TITLE: Bamana N’tomo Mask
TYPE: face mask
GENERAL REGION: Africa
COUNTRY: Mali
ETHNICITY: Bamana (Bambara)
DESCRIPTION: N’tomo Society mask with bird beak
CATALOG ID: AFML006
MAKER: Unknown
CEREMONY: Secret Society; Social Control; Status
AGE: Late 20th century
MAIN MATERIAL: wood
OTHER MATERIALS: pigment

The Bamana people, sometimes called Bambara, are one of the largest ethnic groups in Mali. They have six major secret societies of different levels of prestige that conduct adult initiation rituals. Initiates are taught survival skills, social customs, and religious principles. The N’tomo Society originally comprised only uncircumcised boys and teaches the virtues of silence and discipline. For this reason, the N’tomo Society masks tend to have small, closed mouths. This mask is unusual in having a serrated beak, evoking a predatory bird.

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TITLE: Bozo Sogo Kun
TYPE: face mask
GENERAL REGION: Africa
COUNTRY: Mali
ETHNICITY: Bozo
DESCRIPTION: Sogo Kun Mask
CATALOG ID: AFML011
MAKER: Unknown
CEREMONY: Entertainment; Social Status
AGE: ca. 1970s
MAIN MATERIAL: wood
OTHER MATERIALS: paint; dyed cloth; plant fiber; hardware

The Bozo people of Mali inhabit the area along the Niger River and live predominantly by fishing. Many have been converted to Islam, but they nonetheless maintain animist beliefs and masking traditions today. Unlike other west and central African peoples, however, the Bozo do not use masks for important spiritual functions so much as for entertainment.  Masks and associated puppets (sometimes, the two are combined) entertain the village and raise the dancer’s social status through demonstrations of skill in mask making and dancing.

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TITLE: Kuba Lele Mask
TYPE: helmet mask
GENERAL REGION: Africa
COUNTRY: Congo, Dem. Rep. of
SUBREGION: Kasai River
ETHNICITY: Lele (Kuba)
DESCRIPTION: Helmet Mask
CATALOG ID: AFCD005
MAKER: Unknown
CEREMONY: Celebration; Funeral; Secret Society; Status
AGE: ca. 1980s
MAIN MATERIAL: wood
OTHER MATERIALS: cotton cloth; cowrie shells; beads

The Lele people are a subgroup of the Kuba ethnic group of the Democratic Republic of Congo, inhabiting the Kasai River basin. They dance masked on many occasions, including festivals celebrating the mythical founding of the people and funerals of important individuals.  Lele masks have affinities with those of the Kuba people more generally, but they have a distinctive flattened face.  Cowrie shells and glass beads were valuable trade goods and their use denotes wealth and status.

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TITLE: Atoni Mask
TYPE: face mask
GENERAL REGION: Oceania
COUNTRY: Indonesia
SUBREGION: West Timor
ETHNICITY: Atoni
DESCRIPTION: Handheld mask
CATALOG ID: OCID012
MAKER: Unknown
FUNCTION: Status
AGE: 1970s
MAIN MATERIAL: polished hardwood
OTHER MATERIALS: N/A

The Atoni people make up the largest ethnic group on the island of Timor, which is politically divided between independent Timor-Leste to the east and Indonesian West Timor. The Atoni use two kinds of masks.  Ancestor masks are used for funerals, adult initiation, war victory celebrations, and other ceremonies commemorating major social events. Handheld masks like this one are used for a quite different purpose. It is believed that these masks were used for a socially acceptable form of stealing when a villager encountered hardship. By covering his face with a mask, the mask takes the blame for the theft and the person wearing it is exonerated. The mask thus helps the villager maintain “face,” as it were.

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TITLE: Bamana N’tomo Mask
TYPE: face mask
GENERAL REGION: Africa
COUNTRY: Mali
ETHNICITY: Bamana (Bambara)
DESCRIPTION: Painted N’tomo Society Mask
CATALOG ID: AFML002
MAKER: Unknown
CEREMONY: Secret Society; Social Control; Status
AGE: Late 20th century
MAIN MATERIAL: wood
OTHER MATERIALS: oil paint; hardware repair

The Bamana people, sometimes called Bambara, are one of the largest ethnic groups in Mali. They have six major secret societies of different levels of prestige that conduct adult initiation rituals. Initiates are taught survival skills, social customs, and religious principles. The N’tomo Society originally comprised only uncircumcised boys and teaches the virtues of silence and discipline. For this reason, the N’tomo Society masks tend to have small, closed mouths.

Many Bamana masks also have brass plating, unlike this one.  Blacksmithing and metallurgy play an important role in the N’tomo Society, so a brass covering greatly increases the status of a mask. However, the Bamana people, like many African peoples, are also fond of bright colors and use paint to increase the appeal of their masks.

