic holidays
AGE: 1980s
MAIN MATERIAL: paper maché
OTHER MATERIALS: paint

The dancing devils of Yare are a fraternal order that dances on Corpus Christi and other holidays. When the tradition of dancing in devil costumes first began in San Francisco de Yare, the masks were monochromatic, made from cloth, and came in many forms.  These may date back to the 18th century.  Over time, the drab cloth masks were replaced with cheaper paper maché, and they began to be painted more colorfully to resemble animals, such as bulls, pigs, dogs, or demons. Before dancing, each devil makes a promise to the Church, but devils never enter the church building itself.  Instead, they hear mass outside the church and receive the Bishop’s blessing without entering.

The Dancing Devils Society is organized in a definite hierarchy, with the number of horns (cachos) representing the rank of the dancer.  Each wears a red suit with a crucifix or image of a saint, with a rosary on the belt, and carries rattles (maracas) or, in the case of the lead devil, one rattle looking like a devil’s head and a whip (látigo).  The First Devil (primer capataz) is the leader and has four horns.  The second and third devils (segundo and tercero capataz) have three horns.  Lesser devils (promeseros) have two horns.  All are male; females can participate, but they cannot wear masks.  Instead, they wear the red suit with a red kerchief on their heads.

This mask was made by the well-known dancer “El Mocho,” known as such for having lost four fingers on his left hand while setting off fireworks as a child.

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TITLE: Otomí Devil Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Queretaro
ETHNICITY: Otomí
DESCRIPTION: Diablo (Devil) Mask
CATALOG ID: LAMX108
MAKER: Unknown
CEREMONY: Semana Santa (Holy Week)
AGE: 1970s
MAIN MATERIAL: wood
OTHER MATERIALS: hardware; goat horns; oil-based paint

During Semana Santa (Holy Week) in the small mountain town of El Doctor, Queretaro, townspeople reenact the Passion of Jesus Christ in a unique manner. Participants wear stiff cloth animal masks, known as fariseos (Pharisees) or judios (Jews) and persecute a person who portrays the torture and crucifixion of Jesus of Nazareth. The fariseos make jokes and mock Jesus, but in the end are converted to Christianity when Jesus is portrayed as resurrected.  Fariseos tend to resemble animals, implying that the Pharisees are bestial.  This specific mask represents a devil (diablo), who encourages the fariseos.

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TITLE: Seri (Comcaac) Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Sonora
ETHNICITY: Seri (Comcáac)
DESCRIPTION: Striped shamanic mask with bones
CATALOG ID: LAMX121
MAKER: Unknown maker in Bahia de Kino
CEREMONY: Shamanic Rituals
FUNCTION: healing (?)
AGE: 1980s
MAIN MATERIAL: wood
OTHER MATERIALS: paint; animal bones; adhesive; string

The Seri people of Sonora, Mexico call themselves Comcáac. They live primarily on Shark Island (Isla Tiburón) in the Gulf of California, and the adjacent mainland of Sonora (Punta Chueca and El Desemboque). Despite invasive Spanish colonialism and periodic Mexican assimilation movements, they have maintained their traditions even today. Traditionally, they lived as preliterate hunter-gatherer bands of fifty individuals or fewer, with no tribal organization. They primarily engage in commercial fishing today.

Like many indigenous groups in the region, the Seri engaged in face painting and had shamans who played important roles in healing the sick and protecting the people. Very little is known of their masking traditions, but they were reported by R.W.H. Hardy in the early nineteenth century to have worn deer and mountain lion masks on some occasions, and to have carved wooden masks.  This specific mask may have been made by a shaman for use in healing the sick, and would have been worn with a fringe of ixtle fiber.

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TITLE: Fariseo Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Queretaro
ETHNICITY: Otomí
DESCRIPTION: Fariseo (Pharisee) Mask of a Raccoon
CATALOG ID: LAMX106
MAKER: Unknown maker in El Doctor
CEREMONY: Semana Santa (Holy Week)
AGE: late 1970s
MAIN MATERIAL: linen
OTHER MATERIALS: glue; cotton cloth; ixtle fiber; paint

During Semana Santa (Holy Week) in the small mountain town of El Doctor, Queretaro, townspeople reenact the Passion of Jesus Christ in a unique manner. Participants wear stiff cloth animal masks, known as fariseos (Pharisees) or judios (Jews) and persecute a person who portrays the torture and crucifixion of Jesus of Nazareth. The fariseos make jokes and mock Jesus, but in the end are converted to Christianity when Jesus is portrayed as resurrected.  Fariseos tend to resemble animals, implying that the Pharisees are bestial.  This specific mask represents a raccoon (mapache).