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TITLE: Kuba Mukenga Mask
TYPE: helmet mask
GENERAL REGION: Africa
COUNTRY: Congo, Dem. Rep. of
SUBREGION: Western Kasai
ETHNICITY: Kuba
DESCRIPTION: Mukenga helmet mask
CATALOG ID: AFCD002
MAKER: Unknown
CEREMONY: Funeral; Secret Society; Status
AGE: ca. 1960s
MAIN MATERIAL: cloth
OTHER MATERIALS: wood; glass beads; cowrie shells; leopard fur; thread; plant fiber; metal plating

The Kuba people of the Democratic Republic of Congo have several masks associated with royalty. The mukenga mask is associated with the highest status of the Babende initiation society through its invocation of the most powerful forest animals, the leopard and the elephant (note its trunk-like crest). Cowrie shells and glass beads were valuable trade goods and their use denotes wealth and status.

Mukenga masks are danced at funerals of titled nobility by members of the mukenga society. Because the mukenga masquerader has no vision (the helmet mask has no eye holes), attendants assist him to remain within the dance area. The mukenga dancer represents an important person visiting the village to pay respects to the deceased.

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TITLE: Baule Gbagba
TYPE: face mask
GENERAL REGION: Africa
COUNTRY: Côte d’Ivoire (Ivory Coast)
ETHNICITY: Baule
DESCRIPTION: Gbagba Mask
CATALOG ID: AFCI013
MAKER: Unknown
CEREMONY: Mblo Dance Drama
AGE: 1988
MAIN MATERIAL: wood
OTHER MATERIALS: lacquer

The Baule Mblo ceremony combines dramatic scenes and individual dances and is possibly the most ancient Baule masking tradition. The gbagba dancer participating in Mblo wears a mask flatteringly portraying a respected member of the community and skilled dancer, usually (as here) female. The person portrayed is expected to accompany the masquerader in dance. The dark and shining skin indicates health. The intricately carved and elaborate hairstyle, teeth filed to sharp points, and traditional facial scarification represent the Baule version of ideal beauty. The dance is performed to the music of drummers and singers. To avoid insulting the person portrayed, only the most practiced dancers may wear a gbagba, and gbagba masks are stored out of sight when not in use.

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TITLE: Songye Kifwebe Kilume
TYPE: face mask
GENERAL REGION: Africa
COUNTRY: Democratic Republic of the Congo
ETHNICITY: Songye
DESCRIPTION: Bwadi Society Kifwebe Kilume male mask
CATALOG ID: AFCD018
MAKER: Unknown
CEREMONY: Bwadi Bwa Kifwebe Society
FUNCTION: Adult Initiation; Secret Society; Social Control; Social Status; War Preparation
AGE: ca. 1970s
MAIN MATERIAL: wood
OTHER MATERIALS: kaolin clay; animal hair

Among the Songye and Luba peoples of central Africa, the Bwadi Bwa Kifwebe Society commands high status, because its members are considered to have magical powers to invoke spirits. Among the masks used by the Kifwebe Society is the Kilume (male) mask here. Kilume masks are danced with a suit of mesh and a long mantle of raffia fiber. The masqueraders were used primarily to enforce social norms, to intimidate enemies in war, to attend male circumcisions, and at bukishi initiations teaching social and religious principles. Today, they exist primarily to preserve tradition and provide entertainment.

The dance of the male Kifwebe masquerader is erratic and energetic, reflecting the intimidating policing role played by this part of the Society.

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TITLE: Bamileke Buffalo
TYPE: crest mask
GENERAL REGION: Africa
COUNTRY: Cameroon
ETHNICITY: Bamileke
DESCRIPTION: Buffalo Crest
CATALOG ID: AFCM003
MAKER: Unknown
CEREMONY: Agriculture; Celebration; Funeral; Status
AGE: 1990s
MAIN MATERIAL: wood
OTHER MATERIALS: kaolin clay

The Bamileke people of the Cameroon grasslands are closely related to their neighbors, the Babanki and Bamoun peoples, and have similar artistic styles. The Bamileke society is highly stratified by lineage, with certain royal lineages exclusively entitled to wear certain masks.  Lineage masks may represent persons, such as the kam, ngoin, or animals, and are used principally at funerals and annual harvest festivals. The kam mask is reserved for royalty and is the highest ranking mask, with ngoin, his wife, also highly ranked. Animal masks (other than the elephant) like this one are open to non-royal lineages to use.

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TITLE: Bamileke Helmet Mask
TYPE: helmet mask
GENERAL REGION: Africa
COUNTRY: Cameroon
ETHNICITY: Bamileke
DESCRIPTION: Helmet Mask
CATALOG ID: AFCM002
MAKER: Unknown
CEREMONY: Agriculture; Celebration; Funeral; Status
AGE: late 1960s
MAIN MATERIAL: wood
OTHER MATERIALS: none

The Bamileke people of the Cameroon grasslands are closely related to their neighbors, the Babanki and Bamoun peoples, and have similar artistic styles. The Bamileke society is highly stratified by lineage, with certain royal lineages exclusively entitled to wear certain masks.  Lineage masks may represent persons, such as the kam, ngoin, or animals, and are used principally at funerals and annual harvest festivals. The kam mask is reserved for royalty and is the highest ranking mask, with ngoin, his wife, also highly ranked. Helmet masks like this one are open to non-royal lineages to use.

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