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TITLE: Rey de Jardineros
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Oaxaca
ETHNICITY: Zapotec
DESCRIPTION: Rey de Jardineros
CATALOG ID: LAMX085
MAKER: Unknown
CEREMONY: Danza de Jardineros
AGE: late 1970s
MAIN MATERIAL: cloth covered in beeswax
OTHER MATERIALS: paint; metal o-rings; cotton string

In many parts of Mexico, indigenous populations reenact the Spanish Reconquista, known as the Danza de los Cristianos y los Moros, usually on holidays in honor of the patron saint of the village. In the Zapotec region of Oaxaca, especially San Bartolo Coyotepec, Zaachila, and Santo Tomás Jalieza, this tradition has a unique style and is known as the Dance of the Gardeners. A group formed of a Christian king and queen, a Moorish king and queen, and various princes, princesses, knights and vassals involving an elaborate plot that ends in a machete fight in which the Christians are victorious and force the Muslims to convert to Catholicism. The ceremony is usually performed at the Fiesta de la Virgén de Rosario on the last Sunday of the year, as well as the 2nd and 8th of January. This specific mask represents the Spanish king.

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TITLE: Korkobi Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Michoacán (Charapán)
ETHNICITY: Purépecha
DESCRIPTION: Korkobi (Corcoví) Mask
CATALOG ID: LAMX061
MAKER: Victoriano Salgado Morales (1920-2012, Uruapan)
CEREMONY: Danza de los Viejitos
AGE: 1970s
MAIN MATERIAL: wood
OTHER MATERIALS: maque; plaster

The Korkobi mask (also written in many variations, such as Corcoví and Corcobi) represents a nocturnal bird, which in Purépecha beliefs is considered a sign of ill omen, because its song announces death.  However, the character also represents the sun. The Korkobi dances in the Christmas Eve Danza de los Viejitos (Dance of the Little Old Men) and is primarily used in the small town of Charapán.

In this dance, a female character (Maringuía) represents the moon, the Korkobi represents the sun, the tecolote (owl) the night, and the viejitos (old men) represent the stars dancing for the amusement of the Holy Child.

All the characters in the dance try to get the attention of the Maringuía with shouts and compliments but it is the Korkobi alone who succeeds in courting her.

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TITLE: Reina de Jardineros
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Oaxaca
ETHNICITY: Zapotec
DESCRIPTION: Reina (Queen) de Jardineros
CATALOG ID: LAMX092
MAKER: Unknown
CEREMONY: Danza de Jardineros
AGE: late 1970s
MAIN MATERIAL: cloth covered in beeswax
OTHER MATERIALS: paint; metal o-rings; cotton string

In many parts of Mexico, indigenous populations reenact the Spanish Reconquista, known as the Danza de los Cristianos y los Moros, usually on holidays in honor of the patron saint of the village. In the Zapotec region of Oaxaca, especially San Bartolo Coyotepec, Zaachila, and Santo Tomás Jalieza, this tradition has a unique style and is known as the Dance of the Gardeners. A group formed of a Christian king and queen, a Moorish king and queen, and various princes, princesses, knights and vassals involving an elaborate plot that ends in a machete fight in which the Christians are victorious and force the Muslims to convert to Catholicism. The ceremony is usually performed at the Fiesta de la Virgén de Rosario on the last Sunday of the year, as well as the 2nd and 8th of January. This specific mask represents the Spanish queen.

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TITLE: Saqra Mesh Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Peru
SUBREGION: Paucartambo
ETHNICITY: Quechua; Aymara
DESCRIPTION: Saqra (Devil) Mask
CATALOG ID: LAPE010
MAKER: Unknown maker in Ollantaytambo
CEREMONY: Danza Saqra (Kuwallada)
AGE: 2019
MAIN MATERIAL: wire mesh
OTHER MATERIALS: metal strips; plastic; foam rubber; paint; string

Throughout the highlands of Peru, major festivals include masked dances. One common dance in many towns is the Kuwallada, which includes a Danza Saqra, or dance of the devils. The term saqra is Quechua for “wicked” or “devil” and represents tricksters dressed as animals or devils.  They are not really “evil,” but merely mischievous. In most places, the saqra mask is made of paper maché, covered in plaster and painted. In the ancient town of Ollantaytambo, however, the saqra is a metal mesh mask, with foam rubber ears, horns, and other adornments.

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TITLE: Saqra Eagle Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Peru
SUBREGION: Paucartambo
ETHNICITY: Quechua; Aymara
DESCRIPTION: Saqra (Devil) Mask of an Eagle
CATALOG ID: LAPE023
MAKER: Adriel Ordoñez (Cusco, 1994- )
CEREMONY: Danza Saqra (Kuwallada)
AGE: 2018
MAIN MATERIAL: paper maché
OTHER MATERIALS: plaster; paint

The city of Paucartambo, Peru, celebrates the Festival of the Virgin of Carmen (Mamacha Carmen) annually on July 16th. The Festival begins by the carrying of an image of the Virgin Mary through the streets to the church. Among the festivities that follow is the Kuwallada, a festival involving numerous masked characters in elaborate costumes. One component of Kuwallada is the Danza Saqra.  The term saqra is Quechua for “wicked” or “devil” and represents tricksters dressed as animals or devils.  They are not really “evil,” but merely mischievous.

The saqra troupe has a fairly complex organization, with a leader (caporal), two captains (capitánes), a female saqra (china saqra), soldiers, “pets” (mascotas), clowns known as maitas or qhapac qollas, who wear the waq’ollo mask, and the carguyoc, who is an organizer who accompanies (and provides beer for) the musicians.


Click above to watch a short documentary on Corpus Christi in Cusco, Peru.

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